The Day Reagan Was Shot (2001)

Best movie of this year hands down!

It's no definitive masterpiece but it's damn close.

Excellent, Without a doubt!!

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This one really has me confused. Almost every IMDb comment here - likes and dislikes - is based on people's political beliefs, or on their arguments about what is historically accurate, or how they perceive the Hollywood Left in general and Oliver Stone in particular. But, folks, this is a movie made for TV and all reviews should be based on its relevance or lack of same as a work of art. A TV movie a work of art? Okay, maybe not, but all films, plays, musicals, operas, etc. aspire to at least encompass the artistic impulse, and veracity is hardly even a consideration in such things. Only excellence is. We now know that Richard III wasn't the demented murderer Shakespeare painted him as, and that Boris Godunov did not murder his way to the Russian throne. But those facts in no way diminish Shakespeare's RICHARD III as one of the greatest plays ever written, or Mussorgsky's BORIS GODUNOV as the greatest of all Russian operas. So, let's let verisimilitude lie dormant for a minute and simply look at this TV movie as a minor work of art.I'd never heard of this film before, and watching it 16 years after it was made, I found myself absolutely mesmerized from beginning to end by the story it told. Was that story totally true? Probably not. Were the characters as portrayed absolutely true to the people involved? Probably not. Was what we were given in place of absolute truth and correct character delineation worth seeing? For me, it was ten stars worth seeing, so that obviates the need for further discussion, at least on my part. I thought every performance in the film was something of a standout, but especially those by Richard Dreyfuss as Al Haig and Holland Taylor (who, despite enjoying what I now find to be considerable fame as, in particular, a TV actress, I did not know) as Nancy Reagan, but also by Colm Feore as Caspar Weinberger. In fact, this is the best thing I have ever seen from Dreyfuss, who has wonderful memories for me in JAWS and MR. HOLLAND'S OPUS. The pure suspense of what has happened, is happening, and may yet happen is fantastic when you consider that everyone seeing this film already knows exactly what did or didn't happen. That is the mark of a good scriptwriter and a good director. Oliver Stone apparently produced this film, so that the Conservatives are jumping all over it as some kind of Leftist propaganda. I am a Conservative, and I got no such inkling from anything I saw here. It seemed to me that, for all practical purposes, Haig and Nancy Reagan were the two most admirable people to be seen in it. Mrs. Reagan's all-consuming love for "Ronnie" may be laughable to some, but not usually to people who grew up in Middle American Happy Households of the Reagans' life period. Haig, often portrayed (here and elsewhere) as a loose cannon, seems to me to be the only person in the story who has complete clarity of thought throughout (except for that one major "I am in charge" statement to the Press, a simple verbal faux pas to anyone who is not a conspiracy theorist). What surprises me most, and what not one reviewer here addresses, is that the film ultimately seems to come down on his side, when, as he leaves the Crisis Room for the last time and is asked what he will say to the Press the next day, he faces everyone down and quietly details every single thing he has found wrong in the way the crisis was responded to - from losing the President's nuclear access code card, to non-working telephones in a time of national emergency, to the near war engendered with Russia due to Weinberger's blunder, etc., etc. - and then says that, like a good soldier, he will fall on his sword before he makes these things public. In the end, and given the 'facts' as presented in this dramatization, any viewer taking the story at face value would have to agree that, if there was anything that had to be saved for the Nation during those first 24 hours after the assassination attempt, it was only Haig's overwhelming confidence and action that could be counted on to do so.Truth in reporting: Either shortly before or shortly after the Reagan Administration came into power, I met for dinner and a show with an old army buddy of mine from Tennessee and his family, this at the New York Hilton. As we entered the elevator to come down to ground level, who should be in that same elevator, all by himself, but General Alexander Haig, whom we took the liberty of speaking to for perhaps one minute. He was extremely friendly, but I cannot recall ever having been in the presence of anyone who exuded more charisma than General Haig, and that was almost 40 years ago, so however Richard Dreyfuss may have played him in this film, he hardly overdid that aspect of his personality.

This semi-docudrama is really two films in one. The first concerns the infamous 1981 shooting of President Ronald Reagan and the valiant efforts to save his life. The second relays the power struggle among White House staff while the most powerful man in the world lay under anesthesia.Despite the fascinating subject matter, THE DAY REAGAN WAS SHOT often falls flat, playing like a cobbled together movie of the week. Writer-director Cyrus Nowrasteh spends far too much time on the ego trips of Secretary of State Alexander Haig (a semi-annoying Richard Dreyfuss), failing to fully explore the more human angles as a nation sat with bated breath. What should have been a subplot with Haig dominates the movie. It would have been nice to see more of the doctors handed this enormous task; more of Nancy Reagan, the beloved First Lady; and more of the behind-the-scenes details, such as the ailing president signing a dairy bill to prove he was still in charge. The dialog is unimaginative and some of the performances resemble those of actors fresh from acting school.There is a great movie to be made about the chaos within government when its leader is sidelined. But with its dual personality, THE DAY REAGAN WAS SHOT isn't it.

It is clear that the low score average indicates that far too many votes were not on the film but on Reagan himself. This is an excellent film and a keeper in my library.I remember this day and this incident vividly. Who could forget the obviously shaken Al Haig telling the country that he was "in control" in the White House while Vice-President Bush was still in the air. This is the story behind the story: the chaos and panic that can set in when a President is shot. There is a theme in this real-life incident that was touched upon in television's "The West Wing" when "President Bartlett" was shot: when your first priority is to get medical assistance for an injured President, there can be oversights in procedure. And there were oversights when Reagan was shot.Richard Crenna does a wonderful job as Reagan, far superior to James Brolin's wooden caricature in "The Reagans." Richard Dreyfuss as Al Haig was brilliant. There is poignancy in the anxiety of the surgeon who "didn't even vote for the guy" and has to be reassured that he should treat Reagan like any other senior citizen in similar condition.The rest of the cast was top notch as well. I really enjoyed this film, but then I love history and I love stories that tell us what really happened. I wonder if I will live long enough to find out what really happened the day JFK was shot.

The Left leaning can really ruin a film, and I was expecting the worse. I was surprised with this film, except for the dramatizations of Haig, this film is somewhat accurate. Panic, disorganization, big time mistakes (ie the ex midterm) do happen. Agency in-fighting, phones not working is part of our imperfect world. The devil takes advantage of us when we are at our weakest. Maybe, someone can answer this question, but I do believe Weinberger, and Haig did not get along? How much of this is overdramatized I do not know. What I did like is they showed at the end, Haig loves his country, and did his best to help and lead in a time of crisis. What I really hate is that they left out that the US had to show that Reagan was strong, for the cold war sake, Bush and the rest knew this. This is part of the art of war. Did they really ask the secret service to leave the operating room, some many facts I did forget. I could imagine the stress the oval office has and what could be done in a time of crisis, like 9/11.6 out of 10 Mike