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The Story of Three Loves

The Story of Three Loves (1953)

March. 26,1953
|
6.8
|
NR
| Fantasy Drama Music Romance

Passengers on an ocean liner recall their greatest loves.

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Linkshoch
1953/03/26

Wonderful Movie

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TinsHeadline
1953/03/27

Touches You

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Casey Duggan
1953/03/28

It’s sentimental, ridiculously long and only occasionally funny

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Jenni Devyn
1953/03/29

Worth seeing just to witness how winsome it is.

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sonnyschlaegel
1953/03/30

(Spoiler warning: Please don't read this unless you have already seen this movie or don't care about spoilers.)It's an anthology of three stories. In the first one, a ballet dancer is forbidden to dance because she has health problems. But when a famous ballet director (who doesn't know about her health problems) asks her to dance for him because he seeks inspiration in order to improve his latest production, she can't resist the temptation... It's the story of a love that can't be fulfilled. I liked James Mason as the ballet director, and I was impressed by Moira Shearer's dancing, although I'm not generally a great fan of ballet dancing. And I love the music they used for the soundtrack, the 'Rhapsody on a Theme of Paganini' by Sergei Rachmaninoff.Next in sequence there is the story of a teacher (played by Leslie Caron) who hasn't known love yet. It's in the style of a fairy tale. Young Tommy (played by Ricky Nelson), the boy she teaches, becomes an adult for a few hours (through witchcraft). He meets his teacher and they fall in love, but when his spell as an adult is over, their love has to end. But the teacher has changed, and when she later meets another man, she might find lasting love... So it's the story of a love that might be fulfilled. I liked both the story and the actors.The last story makes the sequence complete. It's the story of a love that is fulfilled. I liked Kirk Douglas very, very much; I found him very convincing as Pierre Narval, a disillusioned and retired aerial acrobat. I also liked Pier Angeli; she plays Nina Burkhardt, a woman who is so disillusioned she tries to commit suicide. But she is saved by Pierre, who later asks her to become his partner for his comeback. They are both haunted by memories of their past; Nina thinks she is responsible for the death of her husband, and Pierre probably feels he is responsible for the death of his former partner, although he says it was an accident. Pierre trains Nina. They fall in love, but then there is a very dangerous stunt they have to perform without a safety net...I liked the third story best. The others weren't as good in my opinion, but I have still given ten points because I think that somehow (forgive the worn-out phrase) the whole is more than the sum of its three parts. I think the order in which the stories are told is well chosen for a sentimental love movie.I think if you like the genre, this movie is well worth a look.

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donaldgreybarnhouse
1953/03/31

Each of the three love stories would have been worthy of a movie to itself. The second, with Leslie Caron, must rate at least a 7 for anyone who enjoys her, but her work in Lili outshines everything else she has done. The third, with Pier Angeli and Kirk Douglas was a treat even for a viewer who does not usually like Kirk Douglas. It rates a 9 on the basis of the marvelous sequences as he teaches Pier Angeli the art of high wire performance. But it is the first, which deserves 11 out of 10, which makes this film a "must see." I know of no other film in which great orchestral music has been treated with such respect and insight. There are long, uninterrupted sequences of the marvelous Moira Shearer dancing to one of Rachmaninoff's fabulous Variations on a Theme of Paganini. The combination is superlative ballet, and superlative interpretation of a great orchestral work of the late romantic school. As icing on the cake, James Mason is the audience of one as she dances, an irascible impresario who is, quite understandably, overwhelmed by the magic of Shearer's performance. The story ends too soon. At full length, with three times the dancing, and a better love story between Shearer and Mason, it would be a movie I might expect to see in Heaven. It makes the whole film easily worth a 9.

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nixxnutz
1953/04/01

I was a college sophomore in 1953 when Rachmaninoff's "Rhapsody on a Theme of Paganini" was near the top of the charts. (Yes, believe it or not, there was a time when good music was popular!) At the time, I knew it was featured in a movie, and I probably knew the title, but I never saw it. Over the years I forgot the movie title, but "Rhapsody" was always a favorite. Occasionally I puzzled over the movie that popularized it, but I couldn't remember what it was. This morning I discovered "The Story of Three Loves" (1953) on Turner Classic Movies, and there was Moira Shearer dancing to Rachmaninoff. I didn't have time to see the movie when it was new, but at least I solved the mystery for myself, and this time I won't forget. I thought the whole thing was charming. Speaking of shades of the future, in the first scene of the aerialist segment, "Equilibrium," Pier Angeli attempted suicide but was saved by Kirk Douglas. In real life, she succeeded in killing herself with a phenobarbital overdose in 1971.

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upsterbutler
1953/04/02

See the story of three strangers as they cruise the Atlantic and remember what it's like to fall in love.The first stars Kirk Douglas as a circus artist. A little slow for me. The second has James Mason as a harsh ballet choreographer. Will he choose love over his career?The third sees a pre-Tom Hanks Big really get to the heart of the matter. It's my personal favourite. Leslie Caron is a born romantic who falters having to teach a precocious brat. This one leaves you with a warm heart. Rent (or buy) this but skip the circus story. The other two will cheer up the hardest viewer. Don't expect Hollywood all the way. It's got enough of a European flair to keep it interesting without making it heavy or difficult to follow.Enjoy.

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