Shanghai Triad (1995)

To me, this movie is perfection.

This story has more twists and turns than a second-rate soap opera.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I've been a big fan of Zhang Yimou since seeing "Raise the Red Lantern" and later, "Hero". His artistic work with the camera is a wonder to behold and sometimes, the tale he can tell with his visuals surpasses the written dialogue and storyline.In this movie's case, the same can be said, but for a different reason. The storyline is threadbare, not a whole lot happens until the very end. Instead, the first 75 minutes is spent looking at and analyzing every detail of the main protagonists. Gong Li has the role of Xiao Jingbao, a nightclub singer and mistress of Tang, one of the biggest triad bosses in Shanghai. Her servant boy Shuisheng gets a lot of screen time because in essence, this tale is told from his perspective. But instead of dwelling on the storyline, he spends most of the movie staring bewildered at the people around him.The eventual ending hints at some intrigue as you see the gangsters double-crossing each other but that payoff doesn't really play itself out. It's more just a quick summary to end the movie and leave with a sad note that this story will be repeating itself yet again with more mob bosses and more poor girls being brought into this underworld because of their beauty and innocence.It's hard to get into a character driven movie when all the main characters have so little to like about them. Gong Li plays the role as a spoiled brat who despite her best intentions, ends up making things worse. The boy is too incompetent to really like. And the triad boss doesn't show off any cunning or ingenuity until the very end.Overall, it's a nice film to look at but so little happens and the characters didn't capture my interest.Sorry Zhang - 5/10

One day you wake up wishing had a lot of things. You dream of luxury, plenty of everything, succulent foods, fine jewelry, luxury cars... and why not, live in a mansion. To achieve this, scores with a beautiful body and a pleasant voice to sing. And then, you attract a man who can bring things like you want... and as much you longed to have them, do not ask questions, but you know who you are provided by not acting with dignity, hurt many people and not treat you like you wish to do so. Suddenly you realize you're paying a high price... nothing, absolutely nothing. Because then you realize that things are worth very little, if a woman does not feel valued, respected and treated with affection. You realize, of little use for luxuries, if you're constantly round the fear and loneliness. You realize that, although now "have everything", you'd be willing to leave if you find someone you truly loved. Like so many women, this is the experience that goes Xiao Jingbao (Gong Li more fascinating than ever), a girl who also encouraged the dream of love, but that falls into the trap of material success and ends in the hands of a gang gangster who will give you all them learned to give. The story is seen from the perspective of a boy named Shusheng Tang, who joins the gang as a servant of the beautiful Xiao, induced by a uncle who expected out of poverty in which has so far lived. Frequent and well achieved subjective shots, put us at crucial moments in the boy's point of view, and with him witnessed the cruel world and weaknesses of the outlaw. Zhang Yimou shines with a flawless picture, a beautiful staging, and a careful pleasing soundtrack that includes songs, among which stands out, especially, the lullaby duet portraying Gong Li and Yang Qianquan girl who gets an emotional role as Ah Jiao, a being that sensitize the beautiful singer and will feel that life offers us wonderful things, but maybe for her are now too late.Once again, Yimou takes a woman as the center of the universe, and his deep nostalgia when he remembers, how the women lost so many dreams and hopes, by yielding to ambition. "SHANGHAI TRIAD" is the kind of movie that no girl should miss.

This story is told through the eyes of a boy who has just begun working as an underling for a Chinese mobster in the 1930s. It seems the young man is the servant to the mistress of the triad chief and he is treated, at times, more like a slave than a person. The lady is quite beautiful but also seemed very petulant and foolish throughout the film--making it very surprising indeed that this boy bonded so quickly with the lady. Had I been in the boy's place, I probably would have taken the first chance to either poison her or run! SHANGHAI TRIAD was nominated for the Best Cinematography Oscar and this certainly isn't surprising when you see this film. It's actually pretty rare for a foreign film to get this nomination, but this movie was one of the most artistic films I have seen in ages. The camera-work is great--with the wonderful use of filters, excellent framing techniques and grand colors.Unfortunately, while the film is very beautiful, the story itself is too often sterile and one of its main characters (played by Gong Li) is just too unlikable--seeming like a complete brat. While the mob boss is quite amoral and vicious, at least you didn't find yourself hating him quite as much--especially since he was a smart guy. Additionally, all too often, events occur off-screen and you only hear about them or catch glimpses of the results--giving the film very little energy. Fortunately, despite being slow, the film does end very well with some interesting twists--but not quite enough to redeem the film. Overall, it's very watchable but with more energy and a more involving story, it could have been so much better.

This is a fine movie - wonderfully acted, beautifully shot, quite simple. Without being heavy-handed, one comes to sense the presence of real evil that tempts and corrupts and destroys. It's a little slow at times because the story is so simple - yet the slowness and simplicity does allow the messages of the movie to hit home. Something else I like is that the protagonist boy is not made to be cute or winning - he just is who he is - largely an observer but sometimes acting with generosity and sometimes with contempt. Much has been said by others about the beautiful cinematography and that's certainly true - but I'm also struck by the amazing work of those who constructed or chose the sets, costumes, background characters - they were quite memorable. What a star in Gong Li, and what a director!I don't agree with those who contrast this with American movies - surely we feel the same evil in watching either version of Scarface or The Petrified Forest or The Road to Perdition. In fact, I would say this movie is most like The Road to Perdition of any I've seen - not in its story particularly but in its tone, its simplicity, its contrasts of character, its cinematography. This is also a good movie for those who say they don't like foreign movies - you'll like this one.