Let's Be Happy (1957)
On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city.
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To me, this movie is perfection.
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
This film is so real. It treats its characters with so much care and sensitivity.
An independent feature made at the very, very end of the movie musical's golden age, and the desperation shows. Vera-Ellen, looking unhealthily slim and not dancing much, is a Vermont lass who inherits enough money to fly to Edinburgh, where she keeps running into Tony Martin and is wooed by impoverished lord Robert Flemyng. Martin, looking beefy and well past his leading-man prime, sings everywhere--at airport customs, in a Scottish dining car, at Vera's Vermont bungalow--and the songs, by Nicholas Brodzky and Paul Francis Webster, are neatly integrated enough but not what you'd call exciting. Nor is Henry Levin's direction, and even the Edinburgh location shooting looks rather skimpy. Wan storytelling, no-name supporting cast, so-so songs No wonder it didn't do well.
I saw this film in glorious Cinemascope and color at the Palace Theatre when it first opened in 1957, and was already enchanted with the dancing charms of Vera-Ellen, certainly one of, if not the best dancers in Hollywood history. No, she didn't sing (always dubbed, although early stage recordings display a fun dancer's voice), and her acting relied heavily on her charm and good looks, but when she danced, watch out! The film is a slight vehicle for the charms of Vera-Ellen and Tony Martin, star baritone of various MGM films of the 40s and 50s (and as Robert Osborne points out on TCM, you expect this to be an MGM film, but it's one of the few Allied Artists musicals of the period), complete with songs written by composer Nicholas Brodszky (Love Me Or Leave Me). At least it's not studio-bound; it was filmed in 1956 at the dazzling Edinburgh Festival, as well as other beautiful Scotland locales.You will long to see the original Cinemascope print, but all that seems to exist is a pan and scan version. Better than nothing, and it is the only chance to see the film, which TCM just began showing in the past year, after it had been seemingly lost for the past 20-odd years. But now we need a proper print in the original Scope on DVD. Come on, Warner Archives, you've released every grade B and C film known and unknown, give a little TLC to LET'S BE HAPPY.
I like a lot of the older movies, including B movies and less than stellar musicals. While this one had the Scottish scenery going for it, that's about all as far as I am concerned. Tried to go it, but just couldn't. Too many "ouchies." Vera-Ellen, while good in other things, was a bit painful to watch in this. Same for Tony Martin. The redhead was, to me, hard on the eyes and nerves. The lord character was lackluster. Surprised at the comments of other reviewers that Cyd Charise should have had the female lead. Good grief. Get some proportion. While Tony Martin was married to Cyd Charise, there is a huge difference in their movie presence and draw. They don't cast parts to be cutesy.Ms. Charise played and co-starred with major stars in top films. Mr. Martin never did. There's no comparison. This was way too low a production for Ms. Charise. While Mr. Martin enjoyed success as a recording artist, a strong actor, he wasn't. I didn't even care for his singing in this. Forget the acting, on anyone's part.Definitely give this one a pass - as in pass up. Good performances can override a bad script/plot. That didn't happen here.
A minor musical, to be sure, but some of the dialogue reminds us that things have not changed much. How about the bell boy who, when asked by the hick from Vermont, if she should tip him, says with Scottish reserve: "yes, it has been done.". When Tony Martin, appliance magnate, proposes to Vera Ellen, he ups the ante with "You don't know what you're getting -- a washer that irons!".A musical with bagpipes! A lord who acknowledges that he needs tourist dollars (before he admits that he needs to marry for money), an American that can out-duel a French customs-clerk!How can one not be affected by this innocent charm!?