Fillmore (1972)
Legendary rock impresario Bill Graham closed the Fillmore West in early summer 1971 with five nights of all-star concerts, the last curtain going down on July 4. The storied San Francisco venue had become an institution, an integral part of the West Coast music scene of the '60s and, now, an essential element of the mythology of rock 'n' roll. Always the showman, Graham made sure the Fillmore West was sent off in a blaze of glory, spotlighting bands - including the Grateful Dead and Santana-that rose to fame at the hall. The madness leading up to the shows and the concerts themselves were filmed for FILLMORE: THE LAST DAYS, a gritty, behind-the-scenes look at a fascinating moment in rock history and a showcase for great performances by iconic artists who epitomized 'the San Francisco Sound.' Originally released in 1972 and long out-of-print, the documentary film makes its DVD debut with Rhino's landmark reissue.
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it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
This film is so real. It treats its characters with so much care and sensitivity.
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
I was really pumped to see this one, but as I sat through one hour and 45 minutes of "The Bill Graham Show", my mood slowly deflated. If you have a Bill Graham fetish or you love Bill Graham, you will love this movie. If not, well...The problems include way, way, way too much Bill Graham. Over 50% of this movie is him. More music and less Bill, please. Also, shot selection of the band's performances is horrendous. I don't know if they were intentionally trying to be artsy, or they were covering up terrible camera work. For example, during It's a Beautiful Day, we see unrelated cover shots instead of the gorgeous female lead singer. During Jefferson Airplane, we see exterior shots from an outdoor festival. During Santana, we see Carlos for about 1 minute out of 15 because they're too busy showing the keyboard player's hands for 5 minutes. Last, but not least, the two songs they chose for the Dead were the lamest two songs they did during this era - Casey Jones & Johnny Be Good. I love the Dead, but that just killed it for me.Bright spots include Hot Tuna (with Papa John Creach), Quicksilver, Elvin Bishop, and especially Santana. If you're a Santana fan, you should definitely watch this movie.
The movie could theoretically be released on DVD, if someone can be bothered to work out all the legalities of getting the footage of all the different bands cleared.But an "expanded" edition is impossible. In one of the Grateful Dead books I have, it's said that the director had filmed entire performances by the various bands, and had always intended to make a sequel, but could never get funding to do so. He carried this footage around with him, every time he moved, but eventually reached a point during the 80's when he could no longer afford to pay for the storage fees. So he was forced to junk all of his outtake footage.
An excellent in your face documentary about 60's rock promoter Bill Graham that chronicles the last days of his Fillmore West which he closed in 1971 along with the Fillmore East a while later. FILLMORE gives us a no nonsense look at the music business after the nirvana of the 1960's had evaporated. The musical groups that flourished in the open San Francisco atmosphere and elsewhere during the mid to late 60's, became "authoritarian", corrupted by power bought with success and money. When love of music became secondary to egos and business interests, Graham decided to get out of the business. And so after watching the daily drudgery of Graham having to deal with prima Donnas, the threat of cancellations and broken agreements, it's easy to see why he wanted out. On the other hand, when talented musicians like Boz Scaggs, Carlos Santana, Elvin Bishop and Jerry Garcia take the stage to do their thing, it's easy to see why he got into the business in the first place.
Yes, friends and IL' hippies, if ever there was a movie begging for an expanded edition wide-screen DVD release, this is the one. I haven't seen it since '72, granted, and my mental awareness at that time was probably a bit...different...but based on the soundtrack CD set I'd wager this is still a great look at the crazy IL' daze, with some wonderful music and a fun backstage look at the music culture of the time. Yes, it's true, I do have the added motivation that I had the astounding good fortune to attend a couple of these shows (the Dead/New Riders/Rowan Brothers show and the Hot Tuna/Quicksilver show), and would thus particularly get a kick out of seeing the film again. Let's hope "Festival Express" does really well; maybe that will punch somebody's button and wake 'em up to the potential market for this film.