The Fleet's In (1942)

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This is an awful film. Usually, the thin thread of a musical comedy plot links up with an Astaire, a Ginger, an Eleanor Powell, an Alice Faye. This one, with a plot even more gossamer than most, leads to some excruciating exhibitions of non-talent. The harmonica sequence and the parody ballroom dance performance are radically unfunny. Holden has nothing to do but be yanked like a puppet on the strings of Dorothy's sudden changes of mind. She plays a profoundly self-interested performer who, of course, falls in love with the puppet. The other women -- the raucous Hutton and the over the top Dailey play insulting stereotypes. As, of course, the rest of the sailors are. But some good sailor flicks do exist -- 'Follow the Fleet' and 'On the Town' for example. We do get to see Helen O'Connell, who towers over Dorsey and Eberly, and do, too briefly, hear Jimmy on the clarinet. He was one of the best clarinet players in an era that featured Goodman, Shaw, and Barney Bigard. At one point, Jimmy's band appears in a sudden pavilion on the street below Dorothy's aerie. How'd they get there? At the end, the four couples are all in a taxi getting married. How'd they get there? The film, made before Pearl Harbor, was already an anachronism when it was released (with Holden believing that his enlistment was just about up just as his battle wagon heads for Pearl). Robert Osborne on TCM said that he'd been trying for years to get the film on TCM. Never would have been too soon.

This is a rather typical romantic, musical comedy with a good number of Paramount's stars, established or on the ascend -- Dorothy Lamour, Betty Hutton, Eddie Bracken, William Holden. The plot barely merits description, a bit of froth like those of the Astaire-Rogers musicals.Okay. The fleet arrives in San Francisco. Bets are made on whether a shy Quartermaster, Holden, can get the notorious Ice Princess who sings at Swingland, Lamour, to kiss him. Arrangements are made for them to meet and they fall in love, but every time Holden tries to take the relationship a step farther, somebody tells her more about the details of the bet and she misunderstands Holden's intentions.Holden is boyishly handsome. Lamour is a glamorous and sexy mezzo-soprano. Betty Hutton is on afterburners throughout and provides much in the way of barbaric humor, but not nearly as silly as some of the vaudeville numbers we witness. Maybe the most amusing performance comes from the ordinarily irritable and fustian Leif Erickson trying to be happy-go-lucky. Every time he laughs and make a wisecrack I expect him to shatter and fall to the floor like a broken ice sculpture.What raises this musical effort above the average is the introduction of two tunes that were to enter the Great American Songbook, both with tunes written by the director and lyrics by Johnny Mercer. "Tangerine" is memorable as a puncturing of female vanity. "I Remember You" is a wistful love song that reappears from time to time. Mercer was a talented guy with a face that, with only a few daubs of make up, could easily have been turned into a clown's. Memorable tunes seem to turn up in unlikely venues. "I'll Remember April" is from an Abbott and Costello movie, "Star Eyes" from a Red Skelton comedy.I didn't find the plot so enthralling but, as with Astaire and Rogers, it must be taken lightly, I guess. Just let your mind drift. It's only a movie.

The Fleet's In is a wonderful wartime musical that was the last effort of director Victor Schertzinger. You can't really go wrong with a film that stars William Holden, Dorothy Lamour, Betty Hutton, and Eddie Bracken. That together with one of the most popular bands of the era Jimmy Dorsey's Orchestra with vocalists Bob Eberly and Helen O'Connell.It's a really slim plot to hang a lot of nice songs on. William Holden is a shy sailor, the type that Frank Sinatra would play over at MGM in a few years. He gets a picture taken with movie star Betty Jane Rhodes while he was just asking for an autograph. Immediately he gets the reputation of a wolf. And a challenge comes with it, to see if he can get to first base with 'The Countess' as USO entertainer Dorothy Lamour is known for her unapproachable demeanor. A lot of money is riding on this including money from Holden's pal Eddie Bracken.If you don't know where this is going you haven't seen too many musicals. But the plot's not important here, just sit back and enjoy the numbers.William Holden after his war service which started next year looked to get out of parts like this which he described as his 'Smiling Jim' roles. It's hard to believe this is the same guy who is the opportunistic Joe Gillis from Sunset Boulevard, the cynical Sefton from Stalag 17 or the resourceful Shears from The Bridge on the River Kwai. Yet at the beginning of his career these nice kid roles were all that his two studio masters, Paramount and Columbia, saw him in.Director Victor Schertzinger died suddenly right after completing this film in 1941. It was not released until the following year. Note there are no references to any war per se. Schertzinger not only was a film director, but a talented composer. He may have done his best work however in this film in collaboration with lyricist Johnny Mercer. Besides the numbers here he wrote One Night of Love for Grace Moore for that same titled film which he directed and he wrote for Dorothy Lamour in The Road to Singapore, The Moon and the Willow Tree. He directed both The Road to Singapore and The Road to Zanzibar and learned early on to just let Crosby and Hope have a loose rein.Betty Hutton got her first notice in this film with the song Arthur Murray Taught Me Dancing In A Hurry. This was her first feature film role and she was a star after The Fleet's In. She was paired with Eddie Bracken and I've no doubt that Preston Sturges saw them together and had the idea to team them again for The Miracle of Morgan's Creek.Jimmy Dorsey had one of the best bands of the era and this may have been his best showing on the big screen. The band sang Amapola which was already big hit for them, but also they introduced Tangerine and I Remember You from this score. Tangerine was very popular in its day, a big hit for Jimmy Dorsey and his band singers Helen O'Connell and Bob Eberly. But I Remember You has had a lasting popularity down to this day. If you remember it was used as the theme song for James Caan's character in the Bette Midler film, For The Boys. I think The Fleet's In is worth watching for the Dorsey band alone.But if you like all the other performers in it so much the better. Though The Fleet's In is not one of those films that Bill Holden would have liked to have been remembered for, still seeing him as 'Smiling Jim' is something different than most. And seeing Betty, Dotty, and Eddie in the same film is also a blessing.

The Fleet's In is a wonderful musical comedy that viewers will find irresitable. The star studded cast keeps you laughing throughout the entire movie and with Jimmy Dorsey's orchestra backing the singers how can anyone help but singing along to the catchy songs? Over all I'd say that the Fleet's In will endear it's self to anyone who watches it.