Hollywood Party (1937)

One of my all time favorites.

Excellent, Without a doubt!!

Story: It's very simple but honestly that is fine.

Exactly the movie you think it is, but not the movie you want it to be.

It seems to be unanimous that this is a really bad short. And you know for something to be really bad that it has to have no bad cinema factor silliness present. Alas, that is what we have here. The only thing remotely interesting is a black singing troupe that makes noises like out of Fat Albert. As far as the hula girls being naked as another reviewer posted, huh? They are clothed from the neck down, I was actually sticking around to watch that, what a let down. I had visions of Honolulu Baby from Sons Of The Desert (Charlie Chase was in that night club watching too!). But no, those women were definitely fully clothed. My only other comment is this, when ever you see a short subject jam packed with stars, doesn't it always suck if it's from the 1930's? I mean it's like they all say, hell I can't be blamed for this sucking because I'm only in it for 20 seconds, I guess. If you are looking for a half way decent Technicolor short, try the 1930's The Devil's Cabaret, it's 2 strip Technicolor but close enough to satisfy your curiosity of an early color film and it's short, has nearly naked women dancing, and the Devil. Both of these films play on Turner Classic Movies in the USA. Hollywood Party I give a 3 and thats probably too generous.

Apart from its historic value as an early example of Technicolor, this is a truly dreadful film. In fact, even the Technicolor itself was just awful--with way over-saturated colors that were very, very hard on the eyes--particularly the greens and pinks.As for the plot, there isn't much of one. Charley Chase and some lady are the emcees at some bizarre beach party where they and some not especially talented performers act Chinese--or at least act like a dreadful stereotype of Chinese circa 1937. Chase, who could be a funny man, was given absolutely NOTHING to do but make slant-eyed faces at the camera and speak in an awful Chinese-like accent.In addition to the dreadful acts and narration, there are some very pointless cameos by Clark Gable, Joe E. Brown and others. All the appearances really amount to are exceptionally short clips of only a couple seconds that have no relationship to the rest of the film.Dumb, pointless and wretched--this is a terrible short that only has some tiny historical value and is as entertaining as watching paint dry. Sadly, while this sappy Hollywoodized version of China was presented, the real plight of the Chinese (who had been invaded and decimated by the Japanese during the 1930s) was never mentioned--they all were portrayed more like "happy children".

This short serves as both a fashion show and as a demonstration of the beauty of Technicolor. It's interesting as the former and terrific as the latter. As others have pointed out, the color is superb--clear, crisp and deep as only three-strip Technicolor can be, and while I've never been much of a connoisseur of '30s fashions, I actually liked some of the stuff I saw here. There's one segment with a bevy of showgirls passing in a sort of "Miss America" review dressed in some Las Vegas-type costumes that rank among the skimpiest I've ever seen in a non-stag movie of that period--not that I'm complaining--that serves to show off both the costumes' spectacular colors and the girls' spectacular bodies (which it does to a very satisfying degree; I don't know how MGM got away with showing so many almost-nude women back then). There's a rather boring hula by a woman who fortunately looks good but unfortunately can't dance very well, a forced and unfunny "novelty" Spike Jones-type number by the Al Lyons Band, a rather pedestrian tap dancing act, a few other musical interludes--none of them even remotely memorable--and some VERY brief cameos by such MGM stars as Clark Gable and Joan Bennett. The film's main drawback, however, is the premise--a group of white actors dressing up and acting like "Chinamen" (comedian Charley Chase is particularly embarrassing doing an awful Fu Manchu/Charlie Chan impersonation), including everyone from the band to the waiters. Leon Errol does his patented drunk routine but it doesn't seem to really have anything to do with the movie--it just involves him and a waiter for a minute or two and then they're gone--and a quartet of black singers does a clever "hum" of "Chinatown My Chinatown". Even for the "unenlightened" 1930s, this short really pours on the stereotypes about Asians, especially Chinese. It gets embarrassing every so often--well, okay, it gets embarrassing A LOT--but even so, it's extremely interesting as an historical document. I gave it four stars: two for the beautiful color (and zero for the lame musical numbers, the witless "comedy" and the offensive and insulting racial stereotyping) and two for the all-too-brief appearance of the luminous Anna May Wong, who looks sexier than I've ever seen her (and in color, yet!) modeling a beautiful blue (apparently silk) gown and then an even more beautiful yellow one. She just radiates charm, grace and class, three things this short is completely devoid of. It could have used much more of her and much less of everybody else.

When this short was produced in 1937 three strip technicolor had only been in use four years. The color photography is beautiful and vibrant -astonishing really when you first see it. The subject matter is another matter. This short has an Asian theme with obviously Caucasian actors and actresses masquerading as Asians in full Asian dress. There is much poking fun at Asian speech and manners. Black Americans are also stereotyped in this film. All of the latter greatly detract from the film. As far as subject matter is concerned the only sensible moment in the whole thing is a brief appearance of Anna May Wong. There are also very brief cameo introductions of Clark Gable, Joe E. Brown and Freddie Bartholomew. So, from a technical point - wonderful, from all other points - a disaster by current standards.