Comedian Harmonists (1997)

Good start, but then it gets ruined

Although it has its amusing moments, in eneral the plot does not convince.

The acting in this movie is really good.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Comedian Harmonists tells the story of a famous, German male sextet, five vocals & piano, the "Comedian Harmonists", from the day they meet first in 1927 to the day in 1934, when they become banned by the upcoming Nazis, because three of them are Jewish. Harry Frommermann is a poor, but talented musician writing his own pieces & dreaming of the big success. When he goes to the store nearby & listens to new records he is so deeply fascinated by the tunes that he doesn't even realize that Erna, the young employee, adores him. When the day comes where he can barely afford the food for his parrot, it is time to do something about his situation. He launches a newspaper ad looking for company to found a singing group. He gets to know Robert Biberti & both seem to be on the same level. Soon four other fellows are found. A concept evolves & rehearsal begins. Yes another Hitler movie. But this one is different it's a musical in the great musical art deco age of the 1920 & this movie ends with the persecuted Jews escaping to other countries. The film is big, enjoyable musical biopic of the kind Hollywood used to produce in the '50s. The plot is conventional but high with its production values. The basic story has all the ingredients of a good commercial story: Berlin in its wild, decadent heyday; marital & sexual tensions within the group; a trip Stateside at a crucial point in their career. Add to this a top-drawer cast & you have a very fine enjoyable movie. Some critics panned this movie. I don't know why. It almost seems we saw different films. Six main actors, who bear more than a passing resemblance to the real characters, blend excellently & look comfortable in period costumes & mannerisms: Noethen is very good as Frommermann, torn between love of his homeland & the compromises that keep him there; Becker excellent as the brash, blond Biberti, who sticks by Frommermann to the end; Wiesinger smooth in a tailor-made role as the arranger; & Heinrich Schafmeister quietly impressive Collin, in many ways the rock of the group. Musical staging, which use digitally re-mastered recordings by the actual group, range from the intimate to large-scale, & are briskly staged & cut. The results are excellent. An epilogue reveals what happened to all the Harmonists. One moved to California & eventually became the oldest active cantor in America. Others had a good life also. (addendum I watched this first half of this film with French language. Be sure and switch to German the language it was filmed in. The french dubs were not well syncopated)5 stars.

Although they appear to have been remembered (vaguely) in Europe where they achieved genuine stardom, the Comedian Harmonists were essentially unknown in the United States before this excellent film. Their closest contemporary analogue may be the Kings Singers, a group which has actually recorded many of the Comedian Harmonists songs and, like the German group, sings in close harmony, blending their voices so that none stands out until it's required. The effectiveness of the film is immeasurably enhanced by the use of actual recordings, with the on-screen ensemble lip-syncing the words. The Comedian Harmonists came to the fore during the late twenties and were extinguished when the Nazis came to power because they sang many songs by Jewish composers and three of the six members were Jewish. Although certain liberties have been taken with the biographies of the individual singers, their story comes alive on the screen with faithful attention to period detail. The focus is more on two of the six musicians (and their girlfriend-in-common) than on the other four. Nevertheless, each of the six is realized as an individual. It's a splendid film, available on Netflix, and I found it sufficiently entertaining that I will search out their recordings. But, beyond being entertaining, it tells a moving story about the impact that the rise of Hitler had on the lives of individuals who were essentially apolitical beings with no agenda other than to entertain and to succeed.

Excellent example of how politics should stay out of art (e.g. Shostakovich in Stalin's time and blacklisting of artists in US in McCarthy era). This movie draws the viewer in - what will happen to the members of the group? Will they survive Hitler's Germany? Realistic portrayals of both squabbling and camaraderie that exists inside creative groups. Well-photographed in proper time period fashions and decor, music pleasing to the ear. A real treat!

That piece has to be one of my favorite movies of all time. It isn`t that much of a documentary but it`s a fine music film about an astonishing band and more than that, it shows the fearful end of friendship and art the nazis caused with their ways. Everybody should see it, even if you don`t know the group, they do represent the heights of German culture, right before the anti-culturals rose to power. And Germany never recovered...