Hi, Nellie! (1934)

Very well executed

Simply Perfect

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Directed by Mervyn LeRoy, and featuring a screenplay co-written by Abem Finkel, this crime comedy-drama was later remade with Ronald Reagan as Love is in the Air (1937), then again with George Brent in You Can't Escape Forever (1942), and finally as The House Across the Street (1949) with Wayne Morris. This one stars Paul Muni, who would win an Oscar on his fourth (of six) Best Actor nomination(s) the following year playing the title character in The Story of Louis Pasteur (1935).Sam Bradshaw (Muni) is the managing editor of the newspaper run by John Graham (Berton Churchill). He'd bumped reporter Gerry Krale (Glenda Farrell) down to the "Dear Abby"-type job that no one wants when she made a mistake, falling asleep and missing a big story, some time earlier (before the film begins). The paper's lovelorn columnist uses the byline "Nellie Nelson", so Gerry's peers yell "Hi, Nellie!", ridiculing her, every time she passes through the newsroom. Hobart Cavanaugh plays "Fully" Fullerton, a reporter who is rejected every time he asks Gerry for a date. Donald Meek plays "Durky" Durkin, an office boy for the past 40 years. When two stories break at the same time, one about the disappearance of a bank executive and another about that same bank going bankrupt, the assistant editor Dawes (Douglass Dumbrille) is ready to link the two with big headlines on the front page. Sam, however, stops it saying he doesn't run that kind of story without supporting facts, besides, he says "the guy's always been on the level". Every other paper apparently does, so Sam is "called to the mat" by his boss Graham, who's just finished meeting with O'Connell (Edward Ellis). Thanks to Sam's lawyer (Frank Reicher), Graham can't fire him. So, his publisher reassigns Sam to the Nellie Nelson job.Disgruntled, Sam starts drinking and is all but finished after a couple of months of barely doing the new column. However, Gerry catches up with him at a bar and tells him he's got no guts. Out to prove her wrong, Sam starts doing the heartthrob job in earnest. During this time he meets Rosa Marinello (Dorothy Le Baire), a woman whose undertaker father has refused to give her permission to marry. After three months, Sam is called into his publisher's office again. Thinking he's about to get his old job back, Sam is shocked to learn that, because his "Nellie" column has increased the paper's circulation, Graham wants him to keep doing it. Upset, he returns to his office where Shammy (Ned Sparks), one of the paper's investigators, tells Sam he's got a lead in the disappearance of the bank executive - an address from his wife (Marjorie Gateson). Sam notices that the address Shammy gives him happens to match one that Miss Marinello gave him. John Qualen appears, uncredited, as the janitor of an empty apartment. This eventually leads the two of them to visit Mr. Marinello (George Humbert), where they trap him into revealing that there's been a phony burial, and then follow the panicked man to the "Merry Go Round" club, which happens to be owned by suspected crime boss Beau Brownell (Robert Barrat). Once inside the club, the two also see O'Connell.The whole scheme starts to unravel, with Sam bluffing his way into getting a confirmation from Brownell to what he suspects has happened, after he'd roused a drunken bank cashier (George Meeker), that Shammy had recognized, in his office. Then it's a race against time, with the newspaper men calling in their "troops" and the "gangster" his. Guess who wins and guess who then gets assigned the heartthrob column?

Paul Muni plays a newspaper editor who refuses to run a story accusing a missing man of embezzlement without proof. All the other papers in town run the story and Muni, who's under contract, is subsequently demoted to the lonely hearts column. There he writes advice to the lovelorn under the name of Nellie Nelson. While working on the column he unexpectedly gets a lead that may solve the case of the missing man and get him his editor job back.Fun, well-paced WB crime drama with touches of comedy. Muni's terrific and is backed up by a great cast, including the always enjoyable Glenda Farrell, Douglas Dumbrille, Donald Meek, Berton Churchill, and many more fine character actors. Ned Sparks, master of the deadpan delivery, steals every scene he's in. Remade several times but this is the best.

Having seen Paul Muni in so many dramas, I wondered if he could pull off comedy as well. I needn't have worried. Since he's teamed with Glenda Farrell, a master of the wisecrack, he gets solid support and the looks they exchange throughout the movie are priceless. One scene that I loved was when Glenda is pretending to be Nellie Nelson so that a woman will confide in her and she's bossing Muni around like he's her office boy.The plot isn't that original. In fact, there are several versions on the same theme (star reporter demoted), but this one has the star material to give it an extra life. Ned Sparkes also adds to the fun.

Bette Davis is quoted as once saying that the great character actor Paul Muni tried to hide himself under all kinds of makeup, so that no one would ever know who he was or what he looked like. Well, in many of his early films, the real Muni is quite visible. Here, Warner's one time "resident thespian" does a slick turn as the managing editor of a big city newspaper. He gets demoted to writing an advice to the lovelorn column and spends the rest of the film trying to get the goods on a gang of hoods, hoping it will get him his old managing editor's job back. Glenda Farrell plays his female antagonist while sour face Ned Sparks is along for the ride as a city beat reporter. A solid role for Muni, with lots of comedy, which he pulls off well. I suppose the comedy was a welcome change from his usual heavy drama, falling somewhere between "I Was a Fugitive From a Chain Gang", "Scarface" and "Louis Pasteur." Watch and enjoy Muni's talents. His 5 Oscar nominations should speak for themselves, but it seems, over 30 years after his death, he's not as well remembered as several of his contemporaries, which is a shame.