Red Line (2012)
In 1975, Thomas Harlan's crew filmed Torre Bela's homestead occupation, in the center of Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary period: in which way did Harlan interfered in the events that seems to naturally develop in front of the camera? What was the impact of the film on the lives of the occupants and the memory of that period?
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Reviews
Good story, Not enough for a whole film
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It's entirely possible that sending the audience out feeling lousy was intentional
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It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
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By the time the dramatic fireworks start popping off, each one feels earned.
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