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The Sad Sack

The Sad Sack (1957)

November. 27,1957
|
5.8
|
NR
| Comedy

Private Meredith Bixby is so out of step in the Army that his six weeks of planned basic training has now stretched to 17 months. After he loses a tank, WAC Major Shelton, a psychologist, is assigned to make a good soldier out of him. She requests Corporal Dolan and Private Stan Wensalawsky to help with the training. Dolan and Stan both have scores to settle with Bixby and their "guidance" leads to more mishaps. Sergeant Pulley has them shipped out to Morocco. On leave in North Africa, Bixy wanders alone into a bar, has a few Moroccan Delights, which he thinks are malted milks, and becomes convinced that exotic singer-dancer Zita is THE girl for him.

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Hellen
1957/11/27

I like the storyline of this show,it attract me so much

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UnowPriceless
1957/11/28

hyped garbage

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CrawlerChunky
1957/11/29

In truth, there is barely enough story here to make a film.

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Megamind
1957/11/30

To all those who have watched it: I hope you enjoyed it as much as I do.

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MartinHafer
1957/12/01

Aside from a god-awful opening tune sung by Lewis (ugh!), "The Sad Sack" is an entertaining little film. Fresh from his breakup with long-time partner, Dean Martin, the studio instead gave him David Wayne AND Joe Mantell to fill the void. And considering that there isn't any of the usual singing, things worked out just fine. However, don't expect huge laughs from this one--just a pleasant little army comedy.Lewis naturally plays the Sad Sack--a soldier who can't seem to do anything right. However, a dopey female Major takes him under her wing and gets a couple soldiers (Wayne and Mantell) to buddy up with Lewis and help him through basic training. Eventually, the trio is sent to North Africa where they have a series of mildly interesting adventures.Like I said above, this is not a hilarious film but a nice little comedy. What I especially liked is that Lewis was far more likable and restrained than usual--without the excess mugging that sometimes ruined his later films. What you're left with is some nice acting, a decent script from this little time-passer. The only negative I noticed is that there are quite a few sexist remarks about the major--a product of the times in which it was made.

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rosco1947
1957/12/02

OK, the second Of Jerry Lewis" films after the split up with Dean Martin - and I was only 10 years old when I saw it. So naturally I wanted to see Jerry succeed ( as well as Dean of course ) in his now solo career. To my Mother's shock and amazement I hung an 8 1/2 by 10 inch photo of Liliane Montevecchi ( wearing that black sexy outfit from the movie ) on my bedroom wall. Raging hormones at age 10 ??? Maybe LOLBut seriously I thought the movie was a riot. David Wayne and Joe Montell cracked me up as did Peter Lorre. Never stopped laughing. Funny thing though; I've never seen this movie repeated on TV. This is disappointing. That photo of Liliane stayed on my wall until it darn near wore out. Jerry's first movie after the split up was Delecate Delinquint which starred Darren McGavin.The type of humor is probably dated by today's ( yuk ) standards but I can tell you for a fact that the entire theater audience laughed as hard and as long as I did.So, if you get a chance to see this movie, I recommend it. It is in black and white but that's OK.

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Anne_Sharp
1957/12/03

The only memorable thing about this bland, tacky, cheap-looking comedy is Liliane Montevecchi. That this beautiful, spectacularly entertaining creature could have been intentionally included in this otherwise nastily drab picture is almost beyond belief. Peter Lorre is also brought in to jazz things up a bit, mostly to no avail, though thanks to his efforts one of his scenes with Jerry Lewis is very nearly funny.

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Allen J. Duffis (sataft-2)
1957/12/04

I do believe the American critics simply prefer to dislike Jerry Lewis' comedy, rather than seeing it for what it really is. The French on the other hand laugh at what makes them laugh, without stopping to analyze weather or not they should. Maybe that is why Lewis is still so popular in France. If so, this film is a perfect example.It is impossible to watch this film (dated though it is) and not laugh at the comic genius of Lewis. The man has the keen ability to leap between pathos and comedy without showing any signs of effort, or evident seams between the two. Like it or not American critics, that's comedic genius.Try this film on for comedic size. You'll like it. And just sit back and laugh, don't analyze.

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