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Devil's Island

Devil's Island (1996)

March. 12,1999
|
7.2
| Drama Comedy

Devil's Island is a bitter sweet tale of Iceland in the fifties. Life is rough in Reykjavik's post-war slum of Camp Thule, where the abandoned US military barracks have been turned into makeshift homes. Struggling wives and their hard-working husbands try to make ends meet. The younger generation dreams of dollars, Rock'n'Roll and the American way of life. To celebrate or to drown their misery - they're never short of a good reason to booze. Devil's Island vividly depicts the everyday life of a wacky family, their neighbours and friends and shows how some of their dreams come true and others don't.

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Reviews

Jeanskynebu
1999/03/12

the audience applauded

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Console
1999/03/13

best movie i've ever seen.

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RipDelight
1999/03/14

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

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Doomtomylo
1999/03/15

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

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El_Sordo
1999/03/16

I saw this movie in a university class. First, I felt it was somewhat loose in storyline and editing, and it took me a while to get me into the story. but then I got accustomed with the characters and was fine after all.The story is about a family that lives in some come-down US-barrack-shelters in the early 1950ies. It covers a couple of years of time. It's built up like a classic Icelandic saga - about a family in Iceland, with one character, Baddi that is, in the middle, and the problems Baddi causes. But that might also make the story a bit boring.Characters are odd and funny. Cinematography is excellent. If you like Scandinavian cinema and and story lines you can't predict, this is a movie you should watch.

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6zimdog6
1999/03/17

A very dark comedy dealing with people living in abandoned US barracks in Iceland. The characters apparently were based on real people but really, they could be characters that we know in our own parts of the world, making the point that we are all part of the human race with our foibles and idiosyncrasies. Yes, it was in the Icelandic language; yes, you likely had to read sub-titles. But for anyone interested in serious film, this would be no hindrance. This film puts to shame the overwhelming majority of films made in the USA these days which seem to be dumbing down even more each year. This is a film about life, covering a wide range from comedy to tragedy, but always thought-provoking and involving.

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yokolino
1999/03/18

Poor families In the barrack district in Reykjavik in 50's. Mother who gets married and moves to America leaving her children. Grown-up boy sticking around with his gang and violence. His younger brother with bad self-confidence and the tragedy, which wakes up his wild brother to consider of his own life. The film is full of tragedies, miserable and disparate people. But, so amazing, the film ends peacefully with "Charles Chaplin" and the opera singing boy. This ending doesn't however let the audiences forget what happened with the family before, and even though, you get hope of bright future of the family. Very unique film with any possible elements of life. The Icelandic language spies the film too with its beautiful sounds.

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Buckywunder
1999/03/19

I go out of my way to view foreign/independent film (I know, we're a vanishing breed) and rented this video at a neighborhood store that has a pretty good foreign selection mostly on the power of having seen COLD FEVER, which I enjoyed.While I appreciate "dark comedies" as much as the next person -- and am a huge fan of Aki Kurasmaki (so I have some familiarity of Scandinavian film sensibility) -- it was a mistake to have placed so much of the film's success around a character as thoroughly unlikable as Baddi. While he dominates the screen with charmless, witless and appalling behavior that knows no bounds (premised on his contact with "America"), most of the other characters are used as props and are nobly antithetical, i.e., they have a conscience. But for the most part, as a whole they cannot counterbalance the effect that the Baddi character has on the film. That is a shame because there appeared to be some good potential character driven aspects to the story that were wasted.

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