Silent Retreat (2013)

Best movie ever!

Absolutely brilliant

A Disappointing Continuation

This story has more twists and turns than a second-rate soap opera.

Janey Andrews lost her family in a crash. She's alone in the world. A judge sends her to a meditation retreat for assault despite her plea of self-defense. The all-female retreat is in the middle of the woods run a doctor and his two sons. The women are forbidden to speak or even make eye contact. Janey tries to escape but she's captured by one of the sons although he seems to be afraid of something in the woods.It's a watchable Canadian indie horror. It starts off with a creepy notion of these women being controlled by this weird doctor. It could have gone down many different paths. It tries to do something with sound. At least, it's unusual. It does need to decide whether the creature is attracted by sound or is hurt by it. It may make more sense for everybody to be quiet including the men. It may be even better if the doctor's introduction is done in a sound-proof room. The sound idea has issues that needs to be addressed. As for the creature itself, it is not the best although I'm sure the low budget restricted the movie. The main problem is the way the creature moves and the way it is filmed. It isn't scary. The blood looks too red especially in the dark. This horror has an intriguing premise and it needs more work to hash it out.

Well, well. Looks like someone gave a movie camera to a feminist.Original story. Started out very well. And then the girls started talking.The movies goes downhill from there.If they had edited out 10 or 12 lines from this movie, I would have given it a 7.5 instead of a 5.But they brought in this whole angle about how no one listens to women and they are oppressed and forced to obey men.At first I really identified with the women/prisoners but in the end I was begging for them to get bumped off. This is a tremendous irony because instead of developing sympathy for the oppressed women, we end up wanting them to be killed... quickly and quietly. By the last 10 minutes I suspect even the Pope would want to smack them.The worst part is the protohumanoid monster, who in the end spares the bitchy protagonist as it is revealed that the monster too, is a woman complete with a suckling baby monster.I kept waiting for the film maker to insert anti male scenes of the perpetrators sexually assaulting the prisoners or leaving the toilet seat up, but was spared, thank God.The movie makes a big deal about screaming. "We scream so that others know we are alive."Three quarters of the way through the movie, I was screaming for the film projectionist to have a heart attack and spare us the ending .Another decent movie ruined by Left Wing "I am a victim" overtones. Do yourself a favor. Skip this one. If this movie was made 30 or 40 years ago it may have been relevant, but in an age where women are given special treatment under the law and graduate from college in greater numbers than men, not so much.Oh God, when will film makers stop trying to teach us social lessons and get back to entertainment?

The fact that so many reviews point out the inconsistency in tone of the film is a hint. I mean, I get it, I get that they wanted to do all of this, but it just doesn't work. The first half of the film is fine, it's just that it seems to turn direction in such a jarring way that it really kills all the momentum it had been building up. The performances are fine, even if the characters are nothing to write home about, and the production values for an indie film are also pretty impressive. It really comes down to the screenplay and the fact that the directing needed to be toned down a bit. Even for a good time, this doesn't all work, although it could've.

Janey (Chelsea Jenish) is a trouble child. And for her efforts, or lack thereof, is sent off to a remote retreat for nonconformist girls under the guidance of a doctor (Robert Nolan) whose methods are ….a bit radical. The Doctor, and his staff of male accomplices, uses hypnosis and other extreme techniques to get their subjects to comply with their rules that command their patients to be completely obedient through deafening silence. Failure to obey the directions beyond their imposed 'two-strike rule' will result in the subject being fed to a lurking creature that inhabits the surrounding woods.Janey is hardly the conformist. And her rebellious attitude towards the retreat's rules and regulators eventually lead to unavoidable confrontation. But with other girls simply disappearing, Janey must weigh her defiance against the risks of being overpowered by either the male administrators or the evil yet to be revealed from the outside.Director Tricia Lee makes her feature film debut with Silent Retreat and shows a high degree of talent in transitioning genres. The film's opening scene is unquestionably horror, but the film switches gears and takes more of a dramatic path for the middle act focusing on Janey's relationship with fellow prisoner Alexis (Sofia Banzhaf) and the regimented retreat rules. We got lost ourselves for a while forgetting for a few moments that there was something mysteriously lurking within the forest. A mysterious something that reveals itself in the film's final chapters reminding us that Silent Retreat is horror plain and simple.Characters as portrayed by Chelsea Jenish, Sofia Banzhaf and Robert Nolan are perfectly cast as they lend their combined talents to a tale that all three seem committed to pulling together. Lee does not seem to be in rush to allow blood splatter consistently through the film's full 95-minute running time and instead uses her DVD chapters wisely to form a setting and atmosphere that the film will heavily rely upon.Silent Retreat won Best Canadian Film at the 2013 Toronto After Dark Film Festival, but you can remove the "Canadian" from the award plaque and you would still be left with a viable and enjoyable film worthy of our attention.www.killerreviews.com