Circles (2013)
Circles (Serbian: Krugovi) is a Serbian movie based on the true story of a Serbian soldier who risked his life to protect a Muslim civilian during the war in Bosnia. During the war in Bosnia in 1993, a Serbian soldier pays for his life after protecting a Muslim civilian from being attacked by three other soldiers. 12 years later, the consequences of this act of heroism are still having their repercussions.
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Fantastic!
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Have you ever heard a story about goodness? Maybe once, or twice, hardly more... Listening and talking about someone being good is boring... We take it for granted, nobody cares about the grace, no one remembers. In the time of war, goodness means life, in the peaceful times goodness stays good and sometimes saves lives. This is a story about the moments when goodness touches the soul of a man, as some drop or rock that hits the water, leaving the circles behind. This movie goes around those circles of lives and records their touching, the echo of love. If there is a story about us, people of Earth, it has to be told, and I'm glad I watched it.
it is not only a good film. but support for reflection. about a war and about Balkans. about hate and about the small details. about feelings and about memories. about justice. and about the essential answers. the music, the image, the acting are only steps to a large circle of questions with not precise answers but with important role to define for yourself. it reminds few great European films but it remains different. for the salt taste, for the bitter atmosphere, for the traits of a lost world, for the beauty of few words and images, for the high talent of a remarkable team.a group portrait in the frame of ash circles. few amazing scenes. and the questions who does it a new form of documentary about an inside geography.Aleksander Bercek's silence. Nikola Rakocevic's character nuances.the admirable art of Srdan Glubovic. a film like a large question. and useful exercise of honesty for each viewer.
Summary says it all. This is one of best movies I have ever seen, and masterpiece of Serbian cinematography. It's really well done technically, and not revealing everything until very end, but giving hints all way along about why characters are acting the way they do. It slowly raises history, revealing one event that scarred all for life.It's based on true story of Serbian soldier in Bosnia during wartime, and it follows characters to present day, showing how incident in Bosnia haunts them. Movie is pretty hard to watch, because of very thought of situation. It gets emotional at some points, where characters finally leave history behind, or do something that honors the memory of incident. This movie also shows global atmosphere during Yugoslavian civil war, pretty much pointing out that ordinary people did not want to wage war. It has subtle cinematographic effects, revealing more than there is to plain sight.As a person who likes movies, I will leave criticism and reviews to people that are paid to do that. However I will recommend this movie as a must-see to everyone reading this.
If this film were a state of mind, it would be that sense of comprehension before inhaling your last breath. If this film were an emotion, it would be the weeping of an abandoned child. If this film were a person, it would be one reeling due to great loss. Still, it is all of these, and more – it is about liberation. The camera-work takes us around in circles - the clear Hercegovan sky, the clinical void of a Belgrade hospital, the barrenness of western capitalism. We are reminded that life gives no more than what is put in. But also, this film is about balance, about loss of son and gain of father, about deliverance through goodness and imprisonment through evil, and about setting things right in order to be able to take in air again. Could it be that this work of art is finally (after 20 years, from 1993-2013) giving us a chance to atone for endorsing fratricide, if by nothing but by conceding to it? Serbs must exonerate themselves to be able to resume living in the homeland. As for us Yugoslavs, perhaps can finally exit the circle of remorse for the demise of our land and find some redemption and peace of mind.