The Big Fisherman (1959)

I love this movie so much

Redundant and unnecessary.

By the time the dramatic fireworks start popping off, each one feels earned.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

This is a very enjoyable movie. I think a movie should be judged by itself, as a viewing experience, and not just on the basis of comparisons to other movies, which can be unfair.For example, this movie is compared to Ben-Hur, but they are not really comparable. This is a nice bio-epic about St. Peter, one of history's most important figures. Remember the Vatican Cathedral is named St. Peter's. Yet how many people know that much about Peter, who Jesus called "the Rock" and said he would build his Church on him. He was so big and strong and wonderfully played by Howard Keel. Even when he is not singing, Keel has a wonderful voice when speaking.The sets are also great, and the acting is fine throughout.I strongly recommend this as a relaxing and interesting 3 hour viewing experience.

They (The Disney Productions) really should put this awesome movie on DVD!! It may never happen unless we, the audience, does something! The movie has an all star cast, including Howard Keel from "Seven Brides for Seven Brothers" and the famous character actor on movies and TV John Saxon. It is based on the book by Lloyd C. Douglass. Douglass is the same author who wrote the great inspiring book, "The Robe" which was the first movie done in Cinemascope. It starred Richard Burton, Jean Simmons and Victor Mature. Victor Mature starred in the sequel to "The Robe" which was entitled "Demetrius and the Gladiators" which was a screenplay based on the characters from "The Robe" and the movie, which was shown in theaters one year after its predecessor, did very well in its own right. So, hopefully all the spiritual works of Lloyd C. Douglass, especially "The Big Fisherman", that were made into theatrical performances will eventually go into DVD!!!

Walt Disney arranged for Buena Vista Distribution (a company formed to release Disney films instead of RKO) to release the film as he wanted a long biblical epic to compete with the other major studios. In particular, he wanted to cash in on their successes, particularly that of BEN-HUR. One reviewer even commented that this production borrowed the MGM Camera 65 cameras used to film BEN-HUR.THE BIG FISHERMAN was nominated for several Oscars, a testament to the quality of the film and its technical professionals. Of course, it lost to BEN-HUR (almost everybody lost to BEN-HUR).In the mid-1970's, I worked at the Disney Studios in 16mm film distribution (mostly to schools and airlines as this was prior to the rise of home video). I located some 16mm anamorphic (scope) prints of THE BIG FISHERMAN.Using a dialog continuity script as a guide, I managed to reconstruct a decent, complete print and turned it over to my management, thinking it would be a great 16mm rental title. It wasn't accepted for that medium, but a few years later, SFM MEDIA CORPORATION distributed it to TV (in a pan-and-scan version only).The film is based on Lloyd C. Douglas' novel, a sequel to his massive bestselling book THE ROBE. The performances are consistently excellent. Howard Keel creates a moving and heart-felt portrait of Simon/Peter. There are several other standout performances. For example, Jonathan Harris as the chief steward in the palace of Herod Antipas. This was before his memorable turn as Dr. Zachary Smith in LOST IN SPACE. The best way to describe his characterization is to borrow a line from MY FAIR LADY: "Oozing charm from every pour, he oiled his way around the floor." Herbet Lom and Martha Hyer (as Antipas and Herodias) are particular standouts.Also, Ray Stricklyn as Deran, the evil son of the Arabian king, who has an unhealthy lust for Princess Fara (Susan Kohner), whose heart belongs to Prince Voldi (John Saxon). Kohner and Saxon create a very believable chemistry of two star-crossed lovers. When Deran dies suddenly of a heart attack while addressing his chiefs, who surround him on horseback, his passing is remarked on by two lines of dialog: "I think he is dead," says one chief. Another chief, looking at the body on the ground before him, replies, "Let us let him lay there until we are certain." It is a pity that this title is not available on video, preferably on DVD, where it's widescreen image can be preserved. I'm surprised that TCM hasn't gotten hold of this, unless it's a case of who owns the legal rights; possibly Buena Vista, the original distributor (which, of course, involves the Walt Disney Studios, who have their own strong home video distribution system). Perhaps these copyright owners feel that no decent elements exist for a DVD transfer. Perhaps they feel that the title just wouldn't find a large enough market to justify the cost of transferring such a long movie. That is a misguided belief. Anyway, it's still a pity. It deserves to be seen again.

I saw this one during its initial release at a theater in Palm Springs, California (now used only for stage shows and live presentations...one has to go a few miles out of the downtown area to find a multiplex, at least during my last visit there a year or so ago.) The 70mm cinematography (using the same units, borrowed presumably from M-G-M, that had been shipped to Rome to lens "Ben-Hur" - in "M-G-M Camera 65" - a "Window of the World" as the studio had touted it for the first production in that process, 1957's "Raintree County" starring Elizabeth Taylor and Montgomery Clift) is stunning, making great use of the Salton Sea area, a few miles from Palm Springs itself. I don't remember this film all that well, but I do recall that Herbert Lom and Martha Hyer, as Herod Antipas and his evil consort, Herodias, achieved chillingly corrupt portrayals, under the steady hand of old Hollywood veteran, Frank Borzage.One wonders who now holds the rights to this film, for it would certainly be a title that might do well given a good transfer to DVD.