Poison (2000)

Sorry, this movie sucks

So much average

Good concept, poorly executed.

A story that's too fascinating to pass by...

Let me be really clear about this movie. I didn't watch this movie because of the plot, I watch it for the saucy sex scenes. That being said, this movie is so god damn awful I flip between pure joy of seeing a godly body of Traci (Mandy Schaffer) and cringing my eyeballs out for the disaster of a plot.Spoiler Alert: The first scene of the movie already had me cringing.. you see a woman painting something by the lakeside, in pure bliss and serenity, then a beautiful girl approach and ask if she could paint beside her. When they both finished, they show each other what they had ... and the woman painted A VINEYARD WHEN SHE IS INFRONT OF THE LAKE. What kind of screwball director would make this kind of mistake?? And in another scene, Traci gets to kill her teacher's lover by smash him with the sail pole, and then she swims away, and none of the town's police suspected her once. I mean HELLOOOOO? MANDY DID NOT WEAR A GLOVE DID SHE? HER FINGER PRINTS ARE ALL OVER THE GOD DAMN BOAT!! After that, it gets worst, whenever Mandy is around, there is the "chilling" sound effect played which sounds like a cat in hissy fit. It's also a real pity Rosanna Arquette's is in this movie. I feel real sorry for her to have to star in this super low budget soft-porn no brainer. Same goes for Jürgen Prochnow, who also has the misfortune to star in this movie. All in all, 2/10.

This can't be Mandy Schaffer's last film. Somebody, do something! :-(Argh.What little life this one might have had, the directing finished off. Don't blame the cast; they did OK. Even the winemaker's younger brother was pretty well done, and he didn't even get into the movie until halfway through. And please, please put Mandy in some more movies! She's too beautiful to bury her career at such a young age. Ya' breakin' my haht, heah....Two specific criticisms, in case anyone cares (apparently nobody liked this movie very much). First, the way Traci kept popping up at just the right melodramatic moment, in order to see whatever she was supposed to see, and never got seen in return, was very annoying. Hollywood: please stop giving villains perfect timing luck which runs out exactly when the climax arrives. It's dumb. Write better scripts so you won't have to use that lame plot device any more. If your script isn't good enough to stand up without that, then don't produce it.Second, Carmen wouldn't have fallen for that fake injury trick that Traci pulled. She already had Traci fingered. More bad writing/directing there.I could trash this movie further but mercy forbids it. Actually I didn't hate it as much as the others seem to have. It just didn't have much of a reason for being made, unless it was purely a vehicle to show off the lovely Mandy. Oh, and to whoever didn't think she was sexy... the character wasn't very well written, but how can you say she wasn't sexy?!? One or the other of us needs glasses, and I don't think it's me.MORE MANDY. (Not to be confused with "Moore, Mandy" -- although I'd like to see her again too. ;-) P.S. Did I mention I hope Mandy makes me more movies? <:-D

A truly, truly dire Canadian-German co-production, the ever-wonderful Rosanna Arquette plays an actress whose teenage daughter redefines the term "problem child" - a few uears prior to the "action" the child murdered her father, and mum took the fall for the offspring. Now she's moved up to the Northwest US to start over, but her child still has a problem in that she's devoted to her mother. So devoted in fact that she kills anyone who might be seen as a threat to their bond.Unfortunately Mandy Schaeffer (as the daughter) murders more than people - she delivers such a terrible performance that she also wipes out the movie, though the incoherent script, useless direction and appalling music (check out the saxophone the first time she displays her bikini-clad bod) don't help any; we're supposed to find her sexy and scary, but she fails on both counts. Almost completely unalluring and not even bad enough to be amusing (not to mention the fact that Arquette and Schaeffer don't really convince as mother and daughter), all condolences to Miss Arquette and Jurgen Prochnow, both of whom are worthy of far more than this, and both of whom (particularly Rosanna) are the only sane reasons for anyone to sit through this farrago.One of the production companies is called Quality International Films - not since the three-hour "Love, Lies And Murder" (from Two Short Productions) has there been such a "You must be joking" credit.

Here we have another psycho-girl-on-the-rampage movie, this time portrayed by Mandy Schaffer. She is a seventeen-year-old who is fixated on her mother (Rosanna Arquette) and is never happy when a man comes between them. This time the man (Thomas Kretschman) is the brother of Arquette's business partner (Jurgen Prochnow, in a nice change from his usual creepy bad guy roles). Of course, Schaffer is soon bumping off anybody who gets suspicious or just plain gets in her way. There really is nothing new here, but Arquette is watchable in just about anything, and there's nothing wrong with the occasional cheap thrill, of which this movie provides plenty.