Rasputin and the Empress (1932)

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The best films of this genre always show a path and provide a takeaway for being a better person.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Rasputin and the Empress shouldn't be used as a lesson of pre-Soviet Russia. Names have been changed (and that didn't prevent MGM from law suits) and a lot of the information we now know about this period of Russian history - was not known in 1932.As other people have commented about this being the only film that Ethel, John, and Lionel Barrymore appeared together, this movie doesn't show why the Barrymores have the reputation that they have. John Barrymore's career started going downhill after the introduction of sound. Lionel Barrymore, wearing one of the phoniest fake beards, tries to capture the charisma and sense of control that Rasputin had over Czarina Alexandra and the Czarevitch. Ethel Barrymore gives an understated performance - too understated at times. When her only son seems to be close to possible death, she doesn't seem all that bothered.C. Henry Gordon is a great Grand Duke Igor, Ralph Morgan is a convincing Czar Nicholas II, but they don't appear that frequently. Don't expect anyone to speak with a Russian accent or even attempting and accent.Rasputin is one of the most interesting people in the world during the early 20th Century. He was also one of the most enigmatic and contradictory. A holy man who was accused of raping a nun, excessive drinking, and being power hungry. Barrymore's portrayal of Rasputin plays this up, plus making claims that he will be Russia. He seems almost like Charles Manson at times in the way he can make someone, especially the Czarevitch, behave like they are totally different people compared to the way they acted before meeting Rasputin.It is best to watch this movie as just that - a fictional representation of various accounts of what happened in the royal court of Russia in its final days. The writers included Charles MacArthur, Ben Hecht, Robert Sherwood, Mercedes de Acosta, and Lenore Coffee - some of the best writers of the period.It's worth a view - don't expect historical accuracy, but it is an interesting film that tries to show a much different world than what Americans would have known.

This could have been a true classic. However, it strays far from actual events and abridges the period between the outbreak of the Great War and the killing of the royal family.The three Barrymores -- Lionel, Ethel and John -- are fine as Rasputin, the Empress and Prince Paul, a fictional character who assassinates Rasputin (the real assassin was Prince Feliks Yusupov, who was distressed by the damage that Rasputin was doing to the public image of the royal family).The film correctly shows how Rasputin was interfering with the government and the execution of the Great War. But we don't actually see any sign of the February and October revolutions and the abdication of the czar. In the movie, the royal family is taken by train to a house where they are shot by the Bolsheviks. All of these events happen so suddenly in the film that a casual viewer would lose sense of the chronology.Moreover, the direction is poor and many scenes last too long, making the movie drag.

A true example of the assembly line style film-making of the old studios, where one doubts if the screenwriter ever visit the set, or did the director ever sit at an editing bench. Lionel Barrymore, however is a treat as the grimy, kooky Rasputin. He doesn't go for one-note scary. He's seen as a fun party animal, a believable healer, and the world's worst dinner guest. Other than that, John is wasted as the hero, as is their sister Ethel.

The only film that all three Barrymores appeared in together. Rather dated and sometimes laughable, especially Ethel's constant "double-takes" whenever a dramatic moment occurs. But it's still worth watching.