Orange People (2013)
Grandma Zohara occupies a special role within the Moroccan community within Israel. By cradling an object brought to her by her clients, Grandma Zohara gains access to the family's past through her dreams. This allows her to advise families on future decisions. Lately, however, Grandma Zohara is tiring and begins searching for someone to take over this role. She discovers that the only other person endowed with the power of dreaming is her daughter, Simone, who has different plans for her future. With support of Simone's sister, Fanny, who arrives unexpectedly from Paris, Simon gathers the strength to resist her mother's pressure and to pursue her own desire. Together the sisters wage battle for Simone's independence and creativity.
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Thanks for the memories!
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
It seems that when the Israeli cinema turns its attention to the country's Moroccan community, it likes to dwell on the community's embrace of the supernatural-- in the previous films "Sh'chur" and "My Lovely Sister," and in "Orange People" as well. The writer/director has explained that "orange people" is a metaphor for "creative people." In this movie, the creativity gene passes from generation to generation, but in each generation it's expressed differently and the result is intergenerational tension. The linchpin of the movie is Rita Shukrun, who impressively portrays the matriarch, a sleeping prophet a bit like America's Edgar Cacye. There is a conflict between her two daughters, who are both more concerned with creating cuisine than with fortune- telling, but the script chooses to postpone the revelation of the reason for that conflict; I think that in doing so, the script sacrifices some traction. Another problem is that the major male character is rather a cipher, missing the magnetism that the script seems to attribute to him. But on the positive side the movie offers lush visuals, including location shots from Morocco, and the drama is seasoned with plentiful humor and intriguing dream sequences. Everything is integrated into a vision in which the progress of the generations is, like walking, a sequence of repeatedly losing and regaining balance.