Zenith (2010)

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The acting in this movie is really good.

An old-fashioned movie made with new-fashioned finesse.

An exciting stand-up triple that falls frustrating short of a home run. Wonderfully original and thought-provoking story covering the dystopian topics of power structures without rule-of-law, genetic manipulation on a mass scale, mind chemical crutches, and the erosion of scholasticism. Acting, sets, and cinematography all done well, which is impressive given the film's 12 dollar and 50 cents budget. Unfortunately, many story elements get tossed in without backdrop or development (how did everyone get genetically altered as soon as 2044, especially in a world lacking the organizational framework of governments?). It feels like the too-condensed movie version of a epic-length cerebral sci-fi book series, like Herbert's Dune or Card's Ender, but sadly, no such luck. Nevertheless, Zenith is brain candy worth chewing on over and over.

I had the opportunity to see ZENITH at the IFC THEATER in NYC.The movie was in summary at least 100 times better than INCEPTION. This is a statement for the quality of this independent film which was much less money to make than INCEPTION. The story was imaginative and associated with current society. The artistry in th...e acting and directing was quite evident. The acting was raw..and the story was up your face, and the directing and cinematography was genius. Each scene seemed like a painting which could be worth thousands in the art world. It was quite interesting to see at a moment breaking the fourth wall. This movie was provocative, thought stimulating, and a roller-coaster of goodies to see : A MASTERPIECE OF INDEPENDENT FILMMAKING ..WHICH I PREDICT WILL BECOME AN INDEPENDENT FILM CULT CLASSIC... Get some sleep before you go see this,... you will need all your brain cells so as to not miss one second of it. Hope to see it in big theaters real soon.

If you have read about it, forget the online meta-something story lines which accompany the film, the conspiracy and warning signs, and go see this film with a fresh mind - but don't blink! It is so dense with information and visuals that if you go for popcorn you will have a hard time to connect all the dots. It asks the audience to be alert and to participate in the movie, but it's worth it. Zenith obviously references/ is influenced by a lot of cult films, from Memento to Donnie Darko, with nods to La Jetee and Fight Club among others, but it is thoroughly original and unique.The film is not really about conspiracies, it is about power and lack of it, and how we relate to it, and by extension, what choices we make. The director has repeated the concept of the experiment - beginning the film with the Milgram experiment, which is not a conspiracy but a test of obedience to authority (SPOLER ALERT) repeating the experiment in the middle of the film, referencing the experiment twice by a doctor toward the end of the film, and even the director is credited as "experiment supervisor." Peeling layer after layer of intense visuals and narrative threads, the film becomes an allegory on what it means to be human. Jack, or "dumb Jack as they call him" recites into the camera about consciousness and the states of the mind (and mind you, he is an epileptic).Power corrupts, weather it is political, or the power that a parent can wield, and it is when the political becomes personal that we have to make a choice, as simulated in Milgram's experiment and as shown in Zenith. Jack doesn't give up, although he is doomed to lose. I don't think that I have ever seen a film like this, and couldn't stop thinking about it afterward. If your idea of a 'good movie' is based on Hollywood or even Indy films of the last decade, you will probably walk away unimpressed. But, as one of my favorite characters in Zenith rants into the camera, judging things without contributing or making something yourself can be self-defeating. Productionwise, the acting is superb, the look and camera-work amazing, the directing masterful, and the amount of complex philosophical questions squeezed into a 90 minute joyride (with sex and violence and suspense) makes Zenith a unique brilliant film.

Zenith has a great set-up, once everything has more or less been laid out to the viewer as to what's happening. Its a plot line that calls to mind (and is kind of a blend of) 12 Monkeys, Donnie Darko (which this movie clearly yearns to be) and The Stepford Wives (of all things)but mixes and matches the 3 in such a way that it really feels likes it stands as its own film--which is quite impressive when you think about it.Movie works best quite honestly when you know as little about it as you can going in--but since you're here on the IMDb--you're gonna figure out the plot eventually anyways so i'll tell you very briefly what its about without giving away any spoilers---In the future (2044) there's an ex med student dealing black market drugs (depressents mostly) in a bleak world where well the things that are bad in today's bad economy/ society get extremely worse. The drug dealer (who narrates the film in 3rd person) eventually finds out his dad was on a never ending quest to stop the current world's conditions from getting worse (which it of course did) and this quest ended up driving him crazy--a fate that the narrator is trying to avoid himself (its not really important what the quest is so much as that it getting done...but its something concerning the mysterious project zenith.) The narrator finds scattered videotapes that his dad left for him to ferret out what can be done to well save the world more or less from these nefarious people who would stand to profit from the bleak way the world currently is...and off we go.This is a very clever way of having the plot being set in 2 different time lines while running concurrently--- both in the narrator's time (which is the future) and in the dad's time (which is in our current present) where you see the narrator's dad in the videotapes trying to do his thing--the film essentially cuts back and fourth between the narrator in the movie's present and the videotapes of the dad's adventures in the movie's past which is of course actually our present--OH movies--i love you sometimes!) Anyways that gives you an outline of what the film's content is without actually telling you anything about what specifically is happening-- how its happening, or whether or not it all adds up to anything or not. (hint--film tries to have it both ways in its ending...which may prove to be a little too cute for its own good--but by this point i was so wrapped up in the film's narrative that it didn't really matter until i thought about it after-wards.) Film is very very confident in its ability to grab and hold your attention--and it very, very much succeeds on that basic level. Film is extremely watchable-and is very well shot (and edited) to boot. The 2 lead performances are completely perfect. You definitely buy the 2 lead characters as presented. Even if the constant third person narration reminded me a little of Fight Club (another influence?)it was still very helpful in keeping track of what was going on, and which timberline we were currently in.The only real flaws in the film come after-wards in retrospect while thinking about it--which is of course where the fun in dissecting it comes into play (and will no doubt cloud many viewer's opinions of it overall) But it doesn't really matter because you will be engrossed while watching it--you can debate later on whether or not film adds up to anything--but you'll definitely pay attention to it while its unfolding and that sheer watchable factor cannot be underrated enough.