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Unhinged

Unhinged (1982)

October. 14,1982
|
4.9
| Horror

College students Terry, Nancy, and Gloria, on their way to a rock concert, crash their car in a torrential rainstorm, badly injuring one of them. Seeking shelter and aid, they come across a house occupied by a man-hating mother and her daughter...and they soon wish they hadn't.

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Cebalord
1982/10/14

Very best movie i ever watch

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GrimPrecise
1982/10/15

I'll tell you why so serious

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Abbigail Bush
1982/10/16

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Erica Derrick
1982/10/17

By the time the dramatic fireworks start popping off, each one feels earned.

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Anthony Rauscher
1982/10/18

Contender for best horror film ending. ever. period. Quite possibly the winner. Quite possibly one of the best film endings. ever. period. Regardless of the budget, and Hollywood snobbery aside etc..Full of real "Oh f*#k.." moments, in key places. The acting isn't Hollywood character development, but it's explanatory, and tonal - This and the films set and atmosphere set a fantastic pace to the story, which I believe is intentional, to establish the ultimate finality in the film clearly - Marion Penrose is a psychopath unlike no other, and no well developed character could possibly compare or stand against her! Hardcore in depth focus and development in characters, would have produced the opposite effect. The cute, sweet, natural, genuine, leisurely, carefree girls (both as actresses, and the characters they portray) just seem to carry along on their own, and then.... get brutally slaughtered and slashed. That would seem to be the ultimate horrifying terrifying point! And that's what helps make this film so nightmarishly impactful overall. Everything seems only somewhat odd, at first - the characters, the location - but ramps up successively, becoming creepier, and creepier, and very, very creepier..Nothing is contrived in this film, it's not trying to be anything at all, and it firmly stakes it's own, untouched, ground - It's 100% unique. If elements of influence are felt, it's particularly from Psycho - In a really good, and innovative way! Few films have what Unhinged has in droves, and none have it the way Unhinged does - true creep factor.The murders are well timed, and have an extremely realistic, and quite very disturbing feel. They're conducted swiftly, and succinctly, with great precision and skill, and with surprising and LEGENDARY daft! Marion Penrose simply establishes "herself" as a seemingly absolutely intelligent successful crazed murderer that tingles inside with nothing but thoughts of killing. The reveal in the shed when Terry tries to escape Carl is grotesque as heck, and disturbingly trippy - One can almost sympathetically feel at this point, that sadly the films protagonist will NOT make it out. These are all victims you feel for, and WANT to survive. But they don't, and it hurts. The strong and righteous female lead is a subtle and sweet presence that could stand side by side with the likes of Sigourney Weaver as Lt. Ripley, Angelina Jolie as Lara Croft, or Milla Jovovich as Alice, in it's own right. Terry Morgan (Laura Munson) always did her best, against all odds, and never gave up. Laura Munson's sidekick Sara Ansley is no slouch either, and they both sport out many fun different looks over the course of the movie, and spew out some great one liners. The girl power in this movie is ahead of it's time, and superseding of it's genre - these girls are intelligent, determined, unflinching, strong, and persevering - Considering the circumstances. The girls are also strikingly very beautiful, and cute as friggin beans! You also sense that, meh, they don't care about much - they're having fun doing this! When you love what you do - it shows!😊The storyline is quite airtight, signifying that even though a great deal of money wasn't behind this project, a great deal of intelligence was. As a "low budget" film - It has a whole LOT more to give, and get out of it, than went into the budget - and that's a fantastic thing to see. We're watching what effort, purpose, and labor of love & interest do in Unhinged. We're not watching what the love of a swimming pool filled with money does. Gronquist was extraordinarily intentional, commanding, particular, intelligent, careful, and selective of what he did with what resources he had. Subtly, everything about this film is iconic and legendary - It's something like diamonds in the dark (a film in a low budget), and when glints of light make them sparkle, you know exactly what you've got, and how beautiful and valuable it is.I hope you love the film as much as I do!

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FilmFatale
1982/10/19

Three girls (Terry, Nancy, and Gloria) are on their way to a jazz music festival run off the road on a dark and stormy night. They wake up in a mansion with a spinster daughter (Marion) and her cruel mother (Mrs. Penrose), who really hates men. As Gloria is injured, Terry and Nancy decide to stay with Marion until Gloria is able to travel again. Things get weird after that, with dirty men peeping in on the ladies, a tooth under a pillow, piano playing, and of course Mrs. Penrose's anti-male tirades. Will the girls escape unscathed, or will they meet their fates at the hands of the Unhinged?? Allegedly, this movie was banned for years due to shocking violence, nudity and depravity. My version said it was uncut, but it wasn't very depraved or violent and the nudity was confined to two shower scenes. There were only three murders, and none of them were shown happening - we only get the aftermath. Unhinged was boring, poorly written, poorly directed and poorly acted. The "Taco Time" radio spot was my favorite part.

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Tommy Nelson
1982/10/20

Twist endings can be really cool in a movie. It's especially interesting when the twist is right in front of our eyes, but we just don't pay attention. Those type of twist endings are the one's that make people think. Then we've got twists like this film has. Twists that, whether or not you pay attention, you have no clue what's going to happen. When they reveal this kind of random twist, instead of shock, it's somewhat a dumbfounded reaction. This film starts off like it's going to be an interesting take on horror, but after about 20 minutes, it's nothing but boring dialogue and a stupid twist.Three young women are going to a concert, so they get lost traveling through the woods, and hit a tree trunk. They end up at some old creepy lady's house, who hates men, and they are greeted by her homely daughter Marion (Laurel Munson). Strange goings on happen as these girls stay at this house for several days instead of trying to leave or get home, and the suspense progresses into a dumb slasher.This film is too caught up in it's dialogue, and it's always between only a few characters. We have the main three girls, the creepy spinster and the old lady, and conversation of any importance does not go beyond these five. To make matters worse, they never have anything interesting to say. It's actually quite maddening sitting through their conversations. We want to know what's going on, and instead they just talk and talk and talk (about nothing).Plot holes are abundant here. The house these girls stay at when they get in their car accident is apparently three miles from anywhere...wow, three miles! A two hour or less walk will kill them. Why didn't they get a ride with the worker for this household who was driving into town? Did he have a one seater? How come these girls never question leaving and just willingly stay, rarely even checking up on each other? Why did this have to have so many dumb twists? Maybe the answers are in the boring script.Having a slasher film with five characters is really a bad idea. It's not thrilling, it's not scary, and the ending is definitely out there, but undoubtedly dumb.My rating: * 1/2 out of ****. 79 mins. R for nudity and violence.

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lovecraft231
1982/10/21

Three college girls on their way to a jazz concert crash their car. Fortunately, they find shelter in an old house. Unfortunately, the people inside are more than a bit crazy.Made in 1982, "Unhinged" caught quite a bit of controversy in Britain, ending up on the Video Nasties list. So, did it belong there? Well no, not really. As it stands, "Unhinged" is a rather uneventful slasher that feels like an amateurish blend of "The Texas Chainsaw Massacre" and "Psycho." The acting is bad (as expected), it takes a while for the kills to happen, and the twist ending is pretty bad.Still, there are some good points to it. While it does take a while for the kills to happen, when they do, they are pretty good. There is also a decent atmosphere brought on by the house, and director Don Gronquist knows how to use it. Best of all is the electronic score from Jonathan Newman, which stands as one of the best electronic scores in slasher movie history.Still, the bad outweighs the good, and while watchable, I can't really recommend "Unhinged" to anyone but hardcore slasher and low budget regional horror fans.

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