In the Folds of the Flesh (1970)

Awesome Movie

an ambitious but ultimately ineffective debut endeavor.

An old-fashioned movie made with new-fashioned finesse.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Viewers who sit down to watch Sergio Bergonzelli's 1970 offering, "In the Folds of the Flesh," expecting some licentious soft-core Eurosleaze may be a tad disappointed. That provocative title, surely fit for some adult fare, rather has as its provenance a quote from Sigmund Freud regarding the effects of experience on the human psyche: "What has been, remains imbedded in the brain, nestled in the folds of the flesh; distorted, it conditions and subconsciously impels." And, as it turns out, although the film does sport the talents of a trio of gorgeous women and some flashes of nudity, those flashes are decidedly de-eroticized, and the picture, although it has been called "one of the most bizarre gialli ever made," strikes this viewer more as a murderous psychological puzzler. In this Italian/Spanish coproduction, beautiful Eleanora Rossi-Drago (who I'd only previously encountered in an early Antonioni film, "Le Amiche") plays the head of a household of three in an ornate villa by the sea. She lives with two others, who we infer must be her son and daughter, although the relationships are not clearly defined and some conduct bordering on incest gives us reason to doubt. Whenever a visitor--be it a cousin, acquaintance or ex-con blackmailer--drops in, he is quickly executed by one of the three, after which Eleanora uses dissolving chemicals to dispose of the corpus. A most unusual household, to be sure, and most of the fun here lies in trying to figure out just what the characters' relationships and motivations might be. My suggestion would be to not even make the attempt, as nobody in the film is what he/she initially appears to be, and each and every character is hiding a secret. Among the assorted bits of weirdness that the film dishes out are a pair of pet vultures, some truly outlandish costumes, unusual camera angles, a disinterment, deaths by cyanide gas, and B&W flashbacks to the Nazi death camps. A repeat viewing of the film is practically mandatory to fully appreciate all its many subtleties and formal brilliance; I for one enjoyed it a lot more the second time around. And hold on to your seats as the film enters its final 20 minutes; this segment contains so many revelations and plot twists that the folds in your own mental flesh may start to unravel!

The plot of Sergio Bergonzelli's strange "In the Folds of the Flesh" is extremely convoluted,but basically it's about a family residing in an Italian villa who is involved in a series of bizarre sexual encounters and grisly murders.The inhabitants of the house are strikingly odd:Lucille(Eleonora Rossi Drago),her son,his friend Falesse(Anna Maria Pierangeli)and some pet vultures.Falesse was raped by her own father when she was the child.There are some shades of incest,decapitations and also gloriously exploitative flashback set in Nazi death camp.If you like gialli with bizarre narrative and truly off-beat atmosphere of perversion "In the Folds of the Flesh" is a must-see.7 out of 10.

The family of a mob boss have plenty to hide within the confines of their beachside castle. There's a body or two buried in the garden, the internment of one of these was witnessed by a criminal on the run, but he says nothing when caught by the police. Some years later that same criminal is released and he returns to blackmail the family of oddballs, lunatics and murderers. In the days before his release the family had killed a few people randomly, but now they get rid of the bodies in a vat of acid in an outhouse. Are you still with me, OK stay tuned it gets more and more hard to follow, the family also have a sister who was locked up in an asylum after she murdered her father, except she didn't, as the truth the doctors told them would be worse for her mental state. OK now, the woman we think is the mother is in fact the daughter, except she isn't, she's an imposter, then the father comes back, except it isn't really him, oh and there's rape, incest a hint of paedophilia, oh and there's some Nazi's who gas merkin wearing naked women, oh and one of the family escaped the Nazi's and now she's traumatised by those memories. Now getting back to the random killings, one of these guys rapes the mother, or was it sister, daughter, I don't think even the director knew, but yeah this girl gets raped and then he gets murdered and the sister who sleeps with the same guy after he raped her mother then gets upset because of his demise. The son, now there's a loon, he is a psycho, if only for his dreadful dress sense, in fact everyone seems to wear bad wallpaper inspired clothes. Hello are you still there, for those who are I hope you're following it because I'm pretty lost. Oh I forgot to mention there's a dog strangling too, for those who love such things, yeah this film is just full of ideas, none of them very coherent, just for good measure and to complicate things even more, the director goes for lots of crazy psychedelic camera-work, shot from crazy angles and with lots of headache inducing zooms in and zooms out and zooms in and zooms out and zooms in…I'm dizzy just thinking about it. The saving grace is the fine acting, all the performances are spot on….eh no I'm lying, they're all pretty dire, all these actors went to the Scooby doo bad guy school of acting, lots of sinister looks and eye rolling. The orchestral score is unusual for a Gialloish film and its also pretty mundane and distracting, as is the awful dubbing. So in a film which approaches so many subjects you might think its full of sex and nudity….eh no.Oh I forgot to mention the Etruscan skeletons, damn.

