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Tamango

Tamango (1959)

September. 16,1959
|
6.4
|
NR
| Drama History

A Dutch slave captain, on a voyage to Cuba, faces a revolt fomented by a newly captured African slave, Tamango. The slaves capture the captain's mistress, forcing a showdown.

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MusicChat
1959/09/16

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

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Livestonth
1959/09/17

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Anoushka Slater
1959/09/18

While it doesn't offer any answers, it both thrills and makes you think.

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Matho
1959/09/19

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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goleafsgo27
1959/09/20

I was quite impressed with this film, mostly for the incredible strides forward it made in portraying the horrors of the slave trade and horrific abuse of the kidnapped and enslaved Africans. The epic miniseries Roots, two decades later, and Spielberg's Amistad some 40 years after this film offer more detail and arguably higher production values, but Tamango is well worth watching, especially for those keen on either film or world history. Like another reviewer, I found the acting a little flat, despite the presence of the talented Curd Jurgens and Dorothy Dandridge. But the performances of all were engaging enough for me to want to stick with it to see the resolution of the conflicts. I was also very impressed to see the relationship between CJ's and DD's characters, at a time in the US when white mobs were trying to prevent children of different colors from going to school together, and a decade before the US Loving case forced states to accept marriages between people of different colors.

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yklink
1959/09/21

Wouldn't the cannon ball roll out of the cannon at that angle?. If it could fire at that angle would it not sink the ship? Only if the ball actually hit you would it injure you so at most it may have killed 3 or 4 slaves. Other wise enjoyed the images and story.

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dbdumonteil
1959/09/22

The precedent user is right:it's based on a famous short story from Prosper Mérimée.It's strange that the writer's name does not appear in the credits on the IMDb page.Dorothy Dandrige had already been in "Carmen Jones " ,a Bizet opera based on another famous short story by...Prosper Mérimée."Tamango" was a failure when it was released and during the sixties,John Berry ,who had made a film noir chef d'oeuvre in the fifties ,"He ran all the way" was relegated to direct French pop star Johnny Hallyday in a forgotten turkey "A Tout Casser" ."Tamango" is a well-made movie but it is icily impersonal.Aisha's character's evolution is predictable.On the other hand ,there's a good use of the wide screen (cinemascope ) particularly effective when it comes to depict the hold where the slaves cram.The documentary side is the most successful,and "Tamango" can be looked upon as the granddaddy of the "Roots " series in the seventies.Tamango himself is close to Kunta in that 1977 Marvin Chomsky's work.

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goblinhairedguy
1959/09/23

"Tamango" is a rousing and intelligent tale of a slave ship revolt in the 18th century. It strives to avoid transparent moralizing and overt stereotypes, particularly by placing the gorgeous Dorothy Dandridge in the pivotal role of the Captain's mistress. She must decide whether to send him to his certain demise among her fellow Africans (as Leonard Maltin avers, it's way ahead of its time). Perhaps this even-handedness is not all that surprising given the fact that it was directed by the blacklisted John Berry, who found refuge in France after helming several sensitive films noirs about the urban American underclass.Most references give the film's literary source as a novella by French author Prosper Merimée. However, I recently stumbled upon an article in the "New York Times" (August 24, 2005) concerning a South African archaeologist who is combing a beach off Cape Horn for the wreck of a Dutch slave ship named the Meermin. The history given of this particular ship is pretty much a blow-by-blow description of this film (apart from the miscegenation), even down to the very details of how the slaves were given their chance, and how the surviving crew foiled them at one point. I can't remember if the film acknowledges any true-to-life origins, but this shivery narrative certainly lends the movie even more credence.

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