Fingersmith (2005)

Highly Overrated But Still Good

Pretty good movie overall. First half was nothing special but it got better as it went along.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Maud Lilly (Elaine Cassidy) grew up in the Institute of the Insane after her mother's death. She is taken in by her cold-hearted uncle (Charles Dance) who keeps her under his control. She doesn't know that she stands to inherit a fortune if she gets married. Richard Rivers (Rupert Evans) is a con-man who has weaseled his way into her life looking to elope with Maud and then steal her inheritance. Her maid, who is his accomplice, gets replaced and he loses access. He hopes to hire Sue Trinder (Sally Hawkins) as part of the scheme by slipping her in as the new maid. Sue was left to Mrs. Sucksby (Imelda Staunton) as a baby. They lived in the shadow of the hangman's noose with pickpockets and thieves making a low living in the London slums. However it's a world of secrets, double-crosses and hidden history.Sally Hawkins and Imelda Staunton are the best actors around and they don't disappoint. Elaine Cassidy starts out as a naive innocent and her turn is effectively done. The turn is shocking for people who haven't read the novel and it's lots of fun. The constant stream of reveals does get a bit tiring and the first half can be a bit slow. However this is still very watchable from start to finish.

"Fingersmith" is divided into two episodes, and it is truly a hit and miss film. While watching the first episode, I thought I was experiencing one of the finest films ever made - it developed like a Dickensian novella courageously and poetically weaving a tale of lesbian love. Until just before the end of the first episode, I was fully expecting to give "Fingersmith" my highest recommendation.The organic kernel of the movie - as presented in the summary on this web site - is superb and of the highest quality. The movie goes off the tracks, however, at the very end of the first episode and never really gets back on track after that. There are too many plot twists which stretch the viewer's capability for suspension of disbelief past the breaking point. The film becomes much too impressed with its own cleverness and the second episode just feels inauthentic and overly contrived. It's almost an insult to the viewer's intelligence and a betrayal of the time so well invested up to that point. It also robs the film of its crux and primary dilemma, namely, after wrestling with her powerful feelings of love, her past loyalties and moral and ethical considerations, what decision will Sue Trinder make regarding the plan to defraud Maud? There's no doubt about it, simpler would have been much much better in this case. Nine stars for the first episode. One star for the second episode. Five stars overall. This could have been so much better.

BBC's 3 hour adaptation of the novel by Sarah Waters..."Fingersmith". Life is tough without money, especially in Dickensian London. Dark deeds lead to despicable dilemmas.Is love really just a luxury for the rich and free ?? Elaine Cassidy as "Maud Lilly" and Sally Hawkins as "Sue Trinder" both give fantastic performances as the leading ladies asking this question ... OF EACH OTHER ...whilst Rupert Evans shines as the delightfully bad "Gentleman".. with great support from Imelda Staunton's "Mrs Sucksby", David Troughton's "Mr Ibbs" and Charles Dance's "Uncle". The plot twists and turns and I wasn't sure I could be led to care about characters able to hurt and use each other in this way... but somehow.. i do care... and thats because of the quality of the performances... love feels like love .. hate feels like hate... betrayal .. confusion.. well hopefully you get the idea and hopefully you will get the DVD and enjoy.( Elaine Cassidy is just great in this.. gorgeous in fact.... i have to declare i am in her fan club... Hi Elaine : )

The chemistry between Sally Hawkins and Elaine Cassidy was incredible. They were thoroughly convincing and genuinely likable in their roles. Imelda Staunton played the conniving Mrs. Sucksby brilliantly. Despite the fact that she was a dastardly opportunist, she somehow managed to have you sympathizing with her in the end. Rupert Evans played the slime-ball gentleman with sheer charm and snark. He was a scene stealer. The story itself was very unique, as was the manner in which it was told. The Victorian England setting featuring two lesbian lead characters was intriguing and delightful. There were some fantastic and unexpected twists and turns that really kept the audience engaged in the story. A wonderful cast and excellent story made this film superb.