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Dr. Renault's Secret

Dr. Renault's Secret (1942)

October. 19,1942
|
6.1
|
NR
| Horror Thriller Science Fiction Mystery

A remake of the 1927 horror film "The Wizard". Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.

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ChikPapa
1942/10/19

Very disappointed :(

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Platicsco
1942/10/20

Good story, Not enough for a whole film

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AnhartLinkin
1942/10/21

This story has more twists and turns than a second-rate soap opera.

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Maleeha Vincent
1942/10/22

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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kidboots
1942/10/23

"Dr. Renault's Secret" is a remake of "The Wizard" a lost film from 1927 that was in turn based on "Balaoo" a 1912 short story by Gaston Leroux. In "The Wizard" the plot involved a mad doctor (Gustav Von Seyffertitz) using an ape like creature to seek revenge on those he considers responsible for his son's execution. It was more of a comedy horror, with a couple of dumb detectives - a genre that was very much in vogue in the late 20s. "Dr. Renault's Secret" doesn't play it for laughs - in fact it tries to bring a lot of sensitivity to the distasteful subject matter.Dr. Larry Forbes (John Sheppard) arrives in France (the locale of the original Leroux story) to meet his fiancée Madelon Renault (Lynne Roberts), the niece of Dr. Renault (George Zucco) another scientist. He is greeted by Noel (J. Carroll Naish), a zombie like creature who has a strange affection for Madelon. He also meets Rogell (Mike Mazurki), Renault's gardener, who by intimidation keeps the villagers in fear. Next morning one of the guests at the inn is found murdered - he had accidentally fallen asleep in Forbe's room. Suspicion falls on Rogell and he does nothing to show he is innocent. Weird things begin to happen when Forbes arrives at Dr. Renault's. Noel almost has a car accident when he "senses" a dog on the road - the same dog who savagely attacks him before the evening is over.If you watch the original trailer (that is on the DVD I have) it gives almost everything away. Dr. Renault's secret is - he has captured an ape in Java and through experimentation and plastic surgery has tried to make him more human like. J. Carroll Naish engages your sympathy from the start, not only with his plaintive voice which is like a slow motion Peter Lorre but he also carries himself in a hunched fashion with a simian walk. George Zucco is the repellent Dr. Renault, who keeps Noel in a fearful, subservient state with the help of a huge whip. It is interesting that Rogell is part of an experiment as well - a failed experiment because Rogell, coming from a family of criminals, his bad character is ingrained in him and will never change. A spate of murders happen in the village and from the start it is not hard to figure out who it is - with shots of a concerned Noel looking at his hands!!!George Zucco was a British stage actor who earned the nickname at Universal "One Take Zucco". He appeared in so many monster flicks in the 40s ("The Mad Ghoul", "Voodoo Man", "Fog Island") usually for smaller independents that if you look up Mad Doctor or Mad Scientist in the dictionary you will probably find his picture.P.S. The print I viewed was so clear that I could even see strings used as a pulley when Rogell was thrown in the water.Highly Recommended.

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Michael_Elliott
1942/10/24

Dr. Renault's Secret (1942) ** (out of 4) Dull horror film about Dr. Renault (George Zucco) and his little secrets including his mentally challenged assistant (J. Carrol Naish). For some reason this is a rather well known film among horror fans but I can't see why because the big "secret" is easy to see within the first five minutes and the rest of the film is slow and boring. The movie is somewhat hard to find so perhaps that's a reason for its cult following. Zucco and Naish are mildly entertaining but the film goes no where in the end and winds up wasting their talent.

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sol1218
1942/10/25

***SPOILERS*** If anything else the film "The Secret of Dr. Renault" is a Tor de Force for veteran character actor J. Carrol Nash as Dr. Renault's, George Zucco, ape-like and super sensitive, about his looks, handyman Noel.Nash, or handyman Noel, steals every scene that he's in, with a minimum amount of lines, as he actually wins over the sympathy of the audience even though he ends up brutally murdering a number of totally innocent persons. Noel becomes madly protective of Dr. Renault's daughter Madeline, Lynne Roberts, not just because she's beautiful but because she's the only person in the movie who can bring the best, as well as human, side out of him. Being born and brought up as a wild ape in the Javanese jungle Noel despite Dr. Renault's many experiments into making him into a human being is still really a monkey at heart.It's when Madline's fiancée American brain surgeon Larry Forbes, Shepperd Strudwick, show up at Dr. Renault's country château outside of Paris that strange things begin to happen both at Dr. Renault's place and the nearby town. The evidence of the murder of American tourist Mr. Austin, Jack Norton, that happens in the beginning of the movie points to the sensitive but a bit overprotective, in regards to Madeline, Noel who was turned off by a remark that Austin made. It soon becomes very obvious to who murdered Mr. Austin very early in the film and it's not Noel. The police in investigating Dr. Renault's handyman in the Austin murder are sure to find out the real reason that the doctor keeps Nole employed and it doesn't have anything to do with his plumbing and electrical skills.Trying as much as humanly possible to keep the animal in him under control the half-man half-ape Noel in the end give into his animal instincts and goes bananas from the very negative reactions that he gets from the local townspeople. This is in regards to what the townspeople say about his appearance looking like a cross between Mafia Godfather Don Corleone, with his mouth stuffed with cotton balls or candy jaw breakers, and Apache Indian chieftain Geronimo. Noel is also very hurt over the snide remarks said about him in his inability to dance like Fred Astaire as he was plodding all over the dance floor with Madeline during the towns Bastille Day celebrations.In the end Noel makes up for all the bad that he did in the movie by saving Madeline from being kidnapped held for ransom and possibly murdered by Dr. Renault's gardener the also ape-like ,but still human, looking Rogell, Mike Mazurki. Dr. Renault hired the ungrateful Rogell, whom he testified for at his trial, despite him having a long and violent criminal record. Dr. Renault had a bad record himself in picking those whom he employed at his château. It was that sloppiness on his part that lead to Dr. Renault in having his neck broken when he got too overconfident in his pushing, with a bull-whip,the meek and obedient Noel around.Noel now completely taken over by his other self, the wild and uncontrollable ape, throws caution to the wind in going after Rogell who's making his getaway together with the kidnapped Madeline by boat. In the most exciting sequence in the film Noel and Rogell, who's at least a foot taller, slug it out at a deserted watermill with the lovely Madiline's life hanging in the balance.

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dcole-2
1942/10/26

Yes, this is a poor man's ISLAND OF LOST SOULS -- it can only afford ONE lost soul. But J. Carrol Naish is so amazing as the Ape-Man and he has such a marvelous supporting cast (including the always-solid George Zucco and Mike Mazurki) that it's absolutely watchable and compelling. Plus director Harry Lachman takes such care in creating each shot -- beautiful shots, every single one -- that it looks far more expensive than it must have been. They play the Man-Beast as more sympathetic and Pitiful than Frightening, which is a very good choice. So this doesn't have Big Scares but it has emotion and tenderness and care and wonderful attention to detail. I liked it quite a bit.

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