Breaking the Girls (2013)

Best movie of this year hands down!

Very very predictable, including the post credit scene !!!

One of my all time favorites.

It's no definitive masterpiece but it's damn close.

There are two over done misogynistic stereotypes of women. The evil woman and the virginal girl. These women obviously weren't virginal, so of course they had to be evil. Such a cliché! Then there's the fact this movie wasn't even original. It was basically the plot to any of the Wild Things movies.Not to mention the plot made absolutely no sense. In real life, the police would have figured out that Sara and Nina were sisters and that they had a MOTIVE to kill David, and they wouldn't have let them off the hook so easily. That was ridiculous.But whatever. If that's what you're into. I am just disappointed because I found it to be misogynistic and boring. I just wanted to see a movie about lesbians and was let down. Besides a few kissing scenes, this wasn't a lesbian movie.

There is nothing more satisfying in a movie where there's an unforeseen twist in the tale. It changes your outlook on what occurred before, and befuddles your brain as you try to make sense of the new state of affairs. It may even make you want to watch the film again, to see if this reinterpretation of the material adds to the viewing experience.Breaking The Girls, a really REALLY dumb film attempts three such tasks... and fails miserably with each one. Rather than have you gasping with admiration for how the director manages the process, here you'll be shaking your head with disbelief as how desperate he is to put some pseudo intellectualism onto this mess. Sorry, dude. No matter how much whipped cream you add... a turd is still a turd.This is, after all, a film that believes a girl who's been straight all her life can become a lesbian overnight because of a bad break-up and losing her job. I don't think it quite works like that. As for the whole 'swap murders' plot as first introduced in that Hitchcock classic Strangers On A Train, here you'd THINK it would perform the function of being the main plot... but NOPE.Instead we are 'treated' to an alphabet soup of boring conversations, scenes that go nowhere and people doing something smart one minute, and incredibly dumb the next. ALL the focus seems to be on these stupid twists... Which don't work, and lead to more questions than answers. And besides, seeing as how we have zero emotional investment in these bland, no-dimensional characters, what difference would they make, anyway? 4/10

Parties, booze, back biting bad behaviour set at a school with a law program.Sara (from the lower class) is on scholarship and works more than one job. She and Eric like one another. Brooke wants Eric to herself. Alex (from old money) is a lesbian Cassanova who wants Sara because she's straight and because she thinks Sara is vulnerable. Brooke (another privileged young woman) gets Sara fired from her job, which gets her scholarship revoked, and gets her kicked out of housing. Alex's step mom (real mom died in swimming pool) is five years older than Alex, and quite nasty to Alex (like don't visit home without calling first). The heat comes from Alex's father, though.So, Brooke and Nina are the obvious targets. Sarah despises Brooke, and Alex despises Nina. So, Sara and Alex discuss this, but not really at any length.Alex kills Brooke and frames Sara, then kills her father and frames Sara. Nice.Were there important missing pieces that Sara needs to know about? Will Sara be able to extricate herself from the murder charges? Will everything we think we know be thrown out in the last three minutes?------Scores-------Cinematography: 8/10 Mostly fine; camera a bit wobbly now and then.Sound: 8/10 OK.Acting: 2/10 The only good acting I saw in this film came from Sam Anderson and John Stockwell; both performances were short. The other performances were between sub-par and bad. The relationship between Alex and Sara was not believable. Shawn Ashmore does better with a stronger director.Screenplay: 4/10 Derivative and boring. For a bright person trained in the law, Sara navigates her situation very poorly. The exposition of motivation was not all that good, and the poor acting did not help. The turnaround in the plot at the end was a fairly nice touch in terms of plot, but was also yet another full-scale affirmation of corruption. There were so many in this film.

Sara is a student and works as a bartender. One night she meets Alex a nice girl and she is too drunk to be able to go home alone so Sara offers to drive her. Arrived at home between the two a romance is born and then intervenes Eric, a schoolmate that Sara likes him. The three have fun at Alex's house in one evening then invites Eric to leave because they feel better without his company. They try to know each other better and thereby finds that both are orphans. Alex has a stepparent and take them by surprise one evening when the two are found kissing on the trampoline. Alex has a much better situation then Sarah, she has her own car and a fancy house that has remained as legacy, a half is her and can be visited on weekends. Sara loses her job after being accused by a colleague Brooke and because of her loses and the place where she lives. Alex tells her that she is unsatisfied by Nina the wife of her stepfather and would be better if he would disappear from the landscape and reminds her that she is in a similar situation with Brooke and if the two would die, their problems would solve. Sara of course do not believe she meant seriously but it turns out that she wasn't joking and she kills Brooke but put the murder in Sara's hands. Now she is the one who has to do the same to keep her part of the agreement and for retaliation. But this will not be so easy and will go through a lot to be able to make excuses for the police and make them believe that she is not the murderer.It is a very fast film with a lot of lesbianism frequent sequences the shift from relationships between girl-girl and boy-girl, of course it has flaws when the police comes to Alex's home to ask Sara about what she did the night when the murder took place, before she leave, tells her if she has a clue that might help her in the investigation, to give her a call but the policewoman doesn't let a card or a phone number and Sara could not have known her number. Then you do not go with a girl you just met that night and you do not get in her car, find other options such as to call her a cab.Not the best movie but it reminded me somehow of Wild Things and Cruel Intentions.