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The Journey to Kafiristan

The Journey to Kafiristan (2001)

September. 27,2001
|
6
| Drama

In 1939, the author Annemarie Schwarzenbach and the ethnologist Ella Maillart travel together by car to Kabul, but each is in pursuit of her own project. Annemarie Schwarzenbach, who was among Erika and Klaus Mann's circle of friends in the 30s, is searching for a place of refuge in the Near East to discover her own self. Ella Maillart justifies her restlessness, her need for movement and travel, with a scientific pretext: she would like to explore the mysterious Kafiristan Valley and make a name for herself with publications on the archaic life of the nomads living there. Both women are on the run, but political developments and their own biographies catch up with them again and again. Their mutual journey through the outside world, which runs from Geneva via the Balkans and Turkey to Persia, is compounded by the inner world of emotions with a tender love story.

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Reviews

Evengyny
2001/09/27

Thanks for the memories!

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Protraph
2001/09/28

Lack of good storyline.

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Tayloriona
2001/09/29

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Erica Derrick
2001/09/30

By the time the dramatic fireworks start popping off, each one feels earned.

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Horst in Translation ([email protected])
2001/10/01

"Die Reise nach Kafiristan" is a German-language film from 2001, so this one had its 15th anniversary last year already. It was written and directed by the Dubini Brothers from Switzerland and it is maybe their most known work. This may have to do with the time when the film is set or the real people references, but also a main reason could be that some people mistake the Barbara Marx credited as a writer here for the very famous recently deceased American show girl of the same name. Anyway, this 100-minute film is about two women traveling through Iran for very different reasons, personal and professional, and they decide to travel together to make things easier for both of them. The film is set during the 1930s and that time and area certainly weren't very suitable for women back then. Then again, is it anymore suitable today? The two protagonists and their endeavors existed in real life too, which makes the film slightly more interesting, not too much though. I honestly think lead actress Hain is/was stunningly beautiful, but never a really gifted actress. As for Petry, I don't think I have seen her in enough roles to make a definite statement. But in here she is equally forgettable as Hain. This is a major problem because the two characters are supposed to have a love affair, but the actresses had very little chemistry with each other. They are also the only known names in terms of the cast. Even gigantic German film buffs like myself will probably not recognize any other names/faces. This is one reason why the supporting characters / side plot also did not add any spice to the film. Oh yeah and if they really love each other as they want us to believe (not really historically proved either), then the ending is also not really making sense. Real love trumps personal goals and missions, also during a time when homosexuality was frowned upon. The filmmakers' attempt near the very end to add important historical context to the film (the radio report) felt rushed and for the sake of it. Not very much about this film is working to be honest, the only aspect I somewhat enjoyed are the beautiful sceneries and cinematography. Obviously far from enough for over 1.5 hours. Watch something else instead.

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dehqaan
2001/10/02

Whatever the merits of the film, it is poorly researched. As others have pointed out, the movie shows locals in Iran speaking in Arabic, rather than Persian. That is enough to lose credibility for anyone who has the slightest knowledge of the area or the country. The landscape could not be more different from the actual.Other factual errors: A train is shown to be operating in Afghanistan, while Afghanistan does not have railways. The Turkish ambassador is wearing a Fez (the red hat), whereas the Fez was banned by Turkey much before the time in which the movie is set. The Turkish ambassador's daughter is actually dressed as an Indian, and Indian classical music is playing in the background in many scenes. I suppose the filmmakers meant to show an exotic woman, and sari was what they decided would make her exotic.

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shashemi14
2001/10/03

All I can say is, before watching the movie I did not have a hint indication who Annemarie Schwarzenbach was or what was her life story..and I have to confess that the movie was hardly a help to reach these data.. and even it was not successful to persuade me to do some research by typing few words on google website; however, all I can say is that the actress Jeanette Hain was great with her mute facial expression she really played well and showed a deep depression mental status, as it is in real.After all , based on the script the movie has happened in turkey and Tehran as well as Afghanistan.. but believe me I am familiar with the area , it was all about an Arabic desert in morocco.. Turkish people and persian people are completely different in face and culture as well as in language which is not arabic..I suppose for making a film like this- documentary type- a thorough research about all these minor elements is mandatory..

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pagrn1
2001/10/04

All the reviews I read before seeing this were maddeningly vague as if the writers were trying desperately not to commit themselves. I can't see their problem, 'Journey to Kafiristan' is an outstanding film with two excellent performances from the leads; the cinematography is jawdroppingly good with the landscapes, interiors and close-ups all adding to the poignancy of the narrative; the music is astonishingly unobtrusive yet contributes to the mood and pace of the film. At the centre there is the performance of Jeanette Hain whose extraordinarily expressive face adds so much to the pathos of the situation. I can only guess that the reason this film did not catapult Ms Hain to international prominence is the 'stigma' of the lesbian character as with Patricia Charbonneau after 'Desert Hearts' or Gina Gershon after 'Bound' and 'Showgirls'. Jeanette Hain should be one of the world's most successful actors and directors should sit up and take note! Commercially the labelling of films seems inevitable as target audiences are identified for marketing purposes; but it can serve to reduce the potential audience. 'Journey to Kafiristan' is billed as a 'Lesbian Interest' film but it is much more, it deals with the rise of feminism in Europe in the inter-war period. Both lead characters have transparently fake marriages for convention's sake and exist outside the norm while still using their married status to protect them in dangerous situations. If you're looking for GIRL-ON-GIRL action you would be better off looking elsewhere for while this is a love story it is cerebral and emotional rather than carnal.I cannot praise 'Journey to Kafiristan' highly enough.

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