Jonas (1968)
A verité portrait of Jonas Mekas making his daily rounds, JONAS shows us the underground impresario attending a peace rally, filming in Central Park, typing up notes at the Village Voice and projecting his latest rushes at the Film-Makers' Cooperative. A true New Yorker, Mekas seems to be everywhere at once, always with a Bolex camera slung over his shoulder. In detailing these routines, director Gideon Bachmann comes away with a striking time capsule of a city bent on art.
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Instant Favorite.
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
The film's masterful storytelling did its job. The message was clear. No need to overdo.