Eve Knew Her Apples (1945)
Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she finds them there hunting her down, she manages to escape them by hiding in the car of a newspaper reporter. She comes out of hiding while he is driving, but everything she says is misconstrued, making him believe that she is a recently-escaped convict, "The Singing Widow". He plans to use this as a story to get back into the good graces of his editor. Through some comic mishaps, he learns who she really is. He then decides to take her back to Hollywood to collect the reward for her return. But now love has entered the mix, and must be resolved with his job and her engagement to another.
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Best movie of this year hands down!
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Poor Ann Miller . . . what was she thinking when she wanted to headline, instead of co-star, in a flick? Not content with being one of M-G-M's sturdy, yeoman supporting players, she somehow opted for this Columbia remake of It Happened One Night . . .and for that one commenter who opined, " . . . probably the original was better!" he/she needs to take Classic Hollywood Films 101 and brush up on one of the great comedies of all time. And turning that magnificent film into a musical really is someone's idea of a joke. The remake of THIS "musical," You Can't Run Away from It, is hardly any better; that is unless you like the warbling and mugging of June Allyson. Skip this one . . . William Wright is really a poverty-stricken excuse for Clark Gable and who can come close to to matching the comedic talents of Claudette Colbert? The original IHON swept the Oscars in 1935; the crew on this one is just possibly capable of sweeping the floor! . . . and WHO dubbed Ann Miller's voice?
The rating is higher than it ought to be simply because it is fascinating to watch a great movie remade on the cheap for no particular reason other than Columbia already owned it, and comparing it to the original.I walked in on this in the middle. I love Ann Miller, so I kept watching. Suddenly I was hearing very familiar dialog. Hokey smokes, it's "It Happened One Night" only without the lighting, directing, production values, pacing and acting.The sheer audacity of taking a classic (the only picture to win all five major academy awards up to that time) and turning it into a B semi-musical boggled the mind. I even was able to recite the script ahead of the actors (and better).Contrary to the previous comment, they really did use the original brilliant dialog all over the place. It just goes to show that even a work of genius can be destroyed when placed in the wrong hands.
I had never heard of this movie until recently it was shown on Turner Classic Movie channel. I watched it because the breath-takingly pretty Ann Miller was the star.Anyway, after watching for a while, something became familiar - it has the very same plot line as "It Happened One Night" with Clark Gable and Claudette Colbert. THis movie even had the Roscoe Karns character. Basically, only the names were changed.All in all I liked the movie. So what did I like about it? Good acting, good writing, and Ann Miller - you don't need anything else. Even though it was a remake of another film, Ann Miller is always a joy to watch.
It didn't take me long to realize that what I was seeing was a complete re-do by Columbia Pictures of 'It Happened One Night',except this time with music. It seemed that even the same sets were used in a number of cases. The characters almost look like clones of original cast. You even have the Shapley character who threatens to expose the two lovers if they don't go along his blackmail scheme. Ann Miller is an absolute delight. Whether or not her voiced was dubbed or not, it all comes over very effectively. It's just too bad she couldn't have gone into one of her dance routines. The film only runs 64 minutes but it's worth every second of it.