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Strike a Pose

Strike a Pose (2016)

June. 29,2016
|
7.2
| Documentary

In 1990, seven young male dancers joined Madonna on her most controversial world tour. Their journey was captured in Truth or Dare. As a self-proclaimed 'mother' to her six gay dancers plus straight Oliver, Madonna used the film to make a stand on gay rights and freedom of expression. The dancers became paragons of pride, inspiring people all over the world to dare to be who you are. 25 years later, the dancers share their own stories about life during and after the tour. What does it really take to express yourself?

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Reviews

BlazeLime
2016/06/29

Strong and Moving!

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VividSimon
2016/06/30

Simply Perfect

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Matylda Swan
2016/07/01

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Edison Witt
2016/07/02

The first must-see film of the year.

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masonfisk
2016/07/03

A doc that reunites the male dancers from Madonna's 'Blonde Ambition' tour where they reflect on their lives & aspirations 25 years on. A great premise let down by shoddy story construction, this account still delights just by the sheer will & perseverance of the dancers' willingness to continue trying to lead good lives in light of the bad choices that have befallen them.

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mike_NY
2016/07/04

This doc is a bit lazy (it does not go into much detail on the cultural relevance of Madonna at her peak of 1989 - 1991) but will appeal to those of us who were in our teens to mid-20s at that time. From the BA tour to the release of TOD, Madonna was the center of the universe. Her PR at the time said she was giving the dancers an opportunity and it was up to them to exploit it after the tour. (This was never mentioned in the film but is my recollection.) Sadly, none have achieved what would be considered success in the material sense: most seem to live hand to mouth. If they had more maturity and some good guidance at the time, they may have developed careers of note - perhaps even judging DWTS and choreographing big names but mostly spiraled down and those that sued Madge? Well, let's just say she holds a grudge. This doc is a little sad, yet their impact at the time on some was significant. Ultimately, this will appeal more to those of us born in the 60s - mid-70s and does not have wide appeal. Yes, Madonna exploited them but in her world view she also gave them an opportunity.

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Charlie
2016/07/05

Bravo! Yet another failed attempt at being relevant. Why any reputable filmmaker would choose this subject matter over something of greater social import is beyond comprehension. Nothing more than a band of has-beens that have somehow managed to ride Madonna's coattails for nearly thirty years. Their cries of being exploited echoed decades later by yet another series of false tears; a last- ditch effort to tug at the entertainer's heart strings. How embarrassing.Madonna should have just named her tour Blond; the "ambition" only resulted in a misnomer. Four months of fame and a lifetime of frivolity. A wasted opportunity to do something productive for themselves and their families. Faded photographs and tattered newspaper clippings offer a fleeting escape from reality. Most have held onto this brief moment in time without realizing that their time was up long ago. An epic failure where they enjoy each other's company in an abyss of disappointment.Claims of being family are cheapened by the multiple lawsuits filed against their "mother", yet they yearn to be nestled in her bosom again. Their hypocrisy overshadowed only by their gluttony. How deplorable – the unfounded attempts at acquiring fortune off of someone else's hard work. Nothing more than the baseless accusations of disgruntled employees who were paid as agreed while enjoying numerous perks and benefits. You danced. You got a check. End of tour. Move on.Nothing was quite as tragic as the story recounted by one dancer's mother. Cameras are ushered through what seemed to be a maze for cattle. To the right is an aptly named "junk room" where the dancer lives with his boyfriend who peers around the doorway to say 'hello'. It's as if he is hanging from a bunk bed. A couple feet later and you find yourself in a living room the size of a walk-in closet. Here is where this mother shares her grief.She describes a postcard of sorts that had the image of a home on it. She says that her son was going to buy her that home, but that the home never came. She sobs and repeats how hurt she was to the point you believe the tape is looped. The home never came, she states. Of all the dancers, this is the one whose downward spiral seems to never end. Older than fifty and living with his boyfriend in his mother's apartment? A celebrated dancer who was on tour with one of the world's foremost entertainers? Sad.And yet the media has the audacity to classify these men as inspirations. As leaders in the LGBT community. Herein lies the issue with our culture and lifestyle – a misguided respect for those who are undeserving of our recognition. Drug addicted egomaniacs that have no place among the true pillars of our landscape. By venerating these individuals, you do a disservice to younger generations. You discount the worth of what others have accomplished.Strike a Pose will certainly Strike a Chord with those of us who know what really happened.

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Red-125
2016/07/06

Strike a Pose (2016) is a Dutch documentary that was directed by Ester Gould and Reijer Zwaan. It tells the story of the six surviving members of the seven-man dance group that accompanied Madonna on her Truth or Dare tour.It's a truly sad film. These young, talented men reached great heights during the tour. They became famous in their own right. They were like a family, and Madonna, who was in her 30's at the time, was like their mother hen.When the tour ended, they learned that they weren't really a family. Some of the dancers complained that Madonna had outed them in the movie Truth or Dare (1991). The conflict ended in a lawsuit.One died of AIDS, and the others have struggled with HIV, alcohol, and drugs. None of them maintained the heights they had achieved during the tour. All of them are struggling. (Some more than others, but still struggling.)In retrospect, these talented men would have probably done better if they hadn't been chosen for the tour. No one would have believed it then, but we can see it now.I didn't enjoy this film. The men may have been great dancers, and they may have felt like a family, but they each went their own way, and that way was down. I had hoped the movie would have had more dancing, but there wasn't very much of that either.Not my kind of movie, but the film carries an high IMDb rating of 7.7, so obviously I'm in the minority. I think dancing works better on the large screen than it does on the small screen. However, this movie will work well on either, because there wasn't much dancing.We saw the film at Rochester's excellent Little Theatre, as part of ImageOut, the wonderful Rochester LGBT Film Festival.l

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