One in a Million (1937)

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

This story has more twists and turns than a second-rate soap opera.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The first of a series of musical romances over the next decade that centered around the ice skating or skiing of Norway's Sonja Henie. Most of these films included at least one charismatic supporting talent, in addition to a leading man to become her paramour. Here, we have the up and coming leading man Don Ameche as her new beau. He exuded easy charm, looks, and a good singing voice. Former big band singer Leah Ray was the lead female singer in several songs......Adolphe Menjou, as Ted Spencer, was the ever present owner and promoter of a traveling girl's band, traveling in Switzerland, which soon added comedic talent in the form of the Ritz Brothers, and Borrah Minevitch, with his harmonica rascals. Lastly, Adolphe added Sonja and other ice skaters to his shows.......The first part of the film is relatively tame, introducing the various characters. At first, Adolphe fails to grasp the importance of Sonja winning the 1936 Olympic skiing gold metal(Never mind that, in reality, she had already won that honor in the previous 2 Olympics!). Adolphe wants her to join his program immediately, until his wife, Billie(Arline Judge) points out the long term benefit of having a lead skater who can claim to be an Olympic champion. Unfortunately, her participation in an exposition sponsored by Adolphe seemed to jeopardize her status as an amateur, even though she personally didn't receive any money or other perks. This issue would again crop up after she had apparently won the title. The authorities went back and forth as to whether this disqualified her, until it was decided this didn't mark her as a professional skater........The three Ritz brothers put on 2 appearances on ice. In the first, they are dressed up as Charles Laughton(playing Cpt. Bligh), Boris Karloff(playing Frankenstein's monster), and Peter Lorre, respectively. They clown around, singing some wacky songs. Later, during the post-Olympic show, 2 don a bull partial costume, and the third is dressed as a matador. They then have a wacky bull fight on ice skates........Before Sonja skates for the title, Leah Ray sings the best song in the movie: "Who's Afraid of Love". Ameche then follows with his rendition, which is clearly directed at blushing Sonja. Then, Minevitch and his harmonica rascals comically play a variety of songs, which may be too long for you. Previously, Minevitch, alone, had played his harmonica on several occasions......After winning the title, Sonja tells Adolphe she wants to compete in the 1940 Olympics, instead of joining his troupe. But, he says, if that's the case, he will bring up her participation in his exposition, which may disqualify her for the present Olympics, as well as the ones in 1940. She toes the line, and joins his show in Madison Square Garden. ...... The film was a hit with contemporary audiences. But, today, Olympic skaters can do some more difficult tricks, and we see it in color. But, if you want to see the lady who started the modern age of show ice skating, check out one or two of her films. Although seldom shown on TV, nearly all her films are currently available on expensive DVDs. A few, including this one, are also available free, at YouTube. I prefer Sun Valley Serenade, which has the big advantage of including Glenn Miller's orchestra, in a rare film appearance. However, it more features her skiing than ice skating. That film is currently available at YouTube.

Twentieth Century Fox's "One in a Million" provides some light entertainment as well as the skating of Sonja Henie. The film has historic interest in that part of it takes place at the 1936 Olympics in Nazi Germany, though politics are never mentioned. Henie actually won the Olympics in 1928, 1932, and 1936. This film was released in December 1936 and apparently was done before the 1936 Winter Olympics took place.It's a slight story - Menjou and his troupe of performers arrive to work at a Swiss hotel, but find it has been burned down. They seek shelter at a nearby inn, run by Greta (Henie) and her father (Jean Hersholt). Reporter Don Ameche arrives to get the dope on the burnt hotel, apparently destroyed by an anarchist. Instead, he becomes interested in Greta and her Olympic quest and also her father's story. He was stripped of his Olympic medal in 1908 because he supposedly had worked as a professional, though he really hadn't. Menjou winds up endangering Greta's Olympic status in his zeal of signing her for his show.There is lots of music in "One in a Million" but most of it, including the title song, isn't all that great. "Who's Afraid of Love?" is pretty, particularly when sung by Ameche, who had a lovely, light tenor voice that matched his charming film persona. Though Ameche continued to star in 20th Century Fox films and had a marvelous career, after Tyrone Power arrived, the roles that would have been intended for him went to Power, including Power's breakout role in "Lloyds of London." Menjou is a little over the top, and the Ritz Brothers I'm sure entertained the kiddie crowd with their slapstick. Arline Judge, as Menjou's wife, gives one of the best performances with her dry delivery. She had the best lines, too, so I suppose that helped. Hersholt as usual is sympathetic and wonderful.Pretty, petite Henie was a natural for film. A vibrant presence on the ice, her skating, of course, was much less athletic than one sees today. As far as speed, spins, and showmanship, she could compete today. Some of her moves are no longer done - the pirouettes, which were really lovely, and that trademark dancing on "point" like a ballerina. The jump landings are interesting - rather than getting out of the jump quickly, the style in those days was to let the front leg continue to turn the skater into several circles, and jumps were landed with the head and body pointed downward. Some turns were done with a bent back leg, which looks really strange when viewed now. But Henie in her day elevated the sport of skating and should be appreciated for what she brought to it."One in a Million" is interesting for being Henie's debut. If you fast forward through the Ritz Brothers, you'll find it a lot more palatable.

It would be well to remember Sonia Henie as the prototype ice performer in her day. It would also be well to remember the times this film was made. Certainly it is devoid of all of the special effects and layers of pictorial events contained in todays films (which, by the way, are entirely unrealistic to us who are knowledgeable.) Of course the script follows mid 1930s writing and I did not find any of the actors giving less than other of their performances of the times. Given that this was Sonia's first film, her acting must be given some forgiveness there, though I did not see what others apparently viewed as less than optimal. As to the "other 1936 Olympics film," it was merely a propaganda documentary and therefore not a comparison by any means.As to Sonia's universal appeal, she went on to make many such films, and was known as a very smart businesswoman who went on to build great riches from investments and was the benefactor of many philanthropic ventures which was virtually unknown among actors of that era. On the strength of her appeal alone, I would rate her among the great women actresses of the time. I would recommend this film to any families who want wholesome "G" rated entertainment shown to their children.

"One in a Million" is a cheery, lighthearted mix of comedy, romance, songs and ice skating dances, directed by Sidney Lanfield ("Sing, Baby, Sing"). It is an admirable vehicle and showcase for the Norwegian Olympic skating champion Sonja Henie in her American debut. The film derives some aspects from Sonja's career. Sonja plays an amateur Swiss skater who is discovered by an American theatrical troupe leader (Adolphe Menjou) and almost spoils her by putting in a professional show until a charismatic reporter (Don Ameche) rescues her and convinces her into making the right decision, leading to her spectacular performance at Madison Square Garden."One in a Million" is not one of the better Fox musicals, but there are enjoyably fine moments, including some very funny comic acts by the Ritz Brothers, especially toward the end, and one memorable musical number "Who's Afraid Of Love", sung by Ameche. Good stuff.