Back Door to Heaven (1939)

Absolutely the worst movie.

Although it has its amusing moments, in eneral the plot does not convince.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It came as something of a surprise to discover that this atmospheric noir movie was actually made in 1939. The film's Great Depression background is so convincingly realistic not only in the attitudes of the characters but in the very fiber of the movie itself, particularly in the scungy sets created by William Saulter (an art director I'd never heard of before) and the superbly atmospheric photography by that master of masters, Hal Mohr. As the central character, both Jimmy Lydon and Wallace Ford give outstanding performances, while Van Heflin plays a memorable early role as Ford's defense counsel, and director/producer William K. Howard makes his only on-screen appearance as the prosecutor. (Howard was also the author of the original story). For possibly the only time in his 125 credited screen and TV appearances, Stu Erwin plays a thoroughly despicable character. In a scene that occurs off-camera, Erwin (or his accomplice) shoots and kills the owner of a low class eatery during a bungled hold-up and then lets Ford (who wasn't even there during the shooting) share the blame! Maybe producer Howard ran out of money, because we don't actually see any of this action on-screen at all, nor do we hear Erwin's actual court testimony, all of which is a bit of a drawback! Instead, the film hastens into a sentimental school-house scene with Aline MacMahon, who is told that the old school will be demolished. Good riddance, I'd say, but the movie takes the opposite view! Available on an excellent Alpha DVD.

This is a very, very sentimental B-movie--one that tries hard to tug at the heart. It begins many years earlier. There is a beloved school teacher (Aline MacMahon) and her class. One of the boys is a nice kid, but also has had numerous run-ins with the law--and as a result, he's sent to reform school. Years pass and the boy gets in trouble again and again. Now an adult with an extensive criminal history (Wallace Ford), he's been released from prison. While a criminal at heart, he still has a soft spot for this teacher and it's hard to see whether he'll go straight or return to a life of evil.The film features a few other well-known actors in addition to those I already mentioned. Stu Erwin, oddly, is cast as a criminal associate of Ford--and it's odd, as neither seems cast well in the film since they both tended to play nice, easy-going sorts of guy in their other films. Additionally, Van Heflin plays a defense attorney in one of his earliest roles--and boy does he look young! Overall, the film is enjoyable but very high on schmaltz--a little too much if you ask me. It tries very, very hard by laying on a lot of sentiment and this will probably rub some wrong. But, despite this, the actors seem to try their best and the film is a decent time-passer. Not bad, but certainly not great. Dbburroughs certainly seemed to hate it and I can see why, though perhaps I am a tad more charitably disposed to this sort of overt sentimentality.

Poor kid from the wrong side of the tracks slides into a life of crime and stays there thanks society and the lack of help from some school chums. Overly sweet and teary this is a film that you will either find a pleasant reminder of days gone by or else it will be else it will be a silly yuckfest of the sort of ridiculous super saccharine movies that make you laugh at the earnestness of it all. For me it was the latter which made its 85 minutes a tough slog during which I said "you must be kidding" more times then is allowable by law. Its every cliché you can think of all rolled into one. I found it horribly dated and really not worth the effort I put into it. Then again if you like sickly sweet films, even when they are showing you the dark side this maybe for you.

A film that was created as a second-feature became a small jewel by means of an honest script and sincere performances by little-known actors. (Van Heflin appears in a very early performance.)James Lydon appears as Frankie, a small boy living a desperate existence in a slum area, who steals a harmonica in order to fit in with his classmates. Lydon's performance is heartbreaking, and you know that his character is lost forever under the weight of despair. Then we see Frankie grown, in prison. (Wallace Ford) A parole sets the story in motion, and we see how tragic circumstances can indeed forever destroy a life. Aline MacMahon as Frankie's teacher gives her usual sterling performance. Don't miss this one.