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Death Car on the Freeway

Death Car on the Freeway (1979)

September. 24,1979
|
5.4
|
NR
| Horror Thriller Mystery TV Movie

A determined TV reporter is out to find a maniac who is methodically attacking lone women drivers on the Los Angeles Freeway by pushing them off the road with his powerful van.

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Reviews

Solemplex
1979/09/24

To me, this movie is perfection.

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Stevecorp
1979/09/25

Don't listen to the negative reviews

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Odelecol
1979/09/26

Pretty good movie overall. First half was nothing special but it got better as it went along.

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Nayan Gough
1979/09/27

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Zbigniew_Krycsiwiki
1979/09/28

After rewatching the exceptional TV-movie, Duel, recently, I started searching for other, similar flicks in the "horror on the highway" genre, and stumbled onto this quite odd, obscure (and quite bleached- out) flick about a van driver and targeting single women on the LA motorways. The print that I saw was quite bleached out, making some scenes almost unwatchable. The film also had a decidedly brown/ grey pallet, which coupled with the print's washed out, faint look, made it look like a sepia-toned black-and-white movie.Part of the reason Duel was so effective was its setting on a lonely desert road over the course of a single day. With this film's action transplanted to busy LA motorways, it loses the feeling of isolation, and taking place over several days robs it of the urgency and immediacy Duel also had. The unseen driver targeting numerous people instead of just one, as Duel did, makes it difficult to get attached to any of the characters, or care if they survive. The idea of the van driver changing the look of his van to confuse the people (after a description is broadcast on television) was a novel twist the first time, but lost its effectiveness when it was done repeatedly. There were some decent enough car crashes and (curious) explosions, but they are widely separated, and what lies between is a lot of women's lib and feminist ramblings shoved down the audiences' collective throat, and the whole ordeal is further negated by the fact that we know the killer's identity will remain a secret, burned to a crisp in some fiery climactic explosion, and, sure enough.....

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Prismark10
1979/09/29

The television film Duel directed by a young Steven Spielberg had a driver menaced by an unseen truck driver. The film got a cinema release in some places. Obviously inspired by Duel is the 1979 Television movie Death Car on the Freeway where an unseen driver known as the Freeway Fiddler (because he puts on bluegrass music) is terrorising women drivers and pushing them off the freeway. It is surprising that no other driver notices the maniac loose on the road when he is bashing into other cars and being a danger to everyone!The police (represented by Peter Graves) are reluctant to take these incidents seriously and at one point blame the women for being bad drivers for getting into these scrapes. At least it is a social commentary regarding sexism and the police force!Shelley Hack is the reporter who makes the story public and plots to catch him even taking special hazardous driving lessons in case the Fiddler pursues her.The director is Hal Needham, a former stuntman and a director associated with Burt Reynolds and films such as the Cannonball movies. There are some good car stunts from such an esteemed stunt director but it also suffers from rather dull made for 1970s television movie narrative.George Hamilton is wasted as Hack's ex beau and star news reporter. The film loses focus when it dwells on relationship issues and when it introduces some kind of Hells Angels type of group who may know the identity of the Freeway Fiddler.An interesting premise made bland and even silly when it should had been grittier.

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climbingivy
1979/09/30

Death Car On The Freeway is one of the worst and cheesiest 1970s movie ever made.I give it about the same rating as movies like Rollerboogie and Car Wash.The movie comes from a time period of a lot of made for TV movies that started with ABC's movie of the week back in the early 70s.There are a lot of made for TV movies that are excellent like Seven In Darkness,Dr.Cook's Garden and Shadow On The Land.Death Car On The Freeway has one of my favorite actors Peter Graves.This movie was far beneath him but I guess it paid the bills.Shelly Hack looks good but is not a very good actress.I recommend this movie for lovers of cheesy 70s movies with a disco soundtrack!I have this movie.

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Chase_Witherspoon
1979/10/01

Taught little tele-movie featuring a maniacal van driver bearing down on lone female motorists, causing mayhem, death and destruction. It's a serial killer movie with a twist; the van is the modus operandi and the signature is a frenetic bluegrass tune blaring from inside, earning the killer 'The Fiddler' nickname. Novice TV anchorwoman (Hack), desperate to emerge from beneath the shadow of her former husband (Hamilton), investigates the road rage attacks for the network news service, becoming not only an expert, but part of the story itself, which attracts attention from seedy individuals, who may be linked to the killer.Director and veteran stunt co-ordinator Hal Needham has crafted a tense mystery thriller on a TV budget, incorporating a raft of well-executed stunts, and some big names in the cast. The 'tanned one' plays his usual character (i.e. George Hamilton) and while Hack is a bit like her surname, there's good support from veterans Rush, Gorshin, Graves, Vigoda and co in the wings. Even pretty Morgan Brittany is realistic as an over-zealous, aspiring actress, keen to emphasise her near-fatal encounter with 'The Fiddler'.There seems to have been an attempt to convey the message of journalistic objectivity, and professional integrity in media, but neither Hack nor Hamilton are credible enough to carry that pretext. Their cheesy white dentures and auto-cue reading skills enough to convince you they're news mannequins, but nothing more. Despite this, Needham plays his aces at the right times, employing his experienced cast for scene fillers, and handing the rest of the movie over to the outstanding stuntwork to deliver the action sequences, which are superior to those employed in many feature films. The sense of hysteria that he builds in the narrative is well weighted for a fitting climax, and the audience isn't left disappointed. Worth a look.

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