Murder In Harlem (1935)

People are voting emotionally.

i must have seen a different film!!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Before watching this film and certainly before judging it, there are things you should bear in mind. First, the quality of the actual celluloid leaves much to be desired, and the film jumps in places. Secondly, although by 1935 blacks had already made an enormous impact on American popular culture, this was primarily through music. Oscar Micheaux, who made this, was a rarity, so although by 2015 standards this low budget monochrome leaves much to be desired, it was not a bad effort for the son of a slave, even if he had been making films for more than a decade.Yes, the script is a bit wooden, and the extended absurd cameo at the beginning about the book salesman is superfluously irrelevant and then some, but this was based on Micheaux's own experience. The film itself is a thinly veiled reworking of the murder of Mary Phagan by Leo Frank. Although there have been repeated attempts over the past hundred years to absolve Frank of this crime and put the blame on his Negro sidekick, the complete documentation from the case has now been placed on-line, and it is difficult to conclude otherwise than that fanciful as Jim Conley's story may sound, he was telling the truth.That being said, certain agenda-driven special interest groups continue to beat the drum of anti-Semitism, with the absurd implication that in 1913 a low class Negro was higher up the food chain than a white, college educated businessman. Those same mischief-makers were very active when this film was made, so it is possible that the twist in the end of the story was formulated by Micheaux to avoid problems with distribution.

I believe that Oscar Micheaux is one of the most prolific and uncredited Director of our time. Today, many do not know about this African American Director who became the First Independent African American Movie Director. Oscar Micheaux had his own marketing machine when it came to production of his movies. Beginning in the 1920s, Oscar Micheaux began to create a new market, the African American movie goer. Not only did he make "Murder in Harlem" on a shoestring budget, he also made movies that dealt with the era. Oscar Micheaux singlehandedly got African-American movie goers into the movie houses. Oscar Micheaux taught the new cinema goer what they should expect from a movie. Micheaux addressed African American life in his movies and gave the viewer something to be proud of. Yes, in some of his movies we saw characters such as Lincoln Perry (the lazy servant character), but we also saw strong professional characters such as: Robert Earl Jones (Father of Actor James Earl Jones),William Graves (The Attorney Actor), Lorenzo Tucker (Movie Heartthrob) and Francine Everett(Our African American Beauty).Too some viewers, "Murder in Harlem" isn't one of Micheaux' best efforts, however, to me, Micheaux played to the themes of life in Harlem. Affluence and Poverty, Professional Life and the Underworld. Good vs. Evil. See this movie when you get a chance!!!

An interesting movie. You may have to watch it a few times to really understand and seem interesting, it took quite a few times because at first it seemed boring but since I'm understand Micheaux and his actors and actresses...I get it.The movie is about a black night watchman who's accused of killing a white girl which he didn't do but the watchman and his boss(who done it) try to put it on another watchman which is Claudia's brother played by Dorothy Van Engle and she along with Henry Glory try to bring her brother justice. Dorothy provides Henry with the determination and will to clear her brother and in love all the time, Henry and Claudia profess their love.Dorothy Van Engle light shines throughout all this movie. She's the most appealing and most beautiful of Black Cinema and movie history period. Dorothy could of rivaled the leading white ladies of Hollywood if Hollywood wasn't so afraid for Dorothy fit the beauty standards and acting talents of Hollywood. Dorothy Van Engle was the first black woman on screen to be glamorous and elegant not Lena Horne, a coincidence is Lena and Dorothy were friends as children. If I was to compare, Dorothy Van Engle, I would say is the Black Dolores del Rio or vice versa. Dorothy has the sweetness of Ruby Keeler, the glamour and impeccable dressing of a Kay Francis(Van Engle made her own clothes for the movies she was in) and appeal, charm, and naturalness of a Myrna Loy. Dorothy Van Engle was the first positive black woman on the screen. Intelligent, smart, ambitious, sure, spoke proper English but wasn't snooty and still possessed the Black heritage. Dorothy's body language, gestures, attitudes were right on time. You forgot her color and look at her talent, the same you would a white actors and actress. The best parts are the nightclub scenes where Van Engle really is exuberant and sensational Eunice Wilson who is always a treat to see sing and dance and in her few scenes, she was called, the best of the female dancers in the 1930's. She also was in a few black cinema movies, especially in the first movie made in color by blacks. Clarence Brooks plays his role fine. All this wasn't seen in Hollywood or even today with Blacks. So audiences were very appreciative of Black Cinema and its actors and actresses for providing them with role models. These types of films gave Blacks chances to play substantial roles and sparked an interest in wanna be actors and actresses in Black Cinema instead of begging Hollywood for a chance they never would get. Most didn't make a lot in Black Cinema but became movie stars with the Black Press giving them publicity, but the best parts were they could be dignified, respectful, classy, beauty, able to tell a story and challenge the stereotypes in a movie which would use their talents favorably.

This film was the inspiration for Micheaux to write 'The Story of Dorothy Stanfield' eleven years later. The story is actually about her husband, Nathan Stanfield, who is living in hard times as a black medical doctor. It touches some very sensitive issues.