Pay or Die! (1960)

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The acting is good, and the firecracker script has some excellent ideas.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Smoothly done crime drama based on an actual New York crime fighter. Police Lt. Petrosino (Borgnine) is proud of his Italian heritage, but rues presence of Mafia elements in New York's Little Italy. Thus he dedicates himself to cracking open the secret web that extracts money from honest shopkeepers. There is, of course, some violence but it's not spread on thickly, which keeps the story in central focus. Petrosino's personal life is somewhat complicated by an Italian girl (Lampert) whom he's attracted to. (At least that gets a pretty girl into what's otherwise an all male cast!) Trouble is he's middle-aged while she's attracted to a younger guy. So, all in all, will he be able to get beyond crime's chokehold on the neighborhood and maybe help his private life at the same time. Borgnine delivers in robust fashion appearing in most every scene. His cop is likable, maybe too much so for the toughness he must display—but that's debatable. Lampert's a pleasant surprise as the neighborhood girl. I can see why the cop was stuck on her. Too bad actress Lampert didn't have an A-list career; she certainly had the talent. It's also a strong supporting cast of ordinary looking guys that fit their part, including familiar stalwarts like Simon and Marley. There's also a general and well-placed refusal to glamorize anybody or anything. Little Italy thus comes across as a struggling ethnic neighborhood looking for a chance to enter the American mainstream, but held back by criminal elements carried over from the old country. All in all, it's an engaging movie with a few surprises that holds interest despite a lengthy runtime. Just as importantly, it shows that a lead actor doesn't have to be handsome in order to win an audience.(In passing— It was about this time (1960) that the similarly themed The Untouchables with Robert Stack started its popular run on TV (1959-63).)

As I am writing this, it's star, Mr. Ernest Borgnine, has just received a lifetime achievement award from the Screen Actors Guild, and is still an active performer in his mid-nineties. With his Oscar for MARTY, and his performances in films like FROM HERE TO ETERNITY, THE CATERED AFFAIR, THE DIRTY DOZEN, THE POSEIDON ADVENTURE, THE WILD BUNCH, EMPEROR OF THE NORTH POLE, and numerous other titles (and a stint as Lt. Quinton McHale on television) it has been a long and varied and distinguished career - far worthier than the shocked dismissal he received when he got that Oscar. Congratulations Mr. Borgnine.Definitely one of his high points was this 1960 crime film/biography on the career of the detective on the New York Police force, Lt. Joseph Petrosino. Joe Petrosino is the perfect answer to bigots who only see Italian Americans as linked to crime by being criminals. In fact he was determined to eradicate those very criminals who were preying on the hard working Italian Americans in the United States. And he came damn close to doing so Petrosino made the Black Hand a personal study to the point that he was THE expert on it. He kept up pressure on the mob and undid much of their damage on the Italian-American community. But not all of it - it was too well organized for only this one man to fight. In 1909 he had a bright idea of traveling to Sicily and tracing the leadership of the mob to it's root. Brilliant in concept it was fool-hearty in actual practice. Petrosino was shot to death in Palermo.The killer was never tried and convicted, and it looks like Petrosino (in following his information) may have been set up.This version with Mr. Borgnine is pretty close to the actual story of the extortion/murder gang of the BLACK HAND and the Lieutenant's fight against them. And it does go to the tragic conclusion...which is handled so well that repeated watchings make one feel that maybe this time Borgnine will escape. Of course it does not (and sadly could not) happen.He is recalled for his bravery and struggle and his murder by New York's finest and the people he tried to protect. As for the mob boss in Sicily - he did not quite escape his deserved fate. A more evil man, Mussolini, did not like the mob because they were setting up a rival power group to his. The mob boss was arrested in the late 1920s and found guilty of some criminal charges requiring imprisonment. He was put into a dungeon like prison on an island near the mainland. During World War II Il Duce ordered the prison be abandoned and it's staff and prisoners taken to mainland prisons...except this boss. He was left abandoned and locked up, and either was killed in some Allied bombing or starved to death.

I am the great half niece of Lt. Petrosino. I have seen the movie many years ago and have been trying to purchase it on either video or DVD for many years now. Ernest Borgnine did a great job playing the part of Lt. Petrosino. If anyone knows how to purchase this movie, could you please email me? I have tried to contact the Petrosino Lodge (Sons of Italy) without success and have been searching many websites. It is something I would love my children and grandchildren to see and to have. I can remember my Uncle Joe Petrosino, who looks much like Lt. Guiseppe Petrosino, who now all go by Petrosine. Thank you for any input... Please email me at [email protected]

This 1960 crime drama was directed by Richard Wilson, who had just made a highly successful film on the life of Al Capone the previous year, and does another fine job with this one, set in New York's Little Italy in the early twentieth century. Ernest Borgnine is the hero, a policeman who takes on the dreaded "Black Hand" that was terrorizing shopkeepers and various other innocent, law-abiding people by forcing them to pay "protection money" (or else). It's the usual cops and robbers story, but with more heart than most, and with an unusual setting, stunningly realized by set designer Darrell Silvera. That the story happens to be based on fact gives the movie gravitas. Although it's filmed as melodrama the film is in many respects a semi-documentary of tenement life, much of it sadly true. There's nothing romantic about the Mafia depicted in this movie. They're presented as the brutal thugs they really are, without a trace of sentimentality. The sympathy here is all for the poor people of the streets, and for the man who was their champion.