Fateful Findings (2013)

Good concept, poorly executed.

As Good As It Gets

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This movie is legendary. Neil Breen is a visionary filmmaker who is ahead of his time. One day, we will see this man win not one, but many Oscars. I got my local library to add this film to their collection and I suggest you do the same, this film deserves to be admired by all.

Genuinely the greatest film of the century. The complex backstory as well as beautiful integration of character development really makes this a cinematic masterpiece. The plot is beautifully crafted with a convincing and moving story, and is very easy to follow, while still being amazingly complex. There are a variety of deep and complex characters, which are all very diverse and all well developed. The CGI is truly ahead of its time, and the special effects were so good I thought that people were actually teleporting. I would definitely recommend this dramatic romance film to and film enthusiast who loves good plot and deep underlying messages. In other words, truly a raging dumpster fire of a film.

Sometimes a bad film is all you need for a good laugh, The Room is the obvious first choice for this category... Fateful Findings is not. It's just painful to watch, and follows no pattern with a heap of untalented goons that can't act, direct or engage anybody.It shares some similarities with The Room, namely in that Breen like Wiseau is a blatant narcissist that considers himself something of a revolutionary, compounded by the fact that he constantly puts himself in roles where he is either the hero of the day, the moral arbiter or the heartthrob for attractive women. An egotists delight... the difference between him and Wiseau is that he's not fun to observe. Not even a little.This review could be easily 15,000 words, there is no limit on describing the failings of this film. I'm just surprised that Breen could possibly produce anything worse than the preceding 'Here I Am... Now'... but that's another story. I suppose that is to be congratulated, that someone could actually exceed their previous train wreck.If you are a curious bad movie hunter, then by all means go for it. But don't expect to laugh the way you do at The Room, this one is just painstakingly awkward and you'll see why it doesn't quite live up to a 'so bad its good' cult classic.

Neil Breen is at it again with his profound insight into the corruption of the government and the plight of mankind. Through his cinematic masterpiece, we all learn what our "leaders" have been hiding from us this entire time. Move out of the way Hitchcock, sit down Nolan, take a step back Kubrick, and Scorcese; shut the f*** up! It's time for the new god of film to rise to the rank of best filmmaker ever.All of the actors, while talented in their own right, owe a great deal to Breen as he has saved them from the casting couch to give them work here. Nearly all of the actors make sure that they take their sweet time to say their lines to squeeze out every last juice of emotion out of their character. You won't see people in real life emote like this, that's for sure! I literally had to take the speed of the movie to 1.25 to have it sound like regular people were talking. The way that the movie portrays relationships is true and genuine, and will surely make you question you talk to your loved ones. Take for instance the main character Dylan, and his best friend Jim. In one scene, Dylan believes that Jim has taken his own life. While carrying his lifeless body, with Jim's blood all over his face, he says to him, word-for-word. "How could you have done this, how could you have committed suicide. I can't help you out of this one Jim". Amazing. While any other person would be distraught, Breen has to be the center of strength for everyone else and treats the situation as if he lost his lawnmower. Simply awe-inspiring. And let's not forget the way that the actors show you their conviction and emotion through slowly knocking over the several laptops that Breen's character owns, or spilling liquid on each other's chest to expose their breasts. You will not find a caliber of acting ability outside of this masterpiece besides the Hub itself. Breen has an incredible sense of pacing and attention to detail, as the director's vision envelops you in this world of wonder. If nothing else, you will always see the feet of every single character, which is a new, avant-garde way of shooting a scene never before seen and most certainly not a foot fetish. While viewing this with an associate film viewer of mine, we noticed that the story is told in a cyclical sort of way. There is no progression in the traditional sense, but instead, events that repeat themselves over and over again. Breen's character has a vision, he has a sexual encounter with a female co-star, he goes to one of his two therapists, he continues his fight against the Illuminati, a character dies for no real reason, rinse and repeat. It is a true parallel to how life repeats itself from the day we are born to the day we leave this earth. As I was viewing this with my cohort, I was emotionally overwhelmed, as it resonated with me like nothing or no one ever has before. I could not contain myself and purged fluids from my body out of pure ecstasy. Neil has no humility whatsoever, and why should he? He is a god among us feeble mortals. Excellence like this has never been achieved before. Time and time again, he asserts his superiority throughout his craft. The sex god is not afraid to show himself in his glory and the raw passion he has for the female form. Even if he has just been put into a coma, and literally bleeding all over his body, he is coming for that booty. And nothing can be done; no one can resist. Literally, every female character in the movie is after his Mandingo manhood, whether they are of legal age or not. Even his therapist gets jealous when he suspects he has been two-timing him. In the final 10 minutes of this movie, I was screaming as my brain could not handle the truth that Breen was unleashing unto me. Breen's character, (who all of a sudden is an expert hacker) hacked into the databases of not just the United States government, but every single government of the world, and collected crucial information. What the information was, we do not know, and it was never actually distributed to the public, but Breen's word was enough, as the government officials and presidents of corporations confessed to their sins gladly and committed suicide in front of an applauding audience. I have already said too much; please go and watch this piece of history that every man, woman, and child should behold as their new guide to life. All authors of the review with the letter N or B in their name are actually Neil Breen.