The Hanging Woman (1974)

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

This is a must-see and one of the best documentaries - and films - of this year.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Paul Naschy (born Jacinto Molina Alvarez) was a fixture in Spanish Horror-as far as actor's go, he was that countries Karloff. So when he died in late 2009, he left behind a vast array of work that has maintained a cult following-"Night of the Werewolf", "Blue Eyes of a Broken Doll", "Count Dracula's Great Love"-to name a few. While I mentioned his passing in my review of "Premutos", looking back, I should have written a review of one of his movies instead of that movie. So without further ado, here's a look at the Italian-Spanish production "The Hanging Woman", in which he played a hunchback.Serge Chekov (Stelvio Riso) is a swinging 70's kinda guy whose come to Scotland to gain an inheritance. In between sexing up the ladies, he runs into the hanging corpse of a lady. Soon, events revolving around a satanic coven, mad science, murder, zombies roaming the graveyard, and Igor (Naschy), who also happens to be a necrophiliac.Though Naschy only has a supporting role, "The Hanging Woman" is still quite a treat of 70's style Gothic Horror. In fact, much of the film is quite reminiscent of the 70's era Hammer output, with its emphasis on fog drenched atmosphere, Gothic locales and low key exploitation elements such as nudity and some minor gore. The movie itself is quite capably directed by capably directed by José Luis Merino, who offers a nice mix of eerie moments with ones that range from tasteless (Chekov's treatment of women, Igor's um...kinks) with ones that just outright daffy (the reason the dead are walking could have come from one of those old 1940's quickies.) That's part of what makes the whole thing so much fun-sure, it feels a bit familiar at times, but the familiarity helps the movie instead of hindering it. Also worthy of mention is the undertone of black humor that permeates the proceedings. While the movie would never be mistaken for a comedy, scenes involving characters such as a horny witch are clearly done with tongue planted firmly in cheek.Which brings me back to Naschy. While I mentioned he doesn't have a huge role, fans of his should still love this. Here, he manages to bring all kids of baggage with Igor-insecurity at one moment, to moments that bring forth revulsion the next-with ease. It's easy to see why folks such as myself hold him to such esteem, as he was able to take such characters and make them his own. Such a role and performance is a testament to his talents as an actor.If there are any problems, it would be that apart from the more eccentric characters (particularly Igor), nobody here is all that interesting. Chekov is just your typical chauvinistic jerk who doesn't have many redeeming qualities, whilst Doris (Dianik Zurakowska) is yet another damsel in distress character. A bit more thought into some of the characters would have helped.That out of the way, fans of Paul Naschy and European Horror fare will certainly find a lot to enjoy here. If that's your cup of tea, then check it out.

One of the movies in which Paul Naschy doesn't play werewolf Waldemar Daninsky casts him in a supporting role, as a guy with a weird fetish. The movie focuses on a man who arrives at an estate where a professor is carrying out bizarre experiments. Among the other things that I noticed in "La orgia de los muertos" ("The Hanging Woman" in English):*Although I couldn't tell that any of the character identified where the movie is set, I noticed a sign that said Skopje, which is the capital of Macedonia. Immediately after that, there was a man who had a rural American accent (although it was obviously dubbed). Whodathunk that Macedonia - if that's the setting - had that?! *The main character is named Chekhov, and at one point, it sounded as though someone tried to say his name and made it sound like a sexual act.Anyway, it's an OK movie. Not great, but entertaining.Paul Naschy died last year. I wonder what the result would have been had he collaborated with Pedro Almodovar.

The Hanging Woman takes obvious influence from both the classic Hammer Horror films and Mario Bava's Gothic masterpiece Kill, Baby...Kill. The result is a slightly plodding, though undoubtedly interesting and very atmospheric little horror film. Like many European films from the seventies; this one has a whole slew of titles, which range from those that don't make sense - 'Dracula the Terror of the Living Dead', to cash-ins; 'Zombie 3: Return of the Living Dead', and innuendo; 'The Orgy of the Dead'...but The Hanging Woman is the best on the merit that it actually fits the story. The plot focuses on a man that travels to an old Scottish village in order to claim his inheritance; an old house, currently inhabited by his uncle's science partner. Upon his arrival; a woman is found hanged in a graveyard; though the circumstances are suspicious as she was already dead before the hanging. Things turn a little more awry when the nature of the experiments going on at the house are revealed, and the village may be harbouring a dark secret.The plot features a number of different elements, which includes black magic, zombies and grave digging. It has to be said that it can be a little messy at times; though nowhere near as much as many films of this ilk and the plot really flows rather well and the various different elements are well used. Undoubtedly the best thing about the film is the atmosphere and director José Luis Merino succeeds admirably in this respect as the atmosphere is thick and foreboding and this helps to further the plot. The film is essentially a mystery with horror elements, and the director keeps our interest with lots of good ideas and some interesting characters. Paul Naschy is the only cast member likely to be recognised by anyone watching the film; but the unknown cast all do well with their roles; particularly Stelvio Rosi and Dyanik Zurakowska. There's not a great deal of blood in the film; but patience is rewarded towards the end with an excellent decapitation sequence. The film is not very well known and I can't say I'm surprised about that; but it's certainly well worth a look and fans of this stuff shouldn't be too disappointed with it.

An Italian and Spanish production of cult Bernard Woolner (you must remember him in `Swamp Women' of Roger Corman) which is directed by Jose Luis Merino (`Altar Of Blood') , who also written the script with Enrico Colombo (`Altar Of Blood') . As you can understand from the title , the film has a lot to do with zombies , who directly are similar to zombies of Amando De Ossorio (Tombs Of The Blind Dead) . You shouldn't think of a gothic atmosphere , because our living dead are very slow , which is a negative point . Although this movie is not considered as a great movie , it stills remains cult , because of her almost – all star cast , which can be taken as a remain of 60's . In this b-movie you can meet Auro De Alba & Dyanik Zurakowska (`Frankenstein's Bloody Terror') , Maria Pia Conte (`The Death Dealer') , Girard Tichy (Mario Bava's `Hatchet For A Honeymoon') , Stelvio Rosi (`Shadows In The Dark') , Carlos Quiney (`Altar Of Blood') , the most classic of all in this cast is Paul Naschy (who has a role – model for many later generations) , as Igor! If this column was marking each movie for its cult worth , then `Beyond The Living Dead' would be marked at least with 9/10 , but this column is marking the whole movie … so , what we got here is … 7/10