Cold Comfort (1990)

That was an excellent one.

Best movie ever!

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

COLD COMFORT is an odd-little three-handed character drama. The story begins with a trio of characters holing up in a deserted diner during a snow storm. There's a slick travelling salesman, an obese oddball, and the oddball's flirty teenage daughter. What follows attempts to be a psychological thriller but it really doesn't thrill for the most part and feels quite pedestrian in execution. The chilly Canadian climes are well suited for the story's backdrop but, Maury Chaykin aside, the actors feel a bit lacklustre and restrained, and the incest elements of the plot are more embarrassing than anything else. The twist ending tries hard to be shocking but had me laughing instead.

Don't believe any of the other reviews posted here, which are - for some unfathomable reason - all full of praise for this major piece of Dreck.Another one of those imbecilic films in which an innocent passer-by is kept imprisoned in a house somewhere in the middle of nowhere. This is one of the worst sub-sub-genres of them all. It's bad enough to watch a dumb thriller, but when it's this kind it really doesn't get any worse. This brick-hard bundle of nonsense may be one of the five worst films I've ever seen, and I've seen several thousand - unlike some IMDb reviewers out there who get excited about just about anything. The characterization is straight out of the "Guide For Making Bad Z-Movies". The plot is totally predictable, the motivations of the characters muddled - or most likely non-existent - and there is some rather inept acting. The award-winningly absurd premise includes an 18 year-old girl who never met anyone apart from her fat father and his chained dogs, yet seems cheerful and well-adjusted enough (all things considering). Duh! This kind of plot has been done badly before but this dumbfest redefines how much worse an already idiotic premise can be made if one tries hard enough. Clearly, the effort has been made in that direction, in this case. It isn't hard to "top" this junk - it is practically impossible.

Winter cold in rural Manitoba and a cluttered and claustrophobic living space behind a disused service station set the scene for this unnerving Canadian psychological drama. Maury Chaykin is an under-employed independent tow truck driver without a permit and without means to pay his bills. Everyone in town is creeped out by his disconcerting presence. Driving home in a blizzard Chaykin discovers handsome traveling salesman Paul Gross unconscious in a snowy ditch. What at first looks like a misfit playing good Samaritan turns into a twisted tale when the wounded Gross is presented as a gift to 18-year-old Dolores, played with sweet naivete by Margaret Langrick. Gross, at first grateful for his rescue quickly becomes wary of his odd circumstance, never knowing who, if anyone, he can trust. The neglected and immature Langrick tries to turn on a charm trying to woo the captive Gross. Chaykin is never far away - always menacing - and Gross is always on edge trying not to do the wrong thing to set off his demented host. The turning point, as Gross regains his health, is a birthday party for Dolores in the dreary garage, fueled by flirtatious banter and longing looks from Langrick and too much alcohol. When Langrick suddenly appears to perform an impromptu stage show for the two men Gross is confused, wondering about the daughter's innocence and end up reading the father's enthusiasm entirely wrong. Desperation and divided loyalties drive the taut conclusion. This film sticks with you like a winter chill.

Set in Manitoba, a traveling salesman is rescued from a blizzard by the local crazy man, and taken to his house as a present for his daughter for her 18th birthday. Margaret Langrick gives a stunning performance as an 18 year old girl who wants to get away but her father is too domineering and keeps her too far away from other people. Maury Chaykin is totally convincing as the crazy father, by far one of the better "crazy-man" performances I've seen in any movie. Paul Gross is not-quite-innocent as Stephen. The plot becomes very disturbing once you see how nuts the father is. Slight overtones of Stephen King's "Misery" with the foot injury caused by a trap that Floyd sets so Stephen can't run away, and the scenes with Stephen chained to the wall are very effective. All in all, an amazing movie that gives you the shivers, and a sliver of hope