Keep the River on Your Right: A Modern Cannibal Tale (2000)
In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.
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Touches You
One of my all time favorites.
In truth, there is barely enough story here to make a film.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
So, where are the cannibals? Those intrigued by the title and the 'real cannibal' appeal of this film will be let down. Instead, we are shown a strange man and his re-visiting of a Papua New Guinea village full of natives, one of whom was his lover several decades prior. The man, Tobias Schneebaum is New York Jewish as they come and somehow, this is intertwined with the documentary as he appears in his yamika in several scenes.There are no real cannibals here: only stories relayed by some of the natives and by Tobias himself. Not all together a bad film. Very interesting and great cinematography. Schneebaum remains highly likable throughout and provides us with a fascinating glimpse into a life that is about as far removed from Western Civilization as one can get.It's just not what it claims to be on the cover and in the plot summary.4 out of 10, kids.
Documenting a documenter. That's one way to describe Keep the River on Your Right: A Modern Cannibal Tale. This film follows anthropologist Tobias Schneebaum, who in his late 70s went on a journey back to the places he spent time as a participant field researcher over 40 years ago, first to West Papua and then Peru. Tobias is a full-bodied character: a gay Jewish artist anthropologist who eeks out a living on a cruise ship teaching gawking tourists about the cultures he has come to have a deep respect and understanding for. Author of several books documenting his time with both the Asmat people of West Papua and the cannibalistic Amazonians in Peru, Tobias has been haunted by what happened in his time in these places and how intimate his connection and relationships had become. Yet Tobias' constant wonder and appreciation for the places he got to know is admirable and a real pleasure to watch. One can only hope to ever achieve and retain such humility themselves.Tobias makes a compelling subject for study as the experiences he faced in immersing himself in these two tribal societies has left him fundamentally changed. This film challenges the notions of morality and "naturalness"- e.g. nudity, homosexuality, cannibalism. (Watch for the graphic circumcision scene). When questioned as to why he engaged in some of the local practices that others would morally denounce, his non-judgmental nature asks: "Why Not?" Who is to say the way of other cultures is right or wrong? This little sleeper is a must watch for not only National Geographic types, but also those interested in the art of documentary making. This film shows what can be done shot on video. The editing provides a quiet revelation of Tobias' life that leaves you watching in fascination. At times, he despairs at being pushed by the film crew to make the emotional journey back, especially considering his age and physical frailty. We can be but grateful that Tobias allowed the tables to be turned on himself, perhaps sympathising with the desire to understand humanity and one's place in the world. The filmmakers provide some moments of critical balance, presenting for example one anthropologist who believes that Tobias predetermined his findings (of homosexuality in this case) based on his personal interests. That said, you can't decide when to stop being shocked and when to take this man home for a cuddle. Move over River Queen, this is the best river ride I've taken in a while.
Schneebaum is a very charismatic man and to me the adventurous young anthropologist who headed into the jungles of Peru and Papua, New Guinea had much more huevos than most. And reducing him to the gay, feminine, non aggressive catagory,as being the only way he could be accepted into the tribe is just pure horse sh**. It only brings about the pure ignorance of what most people think 'gay' is...If Schneebaum wanted to prove that to be left to their natural inklings a tribe would run the gambit of sexual desires and he participated in the homosexual rite's does not mean that homosexuality was not there... and the most the other anthropologist's could come up with was; "he didn't keep a therapeutic distance" from the people he was studying. It was in the Amazon Valley that something happened to Tobias, was it the raid on the other village and the killing of that tribe, or was it the eating of human flesh, had he almost gone over the brink. He was a painter until that experience and after, he never painted again. As far as the cannibal part, and why he did it, who knows as Tobias cannot come up with a logical answer, and as far as judging him for doing it, one must face his own demons in a situation that brought him to the brink. Had he gone to far,did the jungle cast him out? It is a strange movie, but, although the subject matter is off the scale, it was entertaining. And one must give Tobias a nod for having the fortitude to go back and face his demons, and stare them down. I'm sure most people would not think that a "gay" thing to do. 8/10
Certainly, this movie is a great documentary. The juxtaposition of places and footage makes it interesting, and the soundtrack adds to it, but the movie itself comes off as laughable. First, the film is unreasonably long. For as much as the film attempts to cover, one can't help but wonder when the film will end. It could end in about five places, and none would be any too soon. It's a stretch and is abrupt when it ends in a still-frame.I'm a polite man, but my friend kept checking his watch throughout the feature. Reminiscent of the Timex Indiglo ads occurring in movie houses, rating films with anti-star 'flashes,' each flash being a check of the watch, this movie would be about a fifteen for my friend. Also, when one puts the film style aside, some annoyance comes from the subject himself. The old man is constantly moaning about his hip possibly breaking again. My friend's response to that was that he would have dropped Schoenbaum in the jungle had he been in the crew. Personally, I found the old man whiny some moments and a beautiful inspiration at others.Parts of this film reminded me of a Book-of-the-month club commercial, if such organization did commercials. Except it's all for Tobias Schneebaum. In addition, the animated stills from the over-touted picture-book were downright tacky.All in all, the film was long-winded and schizophrenic. At times the juxtaposition was genius, but at others, and far too often, it was confusing and downright annoying. So if you want to see a film about a 'beautiful, old man' reluctantly stumbling his way through his old haunts, _River_ is for you, but if your local art cinema carries more than one film, I suggest seeing that one.