Sweeney Todd: The Demon Barber of Fleet Street (1939)

I love this movie so much

A Masterpiece!

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Lacking the motivation that made the musical Sweeney Todd more understandable (if equally as reprehensible), Tod Slaughter's Sweeney is a barber of impeccable reputation who seems to slit throats just in order to rob his victims. Of course, he's also a dyslexic Sweeney, flipping the switch to have his barber chair turn upside down, knocking his victims out, and then slicing and dicing so meat pie shop owner Stella Rho can grind em' up. Most of the musical's characters are there, but the villainous Judge Turpin has been changed into a local aristocrat without the lecherous motivations that made that character's dispatchment the most anticipated murder in the musical. The rivalry is between Sweeney and the character of Mark, a sailor in love with Johanna, the governor's daughter. Mark, of course, became the character of Anthony in the musical, a friend of Sweeney's, but here, Slaughter's intentions are to knock him off so he can get Johanna (his daughter in the musical) for himself.The character of the Beedle, so slimy in the musical, has simply been changed into an imperious authoritative character, almost the twin of "Oliver Twist's" Mr. Bumble. The art direction of the connected shops is fascinating, watching Mrs. Lovett leave her pie shop (after giving poor Tobias a huge pie for a penny) and go into the catacombs to get into Sweeney's barber shop. There's no love lost between the two, as evidenced by his cheating her out of half the take of one of his victims, so most of the classic conflict is gone. Even at just over an hour, this "Sweeney" is rather boring, even when comparing to Slaughter's other histrionic melodramas and not taking into account the musical which help make this tale even more of a legend 40 plus years later.

A Fleet Street barber recounts the story of Sweeney Todd (Tod Slaughter), a notorious barber who in the last century murdered many customers for their money.Slaughter (1885–1956) was so great at playing maniacs, he was the right choice for this role. While many, many Sweeney Todds have come and gone, and some (such as Johnny Depp) are notable, Slaughter did it first and really set the stage for all future incarnations.And Slaughter was best when working under director George King (1899–1966), as he was in this role. King, a former medical student, also had the distinction of introducing the world to Laurence Olivier! Unfortunately, most copies of this film are in the public domain and grainy. But maybe someone will come along and make a nice release... far too many of the 1930s and 1940s films have fallen into disarray. I am glad they are widely available, but being in such poor shape does them no favors.

The story of Sweeny Todd was made famous by Tim Burton in 2007 with his hit film starring Johnny Depp, but before that it was a musical stage play; and there was also this film. Apparently this film was made by a British studio because of some quota law that meant every studio had to make a number of British films; and that's completely obvious, as while the film does feature a fairly engaging performance from the entertainingly named Tod Slaughter; everything else about it feels weak and rushed and this film version does not give justification to the subject material. The plot focuses on the notorious barber Sweeny Todd. He discovers that he can make more money by murdering his customers and stealing their belongings; but the plan goes even deeper when he, along with his next door neighbour; pie maker Mrs Lovatt, realise that the plan can serve a common purpose; as the bodies of the people he kills can be put to good use as meat for her pies. However, things go awry when Todd decides he wants to marry a wealthy man's daughter.I was really looking forward to this film as I do like this story; but Tim Burton's version was ruined for me with the inclusion of a boatload of very annoying songs. I wanted a straight horror version of the story; but while this film fits that bill on paper, it doesn't fit on screen. Tod Slaughter had played the role on stage before and he is the best thing about the film; although he is not matched by the rest of it. The short running time ensures that there just isn't enough time for everything to be included and as such a lot of the film is left by the wayside and it feels like it wants to be over as quickly as possible. There's not much real horror either and director George King doesn't bother giving the film any sort of atmosphere - surprising when it all takes place in some of the most dingy areas in London. To be honest, I found the whole thing rather boring and unfortunately I'm now still looking for a successful adaptation of this story! This version may appeal to big Sweeny Todd fans; although I doubt it and I would recommend giving it a miss.

Sweeny Todd, for being as bizarre and crazy as it is, is very, very well made for the time, and for what I can only guess to be a somewhat limited budget. For that alone, George King deserves some sort of high recognition. The film is captivating and flies by as the viewer watches the tale of Sweeny, the homicidal barber. The movie has great comedic elements that show that the creators are not afraid to laugh at their own production a little bit. The aptly named Tod Slaughter does an amazing role as Sweeny Todd and has a creepy laugh that calls back to many an old silver screen sociopath. For a film that I got in a two-movie pack for fifty cents, I think I've certainly gotten a gem. Now, I best not take this gem to the local barber