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The Monster of Piedras Blancas

The Monster of Piedras Blancas (1959)

April. 22,1959
|
5.2
|
NR
| Horror Science Fiction

An old lighthouse keeper who lives with his daughter secretly keeps a prehistoric fish-man by feeding it scraps and fish. One day he misses the feeding and all hell breaks loose.

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Reviews

Acensbart
1959/04/22

Excellent but underrated film

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Erica Derrick
1959/04/23

By the time the dramatic fireworks start popping off, each one feels earned.

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Mandeep Tyson
1959/04/24

The acting in this movie is really good.

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Fleur
1959/04/25

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Jonathon Dabell
1959/04/26

The Monster Of Piedras Blancas is a low-budget monster movie from the golden heyday of low-budget monster movies, the 1950s. By this time, the British had begun introducing an element of gore into their horror movies with the likes of The Curse Of Frankenstein and Horrors Of The Black Museum… and here some of that gore makes it into an old-school American creature feature. While the film isn't especially good in the normal sense of the word, it does rise to a number of scenes that must have been very powerful to the unsuspecting audiences of the day, most notably the scene where the monster suddenly emerges from a freezer at the back of a store with a severed head in its hand.In a quiet Californian coastal town, a couple of fishermen turn up dead in a boat, their corpses decapitated with almost surgical precision and barely a drop of blood left in their bodies. Local store-keeper Kochek (Frank Arvidson) warns that the dead are not victims of a tragic accident, hinting that they have been killed by a living creature, perhaps even the Monster of Piedras Blancas which is a well-known but much-ridiculed local legend. Lighthouse keeper Sturgess (John Harmon) seems particularly upset by the killings and makes a point of telling his daughter Lucy (Jeanne Carmen), waitress in a local bar, to make sure she is vigilant on the way home. Meanwhile, the town constable Matson (Forrest Lewis) works tirelessly with the local doctor, Sam Jorgenson (Les Tremayne), to figure out a rational explanation for the recent deaths. Lucy ignores her father's advice and goes for a moonlight swim with her boyfriend Fred (Don Sullivan), but she can't shake the feeling that someone or something is watching them. Later, more decapitated corpses turn up – one of them a child – and people start placing more credence in the idea that a monster is at large. Finally, the monster shows itself and the townsfolk find themselves up against a seemingly indestructible mutant fish-man with a taste for red meat! For me, the thing that makes The Monster Of Piedras Blancas more bearable than many films of this type is that it tries to pay attention to logic. Admittedly, much of the logic in the film is flawed. For example, the "indestructible" monster falls from a lighthouse into the sea and everyone celebrates its destruction - erm, hold on folks, the monster's almost impossible to kill and it's back in its natural habitat… something tells me this thing ain't dead! However, in others aspects the film does try quite hard to provide feasible explanations for the origins of the monster and the actions of the characters. The monster itself is the best thing about the film – a nod towards The Creature From The Black Lagoon, with a more gruesome face and bucketloads of drool. Alas, there's not much else in the film worth mentioning. It's an extremely slow-moving flick for much of the time, and the years have diminished whatever shock value the occasional gore scenes might once have possessed. There's probably some nostalgic charm in revisiting a movie like this – indeed, a whole generation have The Monster of Piedras Blancas to thank for the first time they saw a severed head in a film – but overall it's not a film that has much else to offer for modern audiences.

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Sean Jump
1959/04/27

A generally underrated monster flick from 1959, The Monster of Piedras Blancas is often compared to the undeniably similar Creature From the Black Lagoon, with this film invariably coming out second best. Certainly, Creature From the Black Lagoon is a true classic and The Monster of Piedras Blancas rarely equals its more famous cousin, but nonetheless this is a very good little film with a lot going for it on its own terms. The Monster, of course, is the star of the show, and the suit designed for him is impressive and scary, and must have seemed even more so in the 50s. As is typical of this sort of film, screen shots of the Monster are limited up until the climax, when he runs wild in all his visceral glory. The Monster's killings are quite brutal and rather bloody for the conservative 50s, and there are several decapitations in his wake. The coastal setting, where folk tales of the alleged Monster are whispered in the shadows, is evocative and the director uses the location to maximum effect. Acting is for the most part competent if unexceptional, highlighted by the dazzling Jeanne Carmen as the lovely Lucy, upon whom the Monster inevitably turns a ravenous gaze. Ms. Carmen is a luscious damsel in distress, and it's a shame she didn't do more sci-fi. Don Sullivan plays Lucy's boyfriend, Fred, and veteran b-movie actor Les Tremayne is a local doctor. John Harmon turns in a surprisingly effective performance as Lucy's father Sturges, the local lighthouse keeper, a man with many secrets and who knows more about the Monster than anyone suspects. The townsfolk of Piedras Blancas are developed with some attention to detail, and it means something when one of them dies. The only real weaknesses of the film are its obvious low budget and a somewhat lagging pace that does make the movie feel a bit longer than its short run time of 71 minutes. But overall, this is a pretty good monster movie that meets most of the genre requirements. Unfortunately, this is a difficult movie to find, but if you can track it down, the Monster From Piedras Blancas is a surprisingly effective chiller.

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haildevilman
1959/04/28

Blatant "Creature From The Black Lagoon" rip off.This basically says; "Suppose the creature was a murderous savage instead of a love struck humanoid?" It's done pretty well actually. The monster is UGLY. That "Hellish, snarling face" (to quote Michael Weldon of 'Psychotronic Magazine') makes it 100% clear this beast is not dealing with internal amour. But instead kills, actually decapitates, anyone that comes near the lighthouse.Some good fear moments when you see the creature from the distance at dusk. And while the suit wasn't all that convincing, the savagery made up for it.This is a lot scarier than the usual 1950's monster flicks.

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jamesbryanpitts
1959/04/29

I insisted on seeing this movie when it came out in the 1950's, I was 7 years old. I got to the theatre late and the movie had already started. As I opened the doors to enter the screening room a strange feeling came over me, could it have been that the room was pitch black and 500 people were screaming at the top of their lungs? Somehow I found my way to a seat trying not to look at the screen. In a few minutes the monster comes waltzing out of some industrial size refridgerator carrying some guys head in his hand.....that was all it took....as the blood rushed to my head I did the 50 yard dash to the doors in world record time and never looked back. Decades later (1990's) I had the chance to watch the movie again on cable. This time my girlfriend was with me so I was able to get through it........

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