The Line, the Cross & the Curve (1993)

Thanks for the memories!

For all the hype it got I was expecting a lot more!

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Kate Bush's longtime fans know that it's a mistake to expect conventional music from her (as everyone will be able to verify in the fall of 2005, when her first album in more than 12 years is scheduled to be released at last). It would be just as much a mistake to expect conventional film-making from her. Bush's music is often accessible, but don't look for linear narrative, expository dialog, establishing shots or even consistent angle of view. Kate Bush tells stories not directly, not rationally -- in other words, not from a distance. Rather, she lets her viewers experience her characters' situations from within the vertigo they themselves are experiencing. For example, during the section featuring the song "Moments of Pleasure," there are extended twirling shots done not for want of imagination (Kate Bush lacking imagination?!) but to reach intended expressive and dramatic ends while simultaneously paying tribute to past cinematic models (the most direct references are to the 1948 classic 'The Red Shoes,' by Michael Powell and Emeric Pressburger, the former of whom Bush befriended shortly before his death in 1990 and in honor of whom her attendant album of 1993 was named). When the camera twirls again at several other key points in the film, it becomes clear that camera movement has emerged as a new tool in Kate's rich, thematic symbol-language (the title refers to three slips of paper, each featuring a visual symbol, all fluttering in constant motion throughout the film). Likewise the lighting, costumes, sets, choreography, and dialog insinuate themselves impressionistically, subtly, allusively -- pointing the viewer gently toward unanswered questions, hiding within the glorious folds of Bush's musical cloak-of-many-colors. There is profound organized thinking in every frame of The Line, the Cross and the Curve, but it doesn't appear at first viewing. Fortunately, you don't need to look for clarity to appreciate Kate Bush's art: there's plenty of sheer entertainment value to be had found in the sublime riot of raw genius.

If you are truly a fan, you will love it... It is of course quite mad, but utterly wonderful at the same time. It provides wonderful images to the music that, if you are watching this, the chances are you have heard over and over and over. The whole thing is a complete contradiction. It looks cheap and expensive, it is fantastic and yet grounded in a set somewhere in London. Most of all, it is flawed but completely flawless. Perhaps you need to talk yourself round to the idea that its brilliant, but its worth it if you do. Kate Bush the actress is as unconventional as the singer...naysayers will just say shes no good, but the Fan will see the passion instead of the (lack of) polish. The whole thing has a peculiarly British feel of enthusiasm-in-spite-of-budgetary-restrictions about it which fans should and will get carried away with. But it is also infused with magic and fantasy, in a way that more than compensates...it is not like other films; it doesn't look like other films, it doesn't have a plot like other films so it is pointless getting hung up on the fact that it doesn't. Just run with it. This, it has to be said, is a pretty awful review, but then I hope that the rambling, wafflish nature will make it clear just how Kate Bush can reduce her fans to an awe-struck stupor and that one of the key pleasures of this film, however superficial a pleasure it may be, is the smug satisfaction that non-fans just won't get it...

Lovely to see this film during its short cinematic release in Poole Dorset. We had the pleasure of also seeing Kate's short filmlet Cloudbusting with this. Miranda Richardson is the only shining light, acting wise, although the music is glorious. Eat the music is my highlight, with Kate running through squishy fruit, and gradually getting whipped up into a frenzy, and eventually managing to reclaim the line, cross and curve (path heart and smile) needed to escape the trap that Miranda set for her. The tunnel sequence I believe, was shot in a disused section of the London Underground. Come back to us soon Kate, but PLEASE get some acting practice in first ;)

This film actually consists of music videos for the songs from Kate Bush's album "The Red Shoes" joined together with common characters and a plot. There is a lot of imagery and symbolism. Many of the images seem to be inspired by "The Wizard of Oz".There are a couple of serious flaws here. Kate Bush does not appear to be comfortable in the role, and her acting is quite poor. Since she has been directing and acting in music videos since the 70's, it is disappointing that this is not her best work.Miranda Richardson and Lindsay Kemp are wonderful and help the film along a great deal. The quality of costumes and special effects varies from excellent to horrible. In one scene, Kate's legs are possessed by the dancing red shoes and are actually a different person's legs. It looks fake, and it is puzzling if this is intended to be humor or simply poor quality.The bottom line is that this film will appeal to Kate Bush fans because they (we) are very devoted. Fans are also aware of the deaths that occurred in her personal life that are symbolized in the film. But "The Line, the Cross, and the Curve" will never achieve the status of Pink Floyd's "The Wall" or anything like that.