Glassland (2015)

It's entirely possible that sending the audience out feeling lousy was intentional

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

After playing with our expectations, this turns out to be a very different sort of film.

By the time the dramatic fireworks start popping off, each one feels earned.

Jack Reynor and Toni Collette both do extremely powerful work in this study an Irish working- class lad in his early 20s trying desperately to deal with his mother's raging suicidal alcoholism. There are a number of deeply disturbing scenes between them, and other that are truly heartbreaking. It's not often we see two actors bring such complexity to what could easily have been familiar and forced. But there's something off in the film – the script tends to go wordy and oddly theatrical at times, although at others it's gratifyingly understated. (It's much better when it's showing instead of telling). And the interesting - but seemingly left field - story line/moral dilemma of the last 15 minutes seems weirdly stuck onto the far more interesting and coherent central plot. Still, it's very worth seeing for the performances (including Will Poulter as Raynor's only good friend), but it feels like an interesting film that sadly missed a shot at being a great one.

Both Toni Collette and Jack Reynor excel in their starring roles in this rather dark Irish drama. Collette portrays Jean, who is drinking herself to death, and will need a liver transplant if she can last long enough to see that day come. Reynor plays her loving and devoted son John, who's a hard working Dublin cab driver, but who is also struggling mightily trying to cope with his mother's addiction. After an honest intervention with his mother, she agrees to enter a short term government-run treatment facility, but in order to get her much needed longer term care, John will have to make some painful decisions as to how to get the money to pay for it all.Thanks to Collette and Reynor's superb performances, along with sharp writing and direction from Irish filmmaker Gerard Barrett, the characters and situations in the film came across to me as quite realistic. As the movie progresses, it lightens up somewhat from its very morose beginnings, and may very well tug at your heartstrings.All in all, I definitely wasn't thrilled with the film's rather ambiguous ending, but the movie, in general, came across to me as quite heart-felt, and offered a realistic look at the horrific effects of addiction on a person and those around them.

Here is an engaging, well-told story about addiction and the relationship between mother and son. Sounds melodramatic, and in aspects it could be, but it never feels like such a film. The whole thing is fully realized, very well-written, with a clear, true eye for the characters and who they are. The two leads are fantastic, especially Jack Reynor who I was previously impressed by in What Richard Did. He's a true leading actor, and he has proved to have the talent to really dive into raw, strong material. The film would be worth it just for him, but all of the actors are committed. This is definitely very recommended for all filmgoers.

Glassland is both a love story without sex, and a crime story without violence—a decided anomaly among just about every other film about life in an Irish slum. The love is between an overworked cabdriver named John (Jack Reynor) and Jean (Toni Collette), his alcoholic mother. As Jean drinks herself closer and closer to the grave, John's desperation to get his mother into a rehabilitation clinic despite their poverty leads him to question his own moral boundaries. Glassland is a melancholy, understated look at the combination of poverty and self-destruction that is so common in our society. Collette delivers a performance that jumps back and forth between snarling addict and penitent matriarch, and Reynor captures the pain and frustration of seeing a loved one spiral out of control. Despite the powerful performances by the film's actors, the film suffers from pacing issues that occasionally derail the film's momentum and muddle the narrative. Regardless, Glassland is a refreshingly modest take on issues that are typically addressed with more gratuitous filmmaking. –Alex Springer