"Nelle pieghe della carne" (In the folds of the flesh) looks like a Mexican soap opera – the story is dramatic and twists are followed by more twists, and the puzzle becomes an enigma, till the conclusion, when everything is "explained". But somehow the answers look more senseless than the story itself. Can the film be called senseless? I don't think so because "In the folds of the flesh" is coherent when regarded inside its fantasy world. Fantasy is a reflection of reality, it portrays our subconscious fears and desires. Seen from this angle "In the folds of the flesh" has a coherent emotional reality, and I think that the best way to see the film is to turn off your brain and use your heart - the brain and logical thinking should function only as secondary tools on seeing "In the folds of the flesh".Now to the film: The film begins quoting Freud. If I remember well it was something like that – the scars we suffered in our early childhood will be the driving force that will lead us through life...In a tower/mansion by the beach something terrible happens. A bloody severed head, a woman and children - statuelike - looking darkly, a train goes by very fast... a shrill whistle. A killer on the run. The police close on his heels. Hiding behind bushes he sees a woman burying somebody. A very dramatic score underlines the scenes. The killer is finally arrested and the policemen go away. The tower is left alone with its dark secrets. Years go by but memories don't die. Mother, Daughter and Son. The father disappeared years ago. Terrible memories haunt them.Brother and sister like to indulge in sexual games. In the gardens by the sea, the birds, in their big cages, shriek. Murders happen. Decapitations, strangling. Flashbacks of rape, naked women being led to a Nazi gas chamber!. The tower, the unexpected visitors... the bodies must be disposed off....By now you'll be thinking that the film is completely insane and you'll be right, but (as I said before) there's an emotional logic that links everything.Like all good gialli, "In the folds of the flesh" has a beautiful visual style - fast and creative editing, bizarre zooms, weird camera angles ... but the orchestral soundtrack is unusual for a giallo - sometimes sad and melancholic and sometimes threatening and full of gloomy forebodings. It's a soundtrack more appropriate for a melodrama, for a soap opera, than for a giallo, but it has hit the nail on the head because "In the folds of the flesh" is in fact a melodrama, or rather, a melodramatic giallo. It has many layers and contradictions. It is superficial, but this superficiality has unknown depths. Freud, rape, incest, murder, Nazi gas chambers, love, betrayal, loneliness, everything mixed together in this crazy giallo. The world is seen through the subconscious (fear, illusions, desires...) in a film that looks like a fantasy soap opera."In the folds of the flesh" features an interesting cast that makes it a must for cinephiles: Eleanora Rossi Drago, one of the great ladies of the Italian cinema, was the main actress of such films as "Le Amiche" by Antonioni and "Estate Violenta" by Zurlini. Anna Maria Pierangeli, another amazing actress, best known for her Hollywood films. Fernando Sancho - the laughing Mexican bandit in many spaghetti westerns (!) and many others.... See them all together in a giallo, well, that's something! Those that expect a sleaze fest will be disappointed. This film was made in 1970, in a time when the giallo was about to start off. "The seducers" that was made one year earlier, namely in 1969, had already broken many boundaries, but I guess that, in that time, it was not widely released. So, most of the sex in "In the folds of the flesh" is more implied than directly shown, but anyway the film is filled all over with a highly-charged sexuality – visual sexual innuendos, kisses, games... Innocence, lurking lust, violence.... The story has twists after twists, and then other twists and still more twists, and it looks like the labyrinth of Crete. The images that follow each other and that disclose more and more the horrifying truths (!) are so over-the-top as to be really funny. But there's seriousness and emotion in the storytelling.In short, "In the folds of the flesh" could be labeled as a melodramatic giallo, but it is much more than that. The film has many, many layers, but it's not as complicated as it might seem by my description. Forget about logic and let the heart be your guide and you'll see that the film is quite simple. Don't try to understand the film (anyway there's no need to worry, everything is "explained" in the end), just feel it.