Gildersleeve's Ghost (1944)

i must have seen a different film!!

Best movie of this year hands down!

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Producer: Herman Schlom. Copyright 26 May 1944 by RKO Radio Pictures, Inc. No recorded New York opening. U.S. release: no official release date. The movie was block booked. Australian release: 12 October 1944. 5,831 feet. 64 minutes. SYNOPSIS: Gildersleeve doesn't actually tangle with the ghosts (there are two of them), but he does dance a merry jive with both a now-you-see-her, now-you-don't showgirl and a not-so-tame but definitely dysfunctional gorilla. NOTES: Fourth and last of the Gildersleeve movie series. COMMENT: It's almost inevitable that every series character will meet a ghost at some time or other in their film careers. This of course is the Gildersleeve entry and a riot of fun this clever little spoof is too. Oddly, however, most of the amusement is not delivered by Gildersleeve. True, he's in the movie, in triplicate in fact, but he's only tolerably diverting. (He also looks different too. Less presentable, less debonair. Same director as before, so it must be the photographer's less indulgent lighting). Oddly, all the best bits of business are handed to Marion Martin, and all the funniest comebacks are delivered by Nick Stewart. Now I'm certainly not complaining. I love Marion Martin. She's a real dish, and here, for once, she has a major role. As for Nick Stewart, he is one of the most adept (yet unappreciated) comedians in the business. Not that the movie is lacking in expert farceurs: Richard LeGrand, Emory Parnell, Lillian Randolph, Marie Blake, for instance. (Reicher is great too. The way he keeps a straight face in the midst of all this gorilla-swapping and visible-in/visible-out bedlam is amazing). But Stewart easily tops them all. The Forrester kids have less footage in this movie. Margie Stewart makes an extremely indifferent Marjorie anyway. Before I conclude, I must mention Amelita Ward. She's a knock-out! I must also pay tribute to Vernon L. Walker' marvelous special effects. I'm amazed this entertaining entry received such bad reviews. Robert E. Kent's risible script takes the mickey out of several horror sub- genres, including the invisible woman, the mad scientist, the haunted house, plus real and fake gorillas on the rampage. My only complaint is that it all ends somewhat abruptly. But that's life!

The final Great Gildersleeve picture from RKO is a weird one but entertaining. The plot this time is that Gildersleeve (Harold Peary) is running for police commissioner. The ghosts of two of his ancestors (both also played by Peary) decide to help him but only get him involved with a mad scientist, an invisible woman, and a gorilla! They are Gildersleeves, after all.This one's fun. I've enjoyed all of the Gildersleeve movies but this one appeals to me especially as I'm a big fan of old horror/sci-fi movies. Harold Peary is great in this one playing three separate roles. Frank Reicher is appropriately sinister as the mad scientist. Beauties Marion Martin and Amelita Ward pretty things up as the invisible woman and French maid respectively. Martin is also very funny. Love her scenes with Gildersleeve. Richard LeGrand, Emory Parnell, Lillian Randolph, Margie Stewart, and Freddie Mercer all offer good support. Marie Blake is the lady in love with Gildersleeve. Every movie in the series had to have one. Nick Stewart is hilarious as a cowardly chauffeur. It's a stereotypical role but he does a lot with it. The 'old dark house' touches are very nice. The guy in the gorilla suit may not be convincing but that's part of the charm of it. Every scene with the gorilla is great. The scene where Gildersleeve threatens to spank the gorilla, believing it to be his nephew Leroy in a costume, is priceless. I can understand it not appealing to everyone but if you enjoy old-school horror comedies with a little atmosphere and a lot of laughs, you'll probably like this.

Its common, I suppose, for celebrities to make it on a single attribute. Julia's smile, Jaylo's butt... and Peary's laugh. He was already one of the top radio personalities of all time based on his exploitation of that one comic effect. Here, it is transferred to the screen as nearly all radio successes were. And it is shoehorned into a formula cornucopia: a real gorilla and a gorilla costume; a disappearing and reappearing "show" girl (who gets to be nude on screen in a shower scene, but invisibly so); and a mad scientist. The whole thing is framed by the ghosts the ancestors of Gildy's and his sidekick, played by the same actors of course.Its the old kind of simple comic nesting: the story within the story, that contains actors acting and confusions between the two.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Harold Peary's Gildersleeve character appeared in a number of 1940s second features, and this is surely the most bizarre entry in the series. This time he's running for police commissioner against an entrenched and corrupt incumbent (Emory Parnell). When a gorilla (the ubiquitous Charlie Gemora) escapes from the lair of the local mad scientist (the suitably oily Frank Reicher), Gildersleeve is the only person who sees it, giving incumbent Commissioner Haley the electoral issue he's been looking for. This over the top blend of comedy, horror, and science fiction tickled my funny bone, but if you're not a fan of Gildersleeve--or are likely to be offended by the stereotypical black servants--you can safely give this one a miss.