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Zombie Death House

Zombie Death House (1988)

December. 01,1988
|
4.1
|
NR
| Drama Horror Science Fiction

A renegade federal agent uses a new drug to create an army of unbeatable warriors.

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Beystiman
1988/12/01

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Salubfoto
1988/12/02

It's an amazing and heartbreaking story.

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Invaderbank
1988/12/03

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Hayden Kane
1988/12/04

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Zeegrade
1988/12/05

Directed by John Saxon "Zombie Death House", with zombie shoddily superimposed to make this 1980's cliché filled flick appear more like "Return of the Living Dead" rather than a episode of "Hunter", focuses too much on exposition of the characters than on what this film was meant to be. A zombie infestation set inside a corrupt prison has all the elements to be a cult classic but this movie takes far too much time establishing the plot and offers little in violent mayhem.Former Vietnam vet Derek Keillor (the late Dennis Cole) takes a job as a driver for local mob gangster Vic Moretti (the late Anthony Franciosa - did anyone survive this?) and promptly begins driving Moretti's girlfriend Genelle with his penis. When the affair is discovered Moretti kills Genelle and frames Derek for her murder. He's convicted of the crime (must of had a bad lawyer) and sentenced to death at a prison that conducts medical experiments on the prisoners through a covert government operation led by Col. Gordon Burgess (Saxon). This takes up the first 20 minutes of the movie which is way too long of a setup to introduce the "innocent hero" in a prison setting. The prison that I speak of has a corrupt head guard, Raker, that works for Moretti and answers to Moretti's homosexual inmate brother Franco and his boytoy Sean whom Raker gets "intimate" with during the film. Anyway, a new serum that's supposed to give ordinary men super strength is injected into one of the inmates about to be executed (does anybody think that super strong convicts might cause a problem?) when he turns into a zombie-like monster a begins killing his captors. Turns out that this infliction acts as a virus and the first signs of infection are persistent nosebleeds before succumbing to it. Derek manages to escape his cell during the attack which he then frees the other prisoners, who are more than cooperative for death-row inmates mind you, and organizes a hostage exchange with Col. Burgess who is watching the whole mess unfold just outside the prison. With the prison quarantined along with a few new guests, a former co-worker of Burgess turned newswoman Tanya Karrington (Tane! McClure) her cameraman and Vic Moretti himself looking to free his brother Franco minus his boyfriend. Will anyone survive? How will they get out? Will Tane! McClure show off her wonderful breasts? Does she ever fail to?I don't know where to categorize this one. Clearly this was meant to be more of an action film under the original title of "Death House" rather than horror. When the zombies finally figure into the story it's only sparingly with too much emphasis on Derek's vendetta against Moretti. The gore is okay, not anything special and downright silly in one scene when someone loses an arm, and there are a couple of topless scenes including the absurd daydream that Derek has of Tanya. Speaking of the lovely Tane! this movie supposedly introduces us to Ms. McClure meaning that this was her first film. Not true! While "Death House" came out in 1987 McClure starred in the 1986 Klaus Kinski slasher "Crawlspace" in 1986 billed only as Tane!. You can find this in the bargain bin DVD section for about $1 which is all I would pay to see this nothing more. Disappointing.

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amityvillehighschool
1988/12/06

I love John Saxon in anything he's in. The one time he takes over the camera though he directs a movie that should have more aptly been been titled "Please Do Not Watch This Movie Called: Zombie Death House". The $1000 dollar Shock Insurance Certificate is dear Fred Olen Ray's tricky way of making you spend 14 dollars on a filmed dump churned out by a major 70's cheese legend. Ray being the front man at RetroMedia. Ray by the way makes Charles Band look hotter than stucco ceilings on a Ford Falcon. Just plain bad now, the both of them- and boring besides. It's great that Ray is digging up this old stuff and in some cases it's public domain like the rest of the dollar video hucksters but in the case of Zombie Death House- (the word "Zombie" sloppily superimposed to add ownership and interest on the part of F.O.R.) THE ONLY WAY TO DO SERVICE TO THIS TRIPE IS TO RELEASE IT ON THE DOLLAR MARKET FOR THE CURIOUS COLLECTOR AND FANS OF SAXON!!! If you wanna see real Saxon, pick up Black Christmas, Nightmare on Elm Street or The Glove.

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Stinger839
1988/12/07

*Contains some spoilers* This movie is cheesy 80s horror in all its awfulness. The plot takes way too long to get off the ground, never steadies itself, and then just plain crashes about 40 minutes into the film. There are a few gem moments for zombie fans, but not nearly enough zombies to create a real sense of terror.The zombies also take a long time to make their appearance. First, there's a whole half of a movie about mobs and prison gangs. The hero of the movie is an ex-Vietnam vet who gets caught up in the mob. The main mob boss sets him up and he goes to jail. In this jail, they are experimenting on the prisoners to find a way to cure them of homicidal tendencies and criminal behavior. But the badie psychotic head scientist/military guy has other plans in mind. He wants to use a slightly different version of the serum to make ....da da da.... super soldiers! After some infected prisoners kill a few guards and most of the prison has a round of infected communion wine, the military/crazy scientist guy goes "hey this might be a problem" and gives a call to the genius scientist turned investigative journalist hot babe ultra-empowered independent woman character, who of course invented the original serum. She goes to the prison to see what's going down, the military guy calls in a few SWAT teams from his secure position outside the prison, and the hero guy takes charge of the few prisoners with a heart of gold when a riot breaks out. The hero guy and the scientist/journalist lady team up to find a cure, save the warden's kids, and deal with some irate prisoners, both infected and not. Meanwhile, the mob boss guy has made a deal to get into the prison so that he can save his imprisoned brother. The military gets ready to blow the place up, and everyone inside scrambles to find a way out.There are a lot of gory scenes where people are killed by being pressed or pulled through prison bars. There's also a creepy decapitation scene and electrocution scene involving the same infected rasta prisoner. Still, the most disturbing scene is in the early part of the film, when a gross corrupt guard rapes a prisoner.The main highlight of this film is one scene towards the end. The hero, woman, and kids are trying to make their way to the only escape route. Their path leads them to a long hallway, on one side there is a wall and on the other are prison bars. Hundreds of bloody zombie hands reach through, gracing their hair and faces as they pass by. There's also a few good scenes of the classic "couple of zombies munching on freshly dead bodies" and "many zombies ripping one guy to shreds" bits.Overall, worth watching if you're researching the zombie genre as it has so many zombie clichés worth noting; it's practically an instruction manual on what not to do when making a zombie movie. But if you're new to zombie flicks and want a real scare, you should look elsewhere.

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matalo
1988/12/08

I really wanted to like this movie. It has a nice prison setting, conspiracy theories, bloodthirsty zombies, a perfectly hideous 80s-touch and it is a directorial effort by actor John Saxon, who also plays a bad (you guessed it) a bad guy. It reminds me of some (beloved) Italian horror flicks. But the direction is very wooden and there is no nightmarish/frightening moment in there. It just goes on and on and on, and then it (logically) has to end. More suspense and more daring visuals and its destiny as a cult classic would have been sealed.

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