Latino (1985)
The fighting between the Sandinista government in Nicaragua and the Contra rebels backed by U.S. money and expertise is the focus of this pro-Sandinista film by Haskell Wexler. On a secret mission to help the U.S. Special Forces train Contra rebels in the jungles of Nicaragua, American soldier Eddie Guerrero begins to question the morality of the task at hand and consider how his actions may influence the fate of a nation.
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I like the storyline of this show,it attract me so much
Simply A Masterpiece
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
I recall that this film was highly controversial when it was first released with a cry from certain political figures to ban its showing. Seeing it now, you wonder what all the uproar was about. Nothing more then a B film, the story plot and acting was mediocre to say the least. Roberto Beltran is the only good thing about this film and tries his best, but there really isn't much to go on..Beltran plays a Green Beret who is sent on a secret mission to train and support US allies in Central America. However, just for historical reasons its worth a one time viewing.
If good intentions translated into great film-making, then I wouldn't be the only person reviewing this movie, and everybody would be giving it a score of 10 on IMDb. Even though this is a well-meaning film, it has justifiably gone on to become a lost historical relic of the 1980s. I actually saw this film at a fund-raiser in Los Angeles and Haskell Wexler was there. Everything about the film was dreadful. The acting, the pacing, the plot development, the screenplay. Robert Beltran plays a sort of combination CIA/Special Forces-type of commando who trains Contras in Nicaragua and falls in love with a journalist. Their relationship develops against the backdrop of the Contra war in Nicaragua. There's little chemistry between them on screen, and the film fails to engage the audience on all fronts: as a love story, as a film about war and warfare, as a drama. There were other, much better films about Central America from the period: Oliver Stone's gritty Salvador (1986) and Roger Spottiswoode's epic/fast-paced Under Fire (1983). This film just sort of disappeared. I don't even know whether it's available on DVD. Maybe I'm being harsh--it has been 20-plus years since I've seen it. And the good intentions were certainly there.