Crepúsculo Rojo (2010)
The repossession of a ranch because of the inability to pay off a mortgage causes a confrontation between two great friends: Valente and Dagoberto. As the last chance to save his patrimony, Valente robs a bank. Dagoberto is ordered to catch him and enforce the law. In the chase, old quarrels between them surface. These friends must face off in a duel under the red sunset of Iturbide, Nuevo León.
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If you don't like this, we can't be friends.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.