Down and Out in Beverly Hills (1986)

Wow! Such a good movie.

Simply A Masterpiece

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

How did I get here? "The Talkings Heads" open this movie with their song "Once in a lifetime" in which alienation amongst familymembers is rampant. "Down and Out..." is a hilariously smart comedy by director and writer Paul Mazursky, who plays a cameo role in his own movie. Its probably his best work ever.Still as funny today as it was decades ago. You just gotta love Richard Dreyfuss and Bette Midlers acting out their midlife crisis.As actors they are both at the peaks of their carreer, but as movie characters they have hit rockbottom in their dreary daily lives. Everybody in this movie is living apart together. Along comes a bum played by Nick Nolte and then fireworks start going off. Lovers of dogs and Little Richard are in for a treat. But that's just to highlight 2 loveable characters out of many. All characters are portrayed as big stereotypes. But because everyones character is overdramatized this comedy works even better. "Down and Out...¨ is endearingly human and hilariously funny! It is a true gem of a comedy with lots of smart and witty refferals to human shortcomings. Wanna have a good laugh, lay back and enjoy this eighties flick!

Barbara (Bette Midler) and Dave Whiteman (Richard Dreyfuss) are a wealthy Beverly Hills couple. He makes clothes hangers and is sleeping with the maid Carmen (Elizabeth Peña). She's obsessed with gurus and new age stuff. Their son Max is bitter with them and always filming with his camera. Their daughter Jenny (Tracy Nelson) is away at college with eating issues. The family is weird Hollywood and even the dog has a psychiatrist. Jerry Baskin (Nick Nolte) is a bum. His dog has left him. He tries to drown in Whitemans' pool. Dave rescues him and invites the not-so-grateful homeless man to stay. Orvis Goodnight (Little Richard) is the next door neighbor.It's interesting that grumpy Nick Nolte is not likable at the beginning. It's also interesting that he becomes more likable as Dave becomes more angry at him. At first, it concern me where the movie was going with the character. It may not hit with big laughs but it's biting in skewering the Hollywood stereotypes. In the end, it's a fun time with some memorable characters.

Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.An excellent, "feel good" viewing experience.

I visited a deli on Rodeo Drive just before this movie was released and was staggered by the uniformity in grooming. It was like a small-town high school in the 1950s. All the women looked alike. Beautiful. Their long hair fluffy, each strand curled like Top Ramen. (Okay, okay. I lack the vocabulary. Excuse me.) They all seemed to wear the same dark rough-knit long-sleeved sweaters, tight Levis, and leather boots. This is what one kills for? The privilege of wearing a uniform? Paul Mazursky has got the milieu down pat and he skewers it. I haven't seen the French original but, though it may be different, it's probably not funnier than this version.I'll skip the story except to say that it's about a homeless man (Nick Nolte) who is taken in by a wealthy dysfunctional family, and he straightens everyone out by giving them what they want -- as he puts it. Some gags are funnier than others, helped along by Mazursky's direction. When the spoiled, bored wife has an orgasm with the bum, she screams so loudly that the neighbors a block away turn to listen. A flock of pigeons is frightened out of its tree. I can't think of another movie that features a psychiatric veterinarian.The climax, unfortunately, is more silly than funny, as if nobody could think of an ending that would stop what's already gone by. Mazursky had the same problem with "Bob and Carol and Ted and Alice," at the end of which the sting of genuine phoniness gives way completely to fantasy and everyone does a ring dance to "What The World Needs Now Is Love..." In "Down and Out in Beverley Hills," a party ends with the accidental setting off of a fireworks display and everyone jumping into the pool. You almost wince at the desperation behind this scene.And then, in a denouement, when the bum decides to leave with the family dog, the whole family and their servants follow him into the mews behind the mansion and beg him with their eyes to come back, which he does quickly enough. Sure, it's a happy ending, but just exactly what is going to happen when Nolte returns after he's been exposed as a lying, manipulative, lazy scuzzbag who has given the son permission to be a transvestite and has been doing both his host's wife and daughter? All he had with him when he first entered the family was a pocket full of rocks. This time he's got a lot of baggage.Still, it's a light-hearted and engaging comedy, and none of the acting hurts a bit. Aside from the doggy's psychiatrist, I thought Little Richard was the most memorable character, especially when he complains about how much longer it takes the police to respond to HIS emergency alarm than his white neighbors'. (The dog chases him away, tearing at his golden robe.) Dreyfus is quite good too, reminding me of his performance as the exasperated and finally mad psychiatrist in "What About Bob?" Mazursky wisely avoided any attempt to insinuate overt signs of "seriousness" into the screenplay. A comedy doesn't need dark undertones to be successful, and this is successful.