The Innocent (1995)

Very very predictable, including the post credit scene !!!

If you don't like this, we can't be friends.

It's entirely possible that sending the audience out feeling lousy was intentional

One of the most extraordinary films you will see this year. Take that as you want.

There are a couple guys whose movies I will automatically see if possible: Gene Hackman and Anthony Hopkins. Because the latter was in this one, I gave it a go. Unfortunately, I never bought into his character. It's not for the effort made by a wonderful actor. It's a bad casting choice. He seems out of place. I'm also intrigued by the guy whose job it is to be involved in espionage, ignoring the warnings of his superiors. Hopkins knows this guys every move and knows that he has become an imperfect cog in the works. Granted, this goes back many years and the sophistication of the world of the spy has changed, but there is so much carelessness here. We also have fragile characters who probably should never have been signed up for this job. Anyway, when Hopkins' character moves in, I just never buy it. I also never buy the business of creating a relationship, only to betray it and ultimately gain nothing from it. This is a poor man's "Tinker, Tailor, Soldier, Spy." It is so lacking on so many levels. It also has a pretty schmaltzy ending which I won't betray. See what you think.

This movie has three serious flaws. It never finds a focus, (ultimately, I cared very little about any of the characters), it has the always fateful flaw of dialog that gets lost in whispered tones or buried beneath the score or SFX, and finally ... WHY, in heaven's name is Anthony Hopkins using his not-so-convincing American accent to play a character that could have been played better by half-a-dozen American actors? And I'm a Hopkins fan! Sorry, it just doesn't work. Although it tries to be both a suspense and love story, it accomplishes neither. That's all the more frustrating when the end arrives with what I assume is an homage to Casablanca. The whole thing is poorly focused and generally weak, despite solid performances by Isabella and Scott.

I quite liked this film. But probably because I think there are perhaps more important things than the manner in which Anthony Hopkins is miscast. You just have to overlook that. Campbell Scott is great and really carries the whole film. I really enjoyed the way the film was held together, the cinematography and the use of really bad American Music to get across the brashness and invasiveness of their culture even back then. If you've read books like Spycatcher you'll appreciate this film. On the other hand if you think Bond films are good, you'll most likely hate it. I would have liked the sex scenes to be more, shall we say 'fleshed out', they fade off all too quickly. It's very rare in popular film that you get good sex scenes that are filmed with warmth and tenderness. The use of lighting and angles is great. What got to me more than Hopkin's dodgy accent was the stupid female character. Can't we just forget reality for a bit and stop casting women as quivering idiots. Sure that's how they seem to behave in all important situations, but it's so annoying to be put through it over and over again. Let's have an intelligent female lead who decides she's going to take responsibility for her dumb, impulsive behaviour and make amends. As opposed to leaving everything up to the bloke and then running off with his friend. And did anyone notice that all the men around her drink heavily? I think this would be a good book and there's obviously stuff missing from the film, but still I give it 8/10.

Is it a spy story? Is it a murder thriller? Is it a love story? This movie tries to be all three and ends up being a mess.Anthony Hopkins effort as an American security officer is uneven and almost lacking in emotion. His strong American nasal accent which reminds me of his role in the "Road to Wellville" fades as the movie goes on and almost lapses to his native English.On the other hand Campbell Scott, an American, does an outstanding job of playing an English scientist to the limits of the convoluted script. One can't help wondering if an important 30 minutes of story was left on the cutting room floor.Probably the only scene of interest is in the final 10 minutes of the picture and it occurs at an airport in Berlin. The common views and elements of the scene as compared to the airport scene in "Casablanca" are probably intentional as Isabella Rossellini is the daughter of Ingrid Bergman.My suggestion is to watch "Casablanca" first then the final 10 minutes of this movie as that is about all anyone will want to remember of "The Innocent".