Amal (2007)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

An old-fashioned movie made with new-fashioned finesse.

A wonderful film - with an assortment of characters and dialogue at times funny, and other times poignant. It's at the human level with a basic story whose premise, I suppose, is to be happy with what you have and be a good and caring human being. Care for others and everything should fall into place - well this is a story after all - in many ways a fable.This film was a pleasure to watch. Perhaps the ending had few lose ends, after all there was an unresolved murder. But overall its a lot of fun with unpredictable twists and turns with some good footage of New Delhi. A very good character film.

"Amal" offers a sadly forgotten experience: catharsis. It fools the viewer who is nowadays way too much used to happy endings. This is not to say that the movie doesn't has a happy end, but it's probably not a spoiler to say that the end is very much different than one would expect. "Amal" has been criticized for being too didactic, too much centered on the moral of "poor people with rich heart" but I think there are enough greyshades to save the movie from being naive. It is balanced out by having crooks on the "poor" and (although just ultimately) fair characters on the "rich" side. Apart from that, the movie abounds of memorable scenes - there were at least three scenes where I had to stop and rewind the DVD to watch them again and again, especially those with Naseeruddin Shah in the beginning. Acting is superb here and the actors do their best to fill their sometimes - let's be honest - cardboard characters with life. It shouldn't be forgotten that this is an Indian film, and Indian film culture is not really famous for tragic, character-driven movies. After "Amal", we watched a recent Bollywood hit (wife LOVES them, yuck) and the difference was unspeakable. For me, it was sickening to watch the usual dance-and-love-and-marriage rubbish, and yet this is the style of movies that Indian film industry is famous for. Shame... and no wonder that in such a world, Amal's story ends the way it does.

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2008. The Heartland Film Festival is a non-profit that honors Truly Moving Pictures. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life."Amal is a 30ish autorickshawdriver in New Delhi. He appears to be simple and quiet and even naïve. He dutifully lives with and supports his Mother, and works long hours to make ends meet. He is so out of place with the rest of the huge city of New Delhi. His fellow autorickshawdrivers seem to be hustlers and cheats. And his passengers and Delhi citizens are even worse. They include conniving lawyers, loan sharks, thieves, bribers, and spoiled adult children. One day Amal chases a little girl who has stolen a purse from a regular passenger. Amal accidentally causes her to be hit by a car and seriously hurt. Amal, out of the goodness of his heart, takes on the welfare of the child in a hospital. We begin to see Amal's incredibly generous and giving nature.Amal also has another chance, life-altering encounter when he picks up a surly old man who hates the world and tries to negotiate hard. Amal won't play his game, and cheerfully acquiesces to the old man's wishes. Unbeknownst to Amal, the man is rich and is so moved by their brief encounter that he leaves Amal in his will.There is a painful irony between Amal needing money to help the hospitalized girl and almost being wealthy by a kindness of a curmudgeon. This irony drives the story, and keeps your interest high.Amal is unaffected by worldly matters that consume everyone else. He is centered by his goodness and honesty and integrity. Sacrifice is all he knows – except for his rich life in the help of others. FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

Following the legacy of his deceased father, Amal Kumar (Rupinder Nagra) turned down a higher paying job at the post office to drive an auto-rickshaw on the streets of Dehli, India. Maneuvering daily through crowded streets daily to barely eke out a living, Amal is good natured to a fault, refusing to accept tips and always charging the meter rate. Shot on location in India by a Canadian and Indian crew, Richie Mehta's low-budget feature Amal is a charming O'Henry-like tale about class, wealth, and family in India. It is a very worthy first effort that captures the frenetic street life of the city of Dehli and provides a sense of immediacy in the style of Michael Winterbottom, but without the hand-held camera cliché.When Amal refuses to accept a tip and offers cough drops to a gruff old man dressed in rags, G.K. Jayaram (Raseeruddin Shah), the man is convinced he has finally found a good man, a man of principle. When the old man dies suddenly, his family discovers that he has done something no one expected. Though we hear G.K. beautifully singing a traditional song in a café, we are still astonished when the eccentric old man turns out to be a man of means who leaves his fortune to Amal, though the rickshaw driver remains totally unaware of these events. The story concerns how the old man's request is handled by his business partner Suresh (Roshan Seth), his lawyer Sapna Agarwal (Seema Biswas), and his scheming sons Harish (Siddhant Beh) and Vivek (Vik Sahay) who simply want what they feel is owed to them.G.K.'s will contains instructions that his assets will remain locked for thirty days until Amal can be found and the dead man's attorney sets out to locate Amal, not an easy attack in a city with thousands of Amals. Then again, it might be in his attorney's best interests not to find him: if Amal doesn't show up within thirty days, G.K.'s fortune will revert to his sons, with whom Suresh has a secret deal. A few subplots spice up the intrigue over the will but serve only to reinforce the film's underlying message.Amal's develops a romantic interest in Pooja Seth (Koel Purie), a passenger he picks up every day and becomes devoted to the health of a young girl who is run over and injured by his rickshaw while begging in the streets,. Filmed in English and Hindi, Amal was inspired by a real-life experience and story idea by his brother, Shaun Mehta. Together they turned it into a short and then expanded it into a full-length feature in time for the Toronto Film Festival in 2007. While its theme of happiness trumping wealth has been done many times, Amal feels original and an impressive performance from Toronto actor Nagra holds the film together.