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Hype!

Hype! (1996)

November. 08,1996
|
7.6
| Documentary Music

This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born.

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Exoticalot
1996/11/08

People are voting emotionally.

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Actuakers
1996/11/09

One of my all time favorites.

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SnoReptilePlenty
1996/11/10

Memorable, crazy movie

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Fairaher
1996/11/11

The film makes a home in your brain and the only cure is to see it again.

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eimpson
1996/11/12

This movie establishes two things: 1. Seattle has a great music scene. 2. So does every other large city. 2 and a half. Eventually the media finds you and ruins you.The events that went down in Seattle are nothing new and nothing old. Left to develop itself any local music scene will mature into something great. Whether or not the press/industry discovers this and shows up to suck the life out of it is up to fate. Hype! is a snapshot of money finding talent. The results range from crappy albums to suicide.What this film does accomplish is to procure a reaction of artists caught in the overwhelming process of being found. Suddenly you are being offered loads of cash to do the same thing you've been doing for years, or even decades, for next to nothing. This changes your output - you stop playing to the crowd and start playing to the money. The interviewees in Hype! recognize this and speak to it. This is where the movie succeeds. The musicians see what is happening for what it is and call it out. What they fail to do is reject it, but at least they leave a document for the next generation.At the end of the film there is a warning: Your town is next. Will the next town take the advice?

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doulikejimi
1996/11/13

This documentary is, very simply, great. It is basically about the music scene in Seattle during and before the "grunge" scene exploded.I really liked how most of the people that were interviewed were not the really famous bands that everyone knows. Of course there is a part of that in the film, but it is not presented in a way that is really shoving it in your face like how all the mainstream media tends to do. It had more to do with the relatively unknown or underground music that erupted from Seattle during that time.I also liked how it was put together in a way that really gave you a solid history and background of the music that was present before "grunge", and how that music influenced the next generation of music, which then influenced the NEXT generation of music.As a whole, it is a very solid documentary that gives the perspective of the people who were around during the "grunge" movement, and the artists' opinions and responses to it. And, of course, there is a lot of fantastic music (and some not so much). ^_^ Enjoy.

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AngryChairr
1996/11/14

When you think about what happened up in the Pacific Northwest during the late '80s and early '90s, you kind of realize that this "scene" was always destined to fail. There's no way a secluded, out-of-the-way region like Washington state could have produced a long-lasting cash cow. It did in a backhanded kind of way since people are still leeching off the scene to create a much more dumbed-down version (Seether, anyone?). That's not to say everything that came from Seattle was intelligent. No one would accuse Seaweed or Gas Huffer for being the most brilliant bands ever. But there was an authenticity that came from those bands and many others that were created in Seattle that scene-hoppers like Candlebox couldn't replicate.And the movie Hype perfectly illustrates this point. It shows the juxtaposition created by commercial success and authenticity. Occasionally the two can coexist, but more often then not they're mutually exclusive. So to see bands like the Screaming Trees on the cusp of fame, only to shy away from it (even if unintentionally), you kind of get the idea what a lot of the Seattle bands were about. Most never expected to amount to anything more than the guy who serves you your coffee at Starbucks. The goal for a lot of people was just to make music they personally enjoyed, and then play a few shows. If they got lucky, they expected maybe to tour up-and-down the West Coast. And then that's it But MTV came calling and then that was it. Authenticity is replaced by photogenic front men.Don't get me wrong. Nirvana, Pearl Jam, Soundgarden, and Alice in Chains were all greats band, but they got a lot of their attention because they were lucky enough to be fronted by sensitive, good-looking guys that girls would go crazy for. They had great music, but their looks coupled with the down-and-dirty attire that they wore made them into the guys-next-door. The movie Singles helped to solidify that image, and then grunge became a household word. Meanwhile Tad were stuck out in the cold, stormy weather of Seattle, playing music that was equally compelling.If anything, don't watch Hype for the big bands that came out of the scene. Watch it for the obscure bands you've never heard of. Bands like the Fastbacks, the Gits, Some Velvet Sidewalk, and Love Battery. Is Eddie Vedder a good listen? Well, yeah. But does he make much sense? Nope.Another big highlight of this movie are the producers, the writers of fanzines, the current (and former) employees of Sub-Pop, generally everyone that lived in Seattle but wasn't in a band. They all have great stories that really go back to illustrating the authenticity of the music, and eventually also pointing out its corruption.This along with the more recent Brian Jonestown Massacre/Dandy Warhols-documentary Dig should be required viewing for any self-respecting music fan. They both brilliantly show the highs and lows of success in the music business, and everything those two polarities entail.

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mudhoney10
1996/11/15

An incredible reminder of the intense, passionate, and powerful grunge movement from the late 80s through the mid 90s. A wonderful 1996 surprise for any rock lover, but especially those loyal to the genre itself. The honest and direct interviews, commentaries, and live performances provide inspiration to all open to hear what the fuss (or should I say fuzz?) was all about.

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